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Summit Street

1990 and 1988 Summit Street Columbus Ohio

Summit Street is a strange road, any way you slice it. Mostly a one way, southbound conduit for US Route 23, it’s also mostly residential. But every block or so, it seems, there’s at least one iconic business which has featured predominantly into the landscape for decades, if not our entire lives. It being Route 23, local boy Dwight Yoakam has even technically written a song in part about this. Also believe it or not, legendary rocker Joe Walsh lived on Summit Street as a young boy, and was in this house when he first learned guitar – I haven’t been able to figure out the exact address yet, but remain hopeful that fact is buried in some archives somewhere. On a related note, local band The Godz had a place on Summit, too, when they first started getting serious about their act.

But let’s move on to (mostly) the present tense. Considering that Hudson Road is where Summit begins the one way split (turning into much more of a sleepy, residential street north of here), it makes sense to begin our journey here, and head steadily south:

2515: Baba’s. Only added dinner hours June 2018.

2507: Rumba Cafe. Hoodoo Soul Band has been playing Sunday nights here since 2008, after switching over from Oldfield’s On High.

2500: the 3rd different home for Used Kids Records. This one is different in that there’s a performance area in one corner, a nifty little section where the brick lined wall is covered by reams of posters, with a sign bearing the familiar black and white Used Kids logo mounted right in the middle. I would be surprised if you found much Dwight Yoakam here, however.

2491: Wild Goose Creative 

This is a really interesting space which holds everything from marathon epic novel readings, to screenings of indie films.

2216: Cafe Bourbon Street

This is now one of the longer running live music hotspots in all of Columbus.

2210 Summit Street

Is presently The Summit Music Hall, and there’s also a Crunchwerks eatery inside. The exterior is a sharp looking black with bright red trim, though I haven’t been inside. For the longest time, however, this was Summit Station, a prominent lesbian bar. There’s actually a historical marker in front of it, on the sidewalk, because this was Ohio’s first lesbian bar, period. It lasted from 1970 to 2008, first called Logan’s Off Broadway and then Jack’s-A-Go-Go, before Petie Brown took over as owner in 1980. And held onto this business until the very end.

(click arrow to navigate)

-South Of Lane

The building at the top of this post was once split into 4 housing units, with apartments numbered 1/2 on the 2nd and 3rd floors. I know this because we moved into 1990 1/2 Summit Street in January 1997. And this disgraced former residence was quickly abolished as soon as we moved out. Dan Focht of Salthorse fame lived here right before us. This picture is from much more modern times, however.

At the time we moved in, Stephanie Silver was occupying 1990 and Sherry Shaffer 1988 (some nice alliteration there, eh?) We never really got to know these guys living in 1988 1/2. Sherry wound up putting her rent into escrow over some disputes with our landlord, Wayne Ault, moved out, and then later on ended up working with me at the Damon’s on Olentangy. Stephanie moved out in the summer of ’97 and was replaced by this teenage kid we ended up befriending, Will, along with his mom and ever so briefly a sister.

Will was always a good sport and took what nowadays might be considered “hazing rituals” or even “bullying” in stride – part of the rite of passage, hanging out with some slightly older dudes. The pinnacle of which, I somehow forgot to even mention in Riots Of Passage, might have concerned this unused roadside flare I found one day, while riding around on my bike. Stuffing it into my backpack, I brought the thing home. And then we eventually talked Will into lighting it, running out into the middle of Summit, and placing it into the center lane directly in front of our house. As we then all stood on the front porch laughing our heads off, endlessly watching the cars swerve around it.

We got away with so much at this house. Although it does seems really strange now – as it rightly should have at the time, i.e. before we did such a thing – to think that one night Alan, Snoop and I broke out my clubs and blasted golf balls from the front yard, to see who could hit them the furthest down 19th/Woodruff. Maybe I shouldn’t be mentioning this. But this is a prime example of how you just can’t win sometimes about your past: mention it and you are glorifying such behavior; omit this and it means you’re whitewashing the incident, attempting to bury it. But it happened, yes, interpret this how you will. Kiddies, just maybe don’t try this at your home – or anybody else’s.

Sean Gardner, along with some of his friends, moved into the house next door to us in I think late ’97. It looks like this address must have been 1992.

1978: Ruby Tuesday, longstanding live music venue and dive bar of considerable renown. Although it appears they have slightly renamed themselves only recently into Ruby’s On Summit!

1866: A gas station has sat here, at the corner of 17th, since at least the late 80s. Was once a BP, is now a Shell, but more importantly to nearby residents, in whatever incarnation,  it’s been open 24 hours for their cigarette and beer and late night junk food runs. Well, except this brief stretch where we’d find the door locked at weird hours, and it turned out the lone employee was shooting up heroin in the cooler. He didn’t last too long, however.

The Subway shop inside is even more of an institution and used to keep the latest hours on campus (3am Fridays and Saturdays, possibly Thursdays even), though I see they’ve now scaled back to a much more standard midnight. There’s also a Dunkin’ Donuts here now, too.

1864 Summit Street

This corner has been revamped quite a bit, however, despite the constant presence of that gas station, and a Subway as well. For instance, there didn’t used to be a Summit-facing entrance, but rather one pointed toward 17th. And I think they actually must have knocked down the original building completely to build a newer one.

I say this because it not only looks bigger, but because 1864 Summit is shown as the former address for Ault Rental Co., as of 1998. This was the home office for campus landlord Wayne Ault, who owned that house we lived at up the street. And the gas station to my eyes does look bigger than I recall, plus it explains why I haven’t been able to figure out in more recent times where Ault’s office was located: that building probably doesn’t exist anymore. Nobody is using this specific address at present (nor the one below) but if I remember correctly, it seems like the office itself was slightly below ground, i.e. you had to go down a short stairwell to enter.

1864 1/2 Summit Street

I’ve seen one business address directly that has this down for an entity named Scrawl, in 1997 and 1998. I don’t know if this means the local band of that name had someone living here, or maintained an office here, but suspect that it does.

14th and Summit-ish: Melissa & Ann were living in an apartment near here, summer 2000

It’s kind of interesting to see what is going on with various residential properties, too, during any given era. Like as of a Nov ’06 classified ad, 2157 Summit #1 is listed as a one bedroom with “newer” beige carpet, A/C, off street parking, water paid. $400/month. 1680 Summit #1C and 3C (2 bedroom flat/townhouses) and 2117-2119 #1 (efficiency/studio) meanwhile are among the over 1000 apartments Buckeye Real Estate has for rent. 1661 is listed as a spacious one bedroom going for $375/month. 1503 a one bedroom with office/study, A/C, security system, dishwasher (mmm!) for a scant $450.

1041 Summit Street

Has been Auto Transport Service Inc. since at least January ’01. So kind of an impressive run, actually. Damage free towing, 24 hours a day.

Also Reliable Advertising & Distributing Co. as of Jan ‘01

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Private Dancer

Private Dancer Columbus Ohio

Private Dancer on Trabue Road holds a special place in my heart as the first and, to date, also the last strip club I visited. None of which would matter much except that in between, it also established itself as my favorite ever strip club. Somehow this place struck that magical balance where it was neither too high class nor too trashy, just a decent, safe, unpretentious place with a nice atmosphere. And, oh yeah, I mean let’s get real, here: the girls also happened to get totally nude.

It only initially appeals on my radar second-hand. Following a brutal Saturday night waiting tables, I’m so fried I drive straight home and head to bed. So naturally this would be the night where Alan and Snoop decide to barge in at some ungodly hour, obviously hammered. Just as it’s obvious they only swung through here to see what I might be up to, therefore I’m happy to have barricaded myself in bed prior to their arrival. They shoot some firecrackers off out our back kitchen window, and then leave again about five minutes later.

Following their thunderous cameo, I’m unable to fall back asleep, and drift up to the third floor to watch TV. Am stretched out on the couch with The Godfather playing when Alan returns somewhere in the neighborhood of 4am, quite intoxicated.

“Dude, we just hit this awesome titty bar out on Trabue Road, it’s called the Private Dancer,” he says. 

“Do they get totally nude?” I ask. 

“Totally,” Alan replies, emphatically. 

“Dude, we need to hit that sometime…” 

“Yeah,” he says, “I mean, the girls were decent, they weren’t that great, obviously, but it only cost like seven bucks to get in and they looked pretty good. This one was picking dollar bills up with her pussy, too.” 

When Damon’s birthday arrives a few nights later, it only seems natural to include this place as but one pit stop in our tour of the city. It certainly helps that his girlfriend was supposed to drive down for the occasion, but blew him off for some other party. I have actually somehow never been to a strip club before, primarily because I’m pretty sure in advance it’s going to be exactly what it is: something entertaining to do with the fellows every once in a great while, but nothing all that mind-blowing. Something exciting is far more likely to occur in your average bar than it is in a strip club.

After a quick pit stop and tune-up at Woody’s, for a couple of five-for-$5 buckets, shots of Jim Beam for some of the guys, the four of us continue west across this uncharted land. Upon arrival, we pay our $7 admission charges, and grab four consecutive seats abutting one side of the dancers’ truncated runway. By the time we leave here, only Paul remains ever so slightly unimpressed, although for him I suspect this is more adopted stance than authentic worldview. He will for example later admit to at least finding this taller redhead chick pretty attractive. And out of the four women in circulation here, one is an authentically busted up older lady who should probably gracefully fade from this circuit. Yet even she is borderline, the way us other three guys see it, and anyway the remaining girls are all pretty hot. 

We grab four adjacent seats directly in front of their truncated runway. As a series of loud rock jams with decent dance grooves are piped in above – there’s no evident DJ here to narrate and soundtrack the action, at least not tonight – the first girl emerges, and it’s somebody I recognize. She’s a short, curly haired, peroxide crafted blonde with gigantic tits, and has been hanging out at Maxwell’s just about every time we’ve gone there. Her legs are kind of flabby, yet she has a cute face, as well as this neat trick in her repertoire involving those massive floppy breasts. She scoops one into her mouth and sucks on it a while, gyrating to the music throughout, before repeating this motion with the other. Then, directly in front of us, pulls off some fairly impressive acrobatics while removing what little clothing remains. In even our wildest dreams observing her at Maxwell’s, if ever even thinking about this girl, it’s unlikely any of us seriously expected to see observe this much of her body in such intimate and up close fashion. Like how her nether regions are shaved completely bare, thrust triumphantly in the air for all the world to see – or us ten or twelve paying customers, anyway. 

Of the girls we glimpse tonight, I like her the most. After two or three songs, she throws on a few pieces of her skimpy outfit and parades the room for tips. She’s the only one who actually opens up her panties from the front, encouraging you to stick your hand in there, so long as it’s holding a dollar bill or more which you then deposit. And don’t try anything funny, it goes without saying. 

Up next is the tall redhead, who is slightly older than us and the hottest of the bunch. She is a flawless professional and moves the best, flirts the best. Her greatest sequence is stopping directly in front of you, with a playful wink before she bends over in one swift, smooth motion, bringing her ass and pussy lips to within inches of your face. In the name of full reportage, I should mention that her clit is pierced, too.

If this sounds sexy, it is, sort of, although having her back at the house to yourself would surely increase that factor by a thousand. Mostly it’s just something kind of fun – and funny – to do with the fellows. Still, atmosphere is everything, and I like the middle ground Private Dancer here occupies in the class department. Nonetheless, Damon can’t stop laughing, which he admits is usually what happens at these strip clubs. Seated to his direct left, I am caught up in the wake of that vibe, too, although wondering what impact Alan has on the comedy parade, and if he was always present for previous outings. Occupying the last chair to the right, he keeps glancing over at us and issuing the sort of deadpan, play-by-play narration you might expect from a televised golf tournament, or competitive dog grooming show.

“That was a Kodak moment,” he drily intones, smirking over at us, after one deft maneuver. During another, he’s asking the girl, conversationally as she dances near him, “what time do you get off?”

Our tall goddess with reddish brown hair indicates that I should set a dollar on the runway, and I do precisely this, as she squats down and grabs it with her ass cheeks alone. As she then works the room for tips, dancer number three takes the stage, the aforementioned, slightly ugly and past her prime older woman, followed by this short haired brunette. The latter has a great body and really knows how to dance, although her face is kind of messed up, too, which ruins things a fair bit. And unlike the blonde from Maxwell’s, these other three, as they patrol this sparsely populated room for additional dollars if not lap dances, will only let you either stick the bill in the side strap of their panties, or in one instance, the top of her stockings.

When the blonde emerges onstage again, we determine this foursome must be the rotation for the night, and decide to split following her and then the redhead’s encore. With this final viewing, the voluptuous ginger picks Alan for her ass cheek retrieval stunt, and he obliges. Although this leads to the legendary parting shot, one which finds even her breaking out a genuinely amused laugh, as she collects a tip from me, Damon, and Paul.

“Sorry,” Alan apologizes, “you picked up my last dollar with your ass.”

“That’s okay!” she says, giggling as she walks away.

We take off, but not before checking out the attached adult video and book store one door over. This is somewhat of a brilliant idea, and it’s surprising you don’t see it more often. The birthday boy purchases a few discounted magazines, and then we head home, figuring our night, if well spent and cramming in enough adventures for three, is pretty much over.

I would describe this as a fairly typical night at Private Dancer, as the years roll and some of us return here every so often. At some point, Ohio law concerning strip clubs changed to where you are now able to bring your own alcohol here, as strange as that sounds, and this only served to enhance the experience. They charge you a little bit to store your drinks behind the bar, and then you also pay for every one retrieved from the bar, if I remember correctly.

Whatever the case, this place is still around. And while the reviews online look a little brutal, it’s helpful sometimes to remember that usually only the most fired up people post one, concerning either extremely good or extremely bad experiences. Whereas that seems a highly unlikely occurrence here – you pretty much know what you’re getting at Private Dancer, which is a thoroughly average time. And there’s nothing wrong with that. Granted, it’s been about a decade since I have ventured inside these doors, so maybe things have changed. But I have a sneaking suspicion – call it hope – that they are exactly as they’ve always been.

Private Dancer streetside sign Columbus Ohio
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Out-R-Inn

Exterior of Columbus, Ohio's Out-R-Inn

It takes us a lot longer to discover Out-R-Inn than it ever rightly should. Located somewhat slightly out of the familiar campus loop, on Frambes, which may explain why none of us have ever been here. A house which has been converted to a bar at some point, with a jagged stone wall in front guarding this elevated patio, a patio that in turn lords over the sidewalk. They’ve got a doorman checking I.D., always a positive sign that things are happening enough to bother, and we cross that threshold in turn. Upon first entering, our initial impression is that this place appears tiny, with a scuffed wooden bar and stools, not a ton of breathing space in this first room. They are blasting tunes from a CD player behind the bar, for which the drink slingers also choose the discs, although the most curious aspect about this arrangement is that the music is louder out on the sidewalk than it is in here.

We order a beer at the bar and walk toward the back, though, and it’s only in so doing that the full breadth of this operation reveals itself to us. Now, the space looms like an optical illusion in the other direction, where you’re struggling to picture how it’s this much bigger on the inside than would appear possible on the outside. There’s a side room, an upstairs, plus this gigantic back patio with another bar at one end. Brick arches which look like they’ve been around since the 1800s, in fact brick and wood everywhere, mostly the latter. Hardwood floors which are polished in some spots, mostly not, and this wooden corridor for darts, some low riding wooden picnic tables on the back patio, many a shiny wooden wall inside. The smallest stage known to man in one interior corner, but then also, curiously enough, basketball hoops in another behind the place. Television screens everywhere, as it considers itself somewhat of a sports bar, and some of these weird walls that double as windows, these wooden flaps that open whenever the weather is nice.

If there’s one downfall to this bar, it’s that there are way too many guys and not enough girls. Then again, you might say that about pretty much anywhere, given the wrong night. And there is enough visual candy to hold our attention, anyway. We entertain ourselves for the duration of the first beer, pretty much, watching this chubby blonde in a short skirt shoot pool, hoping for a panty shot. Then get bored, order a second round – Damon talks me into trying Moosehead, which isn’t bad – for a voyage onto the patio. They’ve got a shelf behind the bar, just below the monstrous CD rack, with every variety imaginable, and price tags hanging off of each, in a novel twist, which leads to such experimentation. The four of us have made a pact to drink nothing but imports while here, no American swill allowed.

It’s out on the patio that we make our first unexpected encounter, bumping into Frank Wiseman and his trusty sidekick Lauren. These two are hunched before drinks, alone, at one of the picnic tables, a quaint if somewhat bizarre tete-a-tete. He’s telling me he bartends at the Claremont steak house downtown now, and says I should stop in sometime for a drink. In addition to getting canned at our restaurant, he says he also quit Bowties, and is working solely down there at the moment. As for her, though in theory her friends, the other clubhouse bitches continue to make smirking wisecracks about her “drug problem” as they complain about her table thievery – and you would have to say these rumors are beginning to bear visible fruit. She’s looking a little thinned out and pasty these days, actually quite a bit so.

“Ugh. She’s not looking too hot these days,” I remark, after we leave them.

“It’s funny you say that,” Damon chuckles, as we excuse ourselves from that awkward private conference, “I was just thinking that. The first time I met them, I thought, what the hell’s she doing with him? Now I would say it’s the other way around.”

He has no sooner completed this thought before a second acquaintance comes bounding over, right when we step back inside. Carmen, the really cute, curly haired brunette he knows from school, seems delightfully surprised to see him here, and we stand talking to her, Damon most of all, naturally, for quite some time. He says she’s got a cool personality, and this observation seems to hold water in my limited interactions with her. She does have a tendency to lean in extremely close when speaking to you, which could be either intimidating or a turn on – mostly the latter, once you get to know her. It helps that she has a pretty face and a curvaceous body.

She’s here with friends, and returns to them as we head up to inspect the second floor. They have an actual jukebox located at the top of the stairs, and three pool tables. Also, some windows affording a terrific view of the surrounding terrain, both restrooms for some curious reason, and a curved exterior stairwell which leads out to that side basketball court.

We are among the few inquisitive souls actively hanging out up here, thus are able to immediately claim both a pool table and the jukebox. Alan puts some quarters into the juke and plays five or six tunes, with me right behind him. Then Paul, who almost never does this, saunters over to shell out for some songs.

“Watch, he’s gonna play Back In Black next,” Alan jokes to me in a whisper, and then we bust out laughing as this is exactly what happens. Followed by You Shook Me All Night Long.

Still, as predictable as he can be on many fronts, obsessed to no end when the rare subject appeals to him, Paul is still nonetheless capable of blowing your mind with the unexpected revelation now and then, more so than these other two friends. We’ve all got secrets, of course – you wouldn’t be human otherwise. But beyond those, speaking just about our basic personalities, I feel like you’re pretty much going to hear everything interesting that happened to Damon in the course of a day, unless he has a strongly compelling reason not to reveal it, and he will make these tales mighty hilarious in so doing. That Alan probably hews closer to me at the other extreme, as we’re more selective in relating our stories – either because these are the only ones which occurred to us, or we don’t want to bore people, or it’s just too much work – while Paul’s off to the side somewhere from all of these viewpoints. It’s as though he often considers admitting to anything other than the canonical obsessions as diminishing those obsessions. So while we’re chortling over the AC/DC, he seems undisturbed, and possibly not even registering this, raving about this album for the thousandth time…but then abruptly switches gears, when a Soundgarden song airs, says he used to be in a band that played Jesus Christ Pose and he always thought his was a killer cut. I’m floored, and in a way can’t imagine Damon or Alan would ever tell me anything more shocking than this.

It feels like one of these strange nights, though, where everyone’s in a somewhat giddy mood for no concrete reason. I’m not the only one gripped by this sensation that something interesting is bound to happen tonight – which of course often winds up being a self-fulfilling prophecy, as such good cheer and optimism makes things happen on its own. Even as I’m just about out of money and cut myself off following this third round, and Kathleen either passed out early or blew me off, nothing can diminish the potential of this still young night. Alan talks me into drinking a Beck’s Dark, same as him, even though they screw up and give him a regular Beck’s. Damon and Paul beat the two of us in both pool games, somehow, even though Radick’s easily the worst of us, and rarely plays. Then we decide to head down the sidewalk, in favor of Que Tal.

II.

Bob Gil, an OSU graduate, purchased the Out-R-Inn in the early 1980s. At the time the place was struggling to turn a profit, but he soon turned it into a money-making success. For unknown reasons, despite owning a couple thriving businesses around town, in the early 1990s, he decides to bring in some buddy from his softball league, Marty McNamee, as co-owner on all his enterprises. This is a decision he will presumably come to regret, however, as in September of 1994, Gil will wind up dead, courtesy of a single gunshot wound to the head – and McNamee himself has to be considered the prime person of interest in this still unsolved case.

For much more on this incredibly strange odyssey, I would recommend checking out the always excellent coverage on that episode of True Crime Garage. In the wake of Bob’s death, though, his dad will actually inherit a chunk of these businesses. Then Marty buys him out (their holdings also include the sports bar Pockets on Kenny Road), in 1995, shortly before running into a whole heap of legal trouble himself, one which will conclude with a 36 month prison sentence.

As for us, we will return to Out-R-Inn often, both for the remainder of our campus years and well beyond. It’s the rare kind of establishment where you’re likely to find a bunch of college students but also a sizable middle aged or older crowd, who feel right at home here. Easily the campus establishment I’ve visited most since moving out of the university area, where for example, when one of my aunts and a cousin came to town for a visit, this immediately leapt to mind as our best option. Our go-to choice before and after concerts at the Newport…but also a place I went to alone, one night, after fighting with Jill, while the rest of my friends went to a show at the Newport. After which, but of course, the friends were kind enough to join me.

In the name of full disclosure, I have to admit the night this really cute and curvaceous brunette barmaid decided she was too hot, and to serve drinks in just her bra, this was reason enough alone to return for many, many months. Even if, as Closing Time is playing from their boombox near the end of the night, and Alan mouths the words, the whole I know who I want to take me home line, jabbing an insistent finger in her direction as she slings drinks, he is not exactly successful in these romantic efforts. I know we will never forget that night, and hope to never forget about checking into this so-called inn, either, every now and then.

To see it a couple of decades later, in 2019, not a whole lot has visibly changed. Almost all of the updates seem to be music related, which is a fitting commentary on our modern era. The tunes aren’t nearly as loud when approaching the building, and once inside, you will immediately observe that the racks of compact discs behind the bar are gone. Upstairs, the juke box has been yanked, but otherwise it’s like stepping into a time warp.

This is my first visit since I think 2006, so there are plenty other details I had forgotten about, but am pretty sure were always in place here. Like nearly every square inch of the wood and brick walls being covered with signatures up on this second floor, and the men’s room with the giant piss trough and just one toilet stall otherwise. Downstairs again, I am confronted with the unfortunate sight of just six draft taps, most of them offering cheap domestics. Although it’s easy to forget this is a college campus, and they’re just giving the masses what they want.

McNamee sold the place somewhere around 2005-ish, as he was filing for bankruptcy…although this would soon turn into a tax fraud/money laundering case against him. According to a September 11, 2007 article by Columbus Business First, McNamee was sentenced to three years of prison, in addition to some hefty restitution to the tune of about half a million dollars. This had something to do with, in part, staging a flood for insurance money (not here, but at this residence). A federal grand jury convenes in D.C. and convicts him with a slew of charges, including money laundering, tax fraud, conspiracy, mail fraud, cash skimming, a false insurance claim, and fraudulent tax returns.

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Comfest 2007

jazzy band performing at Comfest 2007, Columbus, Ohio

Okay, I finally managed to unearth this video, recorded back in ye not-so-distant olden days where a hi-8 camera was actually about your best option. I happened to be driving home from a funeral with only a couple of hours to kill but felt some compelling need to swing through and film Comfest on this day. It kind of felt like providence and I couldn’t resist passing through.

Let me apologize in advance for the shaky camera work and manic zooms without warning, making this probably a document better listened to than viewed. Also, I would say the reason the footage is kind of distant and bad is because I was trying to find some sort of middle ground between getting good shots of the performers, without intruding upon the crowd. You were still very much considered some sort of weirdo at this point for walking around with a camera, and I didn’t want to creep anybody out. That’s just the climate of the time – and it’s interesting to note in retrospect that we are one week away from the iPhone’s debut, as of this Comfest date, an event which will change a great deal about these types of experiences.

A number of years ago, I dumped this down from tape to computer hard drive, yet haven’t been able to locate that footage for quite some time. Therefore recently repeated the process, during which time it’s obvious the tapes have degraded in some places. So there’s still hope of unearthing better copies in these patches which now have static lines.

Anyway, below are the performance clips I managed to capture, along with whatever limited commentary I can provide at the moment. I haven’t had a chance to match up who’s playing where on an events calendar, so your guess is as good as mine on most of this stuff. As always I hope to dig through my writings and then research a little bit and cobble together more information down the road.

This first group here is playing at that little stage near the corner of Goodale and Dennison. They’ve got a decent bar band boogie sound going, and it’s cool to hear that even the bass guitar came through fairly well on this camera. Plus the lead player is offering up some tasty licks:

If any of these performers ever stumble onto this site, they are surely going to despise my descriptions. But in my defense, I’m making due with limited information here. Anyway, this next act here, which performed on the central stage, kind of sounds in places like a Midwestern band going for an Oasis vibe – and this isn’t a bad thing! On the contrary, I think this is a pretty catchy song:

And this would be one of those fuzzy stretches of tape I alluded to, albeit fortunately one of the least essential patches. This car covered with trinkets is great, of course, but was here every year and might still be for all I know. In the background you can hear some reasonably compelling, female led (I think) rock band plying its wares:

Okay, at the tail end of this following clip, we have our first definitive evidence of a named musician: Megan Palmer is apparently the one lending an assist with vocals there on the far right. One thing that kind of drives me nuts at these festivals is that bands usually don’t name check themselves enough, or display any sort of banners or other promotional apparel. You can see the deleterious impact this wreaks, right here on these digital pages, although I expect to piece together who these musicians are eventually.

It’s kind of interesting that the background chatter happens to be louder on this cut. I was just thinking that, while compelling, this is singer-songwriter material better suited for chilling around the house. Therefore it’s probably not a coincidence the crowdspeak threatens to drown out the band. But I do really like the part – I think you might call it a bridge – in between the verse and the “who’s gonna love you?” section. Whoever this is, they’re playing at what is known as the gazebo stage:

This funky, Latin tinged jazz ensemble is probably my favorite act glimpsed on this glorious day. Even the footage is best at this point, capturing them at the corner of Park and Goodale, with the Greek Orthodox church an impressively picturesque backdrop. Near the end you spot the second person I’ve noticed so far with a cell phone, though still nobody else snapping pictures and certainly not sporting such a dorky appendage as a video camera:

Up next we have pretty much what the video description promises, a random, quiet stroll through the vendor section, then a quick dip out to High Street. Nothing of consequence happens here and you would certainly be forgiven for skipping it. Although I don’t even remember doing this and am now thinking some stills taken from here, particularly of the cap over 670, would make for nice pictures:

I feel as though I recognize this song, or at least the vocalist, but the footage is too murky to say for sure:

This forthcoming material is pretty much the exact opposite of that singer-songwriter clip from earlier – both in style and reception. Spoken word pieces I would almost never listen to just hanging out around the house, but find them really moving and powerful in person. This one is held at the back stage, and watching this makes me glad for a second reason beyond the performance itself. I’m reminded of seeing Jello Biafra rant on this very stage at a different Comfest, and it sure as hell seems like I caught that on video, too. So it’s possible that further treasures await, if I ever stumble upon the tape. For now, you should definitely dig this:

And here are another couple pieces of hers. Anyone know who this is? In the background you can hear some other band, too, presumably playing on the gazebo stage. There have to be other videos of this day out there, even in this predawn era of 2007, and it would be really fascinating to piece these all together somehow in Zapruder/JFK assassination fashion. For now I guess you’re subsisting on my cruddy footage.

As far as taking notes, about the only observation I’ve found thus far concerned the Cheater Slicks. About them, I had this to say, in my notebook:

Cheater Slicks are punkabilly for the most part – a trio – but the last song starts off as this slow rhythmic rumble then slowly speeds up while getting progressively more chaotic. Then some old guy meanders up and starts playing spoons into the microphone.

And then finally, to close out this piece in possibly gratuitous style, here’s this end footage selection of the drive away from the park. I’ve muted the unnecessary audio so historians can enjoy whatever limited scenery is available in this clip. It sure seems like by some miracle I was able to park right beside the, um, park, bringing the heavenly aura of this experience full circle.

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St. John Arena/OSU Ice Rink

St. John Arena & OSU Ice Rink, Columbus, Ohio

Though plans have been hinted at for years now to demolish the thing, at present this fabled athletics shed still proudly stands. OSU’s men’s and women’s basketball teams both, as well as the men’s hockey squad, stopped playing here after the 97-98 campaigns, in favor of the Schottenstein Center up the road. Over the years, this multi-purpose venue has seen everything from a Rush concert in 1980, to presidential hopeful Barack Obama stumping here on the campaign trail. Of course, at least one active commander-in-chief has been here, too, when Gerald Ford delivered the university’s summer commencement address inside St. John Arena in 1974. I skated this ice back when they had a dedicated night of the week for public use of the rink, and watched my buddy Damon play hockey in these dim confines when he was a member of the Buckeye “B” squad, or whatever you call it. As recently as 2016 this arena avoided a very close scrape, when its proudly announced replacement was nixed, and it continues to find use for some of the less popular OSU indoor sports.

As pure chance would have it, I manage to catch the last ever hockey game the OSU men’s team played here, on Febuary 26, 1998. Damon’s ex-girlfriend Angie is in town this afternoon (all the more interesting in that Damon hasn’t gotten around to breaking up with his current girlfriend yet), and the three of us are hanging out at the house. While attending class, Damon heard something about this promotion they are running, and snapped up two tickets, before inviting Angie down: for a meager $5, students can catch this momentous event, which also includes an all-you-can-eat pizza dinner at the campus Tommy’s before the game. Upon learning that I’m off from work tonight and will be around, he’s hatching a plan to include me as well.

The three of us squeeze into his truck and drive across campus to the building where he bought these tickets. We reach some office on an upstairs floor, back near where Woody Hayes Drive crosses the Olentangy, and Damon’s speaking with the receptionist.

“I’m sorry, we’re all sold out. You might be able to buy some off the guy running it, though, he might still have a few tickets left on him….”

“What’s his name?” Damon asks.

“Eric.”

“And he’ll be there tonight?”

“Yes.”

“Okay,” Damon nods, “thanks.”

Undeterred, once we are outside the building again, he lays out a feasible backup plan. The chance of this Eric character having any tickets left is probably pretty slim. Nonetheless, Damon advises, what we’ll do is head into Tommy’s like nothing is awry, dive right into the free pizza and grab a seat. “And then if this Eric guy acts like he wants to see your ticket, tell him the secretary you talked to said he’d have one you could buy here.”

As it turns out, none of these machinations are necessary. Nobody is inspecting anything whatsoever at this restaurant. We help ourselves to reams of the gratis pizza, the free Pepsi to wash it down (or was it Coke? I feel like Bruce would surely know, off the top of his head, precisely what they serve here), and then Damon feels inspired to go buy a pitcher of beer and really ramp up the festivities a notch. Only when we are leaving, to walk across the street to the arena, does Eric ask for everyone’s ticket. When we reach him, I recite the spiel Damon had concocted.

“As it turns out, I do have one left,” he says. I hand him the five dollar bill, and he forks over the ticket.

Once everyone spills across Lane Avenue, flashing our proof of entry at the gate, the three of us snag some choice seats near ground level, right behind the visiting team’s net. Up the street, at the Olentangy River Road intersection, construction is nearly completed for what will be the new home for this as well as the basketball programs. If you want to get technical, though I and who knows what other high percentage of campus denizens aren’t aware of this, the hockey team plays at OSU Ice Rink. Yes, this is the name they actually use for the space where we currently find ourselves, a 1,400 seater on a separate wing of the same building, accessed via the same entrances. Everyone seems to refer to the entire building as St. John Arena, though, and you surely would too if driving past and pointing it out to your parents or something.

Now that we’re nearing the tail end of the 1997-98 campaign, the Buckeyes are finishing out an amazing season, with talks that winning state seems perfectly reasonable, and a Frozen Four title might even be in the cards. First, however, they must dispense with the Miami, Ohio squad, not exactly known as much of a powerhouse in anything except maybe illicit substance consumption.

But this will actually turn into a well fought contest. Miami is outplaying OSU in the early going, scoring first, in period one. The home team looks ragged and has virtually no offense, though somehow tying things up with about thirty seconds left in this period.

A seesaw battle develops from here, and though digging live hockey as much as the next guy, for some reason it’s a struggle keeping my eyes open during this one. It could be the afternoon beer or excessive work schedule or lack of sleep, and surely not because nobody scores at all during period no. 2, or most of the third one as well. In the closing moments, though, OSU fires the puck into Miami’s goal once more. As a desperation move the visitors pull their goalie, to give themselves a better shot at scoring, though the Buckeyes capitalize on this backfiring tactic and slap a third point on the board. Final tally is 3-1, with the good guys further cementing their status as impending tournament heavyweights.

Following some road contests, the season will end and they will advance as far as a semi-final game in the tournament bracket. Fittingly enough, this campaign proves the most successful in over 25 years, probably since the class of 1971-72.

Two nights later, the men’s basketball squad will play its final scheduled game here, across the hall in the actual St. John Arena. An overtime loss to Penn State drops them to 8-21 on the year, with an especially miserable 1-15 record to this point against the Big Ten (they have one road game remaining, against Indiana). The season actually began well, with a 7-3 mark, before this horrific 14 game losing streak within their own conference. A change of venues will do them good, however, for they experience a complete reversal in the following season, their first at the Schottenstein Center, when they reach the Final Four. Scheduling mixups at their new home leads them to return to St. John Arena for a single game during both the 2004 and 2008 seasons.

After a ten year break from the place, in November 2018, they again return to this old shed, in a promotional gimmick which sells more tickets than the average game at Value City Arena does. How is this for irony? In the straight up sad department, however, I seriously spent well over an hour online trying to find the date for the final women’s basketball game here. OSU’s website doesn’t have it and neither does the NCAAW’s. If anyone can locate this information, by all means hit me up.