Posted on — Leave a comment

Gatsby’s

Gatsby's Bar in Gahanna Ohio

Not everything posted on this site can offer a ringing endorsement, and that is certainly true of Gatsby’s, located for decades now on North Hamilton Road in Gahanna. I feel like this bar’s tagline could very well be, “not bad…but you can probably do better!” Which is in fact what I’ve been saying about it for years.

The first visit for some of us occurs on St. Patrick’s Day, 2000, which is a Friday. The always excellent AJ Angelo is playing here on that night, so this is at least something to hang our fuzzy green tophats upon. Even a great musician still has to pay his bills one way or the other, sure, but he is just as stellar tonight as ever. Otherwise, it seems we may be tarnishing the good Saint Patrick’s name by not finding any more worthwhile pastimes, on his very special day.

And it’s possible my impression is only tainted as a result of who we wind up meeting here. Though the solid, reliable trio of Damon, Paul Linville, and I have ridden over here together, we are joining some of Damon’s coworkers, who collectively remind me of my first grade class at naptime. Because this place is truly packed, and we must wade through a mountain of people just to find thie one plastic coated wooden table where maybe a dozen of his fellow state employees are seated, along with some significant others.

Though there are a couple who can still hang, and none of them are really all that old, this is a mighty lame bunch overall. Sitting here alongside them, a phrase suddenly pops into my head, describing what I am witnessing: these people are tourists of their own lives. Maybe that’s overly harsh, and who knows, maybe I will have cashed in my chips by the mid-30s as well, but though the hour is still quite young and this is a Friday, after all, which means just about every person scattered around this table has the entire weekend off, they are all checking out shortly after we arrive. They show up, have one beer, make sure that somebody takes a picture of them being here, and then leave. The picture itself was really the whole point: see, I was here! I was out doing stuff on St. Patrick’s Day! Not so much because they’re interested in the holiday or the beer or the music or this bar.

So by 9 o’clock, though we are just warming up and it seems that AJ is as well, churning through the classic rock hits up front, the three of us are already long since the last ones left from our party. The bar is a dual leveled affair, with the front end, where Angelo is playing, slightly lower. We decide to relocate to the higher back half, which offers a decent vantage point as well, and is slightly less crowded – although the bar has already begun to noticeably thin out anyway. Then again, we are partly responsible for this phenomenon. It’s small enough that a centrally located chunk of about 17 people leaving is bound to make an impact.

But oh well, there’s still some good music, and at least a handful of other passing entertainments. Relocating to stand near an electronic dart machine near the restrooms, we figure it makes for a perfect strategic location, close though relatively cramped quarters for covering all bases. And so it is that young sweeties drift by us with glow in the dark four leaf clovers pinned upon their chests, offering vague smiles if nothing else, and over the hill reformed barflies flirt when their husbands aren’t looking, while we even manage to knock back a couple more beers in the process.

Or more than a couple, at least for some of us. Damon somehow manages to get fairly smashed in relation to Paul and me, and gets on this roll spewing crazy pickup lines to every female who drifts past. Or just one pickup line, really, repeated over and over again: “Kiss me, I’m Irish.”

Though one decent looking middle aged woman with huge breasts does indeed plant a peck on his cheek, there are probably ten or twelve girls closer to our own age who just look back with a laugh as they keep on cruising. Now the line has turned on itself, into a joke, that even Paul and I are making fun of and Damon is becoming all the more determined to find some success with. Owing to this, as well as possibly this third or fourth beer, we eventually can’t resist getting in on the fun ourselves.

“Kiss me, I’m Irish,” Damon says to this latest, small cluster of girls gliding past us.

“Suck me, I’m Irish!” Paul suggests instead.

“Touch me, I’m sick,” I tell them last.

Though these lines vary in ridiculousness, perhaps, they are equal in their seriousness and effectiveness. Which is to say, zilch on both fronts. And then when two or three of us somehow manage to bump into this ten foot tall dart machine, and it seriously begins to tip over before we catch it, we suspect that it’s a sign to conclude our stay here. My impression of Gatsby’s overall, from the outset, is that, despite a decent clutch of early twentysomethings, this is probably one of their best nights of the year, and for the most part, it’s a middle aged, career minded, happy hour type hangout. An impression further bolstered when ten o’clock arrives, and even AJ is beginning to pack up his gear. We head on out to another bar before he is finished with that process. Paul’s birthday will strike at midnight, by which time we have ventured onward to the Arlington Cafe and then still later, Traditions Tavern.

II.

The next time I’m here it’s a couple months later, specifically May 13 of 2000. It’s a Saturday night where Damon and Melissa attempt seeing the Kiss show at Polaris, only to find themselves turned away at the box office because the place doesn’t accept Discover cards. At which point, considering the volume of traffic still pouring into the venue, the staff tells them they must wait a considerable amount of time before they are permitted to exit.

“Oh no, I am leaving,” Damon tells them. And then does precisely that.

“What did you do, drive through the forest?” I joke, upon learning of this, after these two have shown up at my apartment.

Melissa had actually left a message on my answering machine, to see if I wanted to attend the concert with them. But I was at work, and did not get the memo in time, not that it ultimately would have mattered one whit. Then, before even learning that they were going to drop in here unannounced, Ann called me. So this entire night comes about – like so many of them – in bizarre, unexpected fashion. Apparently a smidgen more impressed by Gatsby’s than I have been, up to this point, Damon suggests we go there. Ann shows up about a half hour later, looking tanned and somehow even a bit more blonde than usual, for whatever reason, and then the four of us take off in my blessed red “Ghetto Fabulous” Geo Storm. Although how these decisions are made is sometimes a bit of a mystery.

“You ladies wear earplugs?” I ask, while locking the front door, as the two of them giggle their way to my vehicle.

Damon and I kicked off the festivities by throwing on Daniel Johnston’s Fun album, mainly just to observe the reaction we knew was almost surely forthcoming. Most newbies sit through exactly one tune before blowing the whistle. This time around, we miraculously make into song #2 before Ann says something. “What is this?” she asks with a grimace, an expression quite similar to someone smelling a poopy diaper. But we don’t answer right away, merely begin guffawing.

“It sounds like the Violent Femmes mixed with…oh, what’s that one guy what can’t sing?” she elaborates.

“Neil Young?” Damon suggests, somewhat of a shot in the dark.

“Yeah! This sounds like the Violent Femmes mixed with Neil Young.”

“Actually, I’d say that’s a pretty good description,” Damon admits.

Ann is talking about her brother getting into Cedar Point before they opened one day, somehow, on some kind of press pass. This leads to her and I only slightly playfully arguing about how many people go through there on an average day, while Damon and Melissa laugh at this back and forth. Actually, the more I think about it, my figure was surely way off the mark, but whatever. Meanwhile, the girls are also sweating the E status on my gas tank, though Damon assures them this is business as usual. Riding the outerbelt around to Hamilton Road, the radio’s on and the women are singing along with that Macy Gray song.

“She’s got a really weird voice,” Damon observes, “either that or it’s an overdub.”

After pulling off somewhere so he and Ann can buy smokes, we continue onward at last to Gatsby’s. We park and approach the less than half packed bar. Inside, a band called Best Of Seven is playing classic rock cover tunes. It’s a warm, seasonable night, and the doors have been left open, carrying this music out to us as we cross the lot on foot.

The four of us grab a corner table from the many available. I order a Rolling Rock bottle, Damon & Melissa Killian’s drafts, Ann some other kind of domestic, I forget. Best Of Seven, it’s quickly established, are competent, and yet we can’t really get into them. Ann and I are sitting with our backs to the band, but even though the other two get to face them, we all have the same basic assessment and I doubt this arrangement changes much. We can’t really get into them, though they’re playing every song to near perfection. Damon says he feels like they’re too stiff, and therefore have no groove to them, which is probably as good a description as any.

“I hope they don’t play classic rock all night,” Ann moans.

“Why’s that?” I ask, “you don’t like classic rock?”

“I do, but it’s always the same, there’s never anything new. It gets old.”

This might be reading too much into things – for example, we do enjoy AJ Angelo’s music a great deal, think that he is a killer live performer and really delivers the goods – but overall, I would say this band neatly matches the basic Gatsby’s aesthetic. It’s no accident that a capable but robotic classic rock cover group is playing here on a Saturday night.

As it turns out, they will shake things up a bit, by injecting some modern rock hits from the 90s, eventually allotting just as much time for these as they do the Doobies and Zeppelin oldies. We drink a few more beers apiece, converse, laugh, with the occasional eye cast toward the band. Many of the patrons have just gotten back from the Kiss show themselves, and in fact, the singer in Best Of Seven declares from the stage that he’d been there as well. How he had made it to his own gig on time we can’t even fathom, but this is what he tells us.

2001 events:

In this section I will begin to post events calendars as I assemble them. You’ve got to start somewhere, and so here is my rundown thus far for the year 2001:

10/11/01 – AJ Angelo  

10/25/01 – AJ Angelo 

10/26/01 – Bob Piascek and Soul Kitch’n 

10/27/01 – Retro Rockit 

10/30/01 – Key West Jerry 

10/31/01 – karaoke with Joe Hebdo 

11/1/01 – AJ Angelo 

2006 events:

April 6 – AJ Angelo

July 22 – Woo Daddy

July 24 – Charlie Tatman

July 25 – John Schwab

July 26 – Acoustica

September 21 – Eric Dove

September 22 – Luv Buzzer, AJ Angelo

September 23 – Terry Davidson & the Gears

September 26 – John Schwab

September 27 – Acoustica

IV.

I will return on select future occasions, of course, but my impression doesn’t change a whole lot. Though there are a couple patios, its best feature might be the somewhat tree shrouded setting, partially framed by such on two of its sides and making Gatsby’s easy to miss from the road if arriving from the north. But I did find a few hilarious videos on YouTube, while researching this place, a few old commercials that some people have been gracious and wise enough to upload. As they say on the news, let’s go to the tape:

I have to admit, that’s some good camera work on the first clip (circa 1994, I think I read somewhere) in that it makes the back patio look positively gargantuan. Considering that this doesn’t mesh with my memory at all, I recently drove past it and around back just to confirm that it’s not quite so massive in person – so yes, an impressive bit of staging, but in fairness it is a fairly spacious one anyway. I have to also admit to never trying the food, as far as I can recall, which is looking pretty tasty at this late hour and maybe not the best idea for viewing material with a growling stomach as I type this.

Also, they are currently featuring a banner on the side of their building advertising Buckeye Vodka, along with a disclaimer boldly declaring that this is never sold in Michigan. Which is another impressive touch. And any place that has been around since 1977 presumably knows what it’s doing, doesn’t need my stamp of approval regardless, and surely has legions of supporters. But yeah, if you are a career minded type driving past here during happy hour on a weekday, give this place a whirl – you can certainly do worse, and just might find your next great group of friends!

Posted on — Leave a comment

Alumni Club

Alumni Club in Columbus Ohio

Here we encounter the first philosophical dilemma concerning what does and doesn’t constitute Columbus proper. The rule of thumb I eventually decided upon is that if a suburb at least touches the 270 outerbelt, then it’s still part of the city in my book. Therefore Hilliard and Dublin are fair game, say, while I wouldn’t really say the same about Pickerington, or Canal Winchester. In this spirit then Gahanna makes the cut, which means we can discuss the Alumni Club in our little historical canon.

For a spot this far removed from our typical stomping grounds, it’s safe to say we have collectively visited the Alumni Club far more than any other destination this distant. Located at the absolute northeast edge of town, at 395 Stoneridge Lane, there’s nothing all that remarkable about this establishment, and the location itself is just your average humdrum strip mall. Still they have managed to craft a charming enterprise here, one which always entertains for a variety of reasons.

For many years, the always entertaining cover song specialist AJ Angelo held court here, and he was a steady draw, as he is everywhere, not to mention that he’s great with the fans and in general seems like a genuinely cool dude. Aside from that, unique for a place like this, they also hosted an open stage acoustic jam night. Not only that, but patrons were encouraged to and often did run on stage with cash, which they would hand to, throw at, or stuff into the pockets of performing musicians. I’ve actually never seen this anywhere else.

The possibilities here begin clicking into place on a blustery Tuesday night, in mid December.

AJ Angelo is running his Tuesday night acoustic/karaoke extravaganza up here, and as it’s been about a year since we’ve visited, it seems that the timing is right. His sleek, curly black hair tucked into a ponytail, well dressed as always in a business casual kind of way and smiling basically non-stop, our entertainer for the evening knows how to charm the pants off a crowd, but he also appears to genuinely love what he does, tipping the scales away from cheesy huckster status. His stage banter, ease at working the crowd when strolling about the room, and really just general aura, all of it adds up to a guy who knows what he’s doing in and is having a blast doing so.

As this is something of a classy, upscale club, what this means is AJ here still substitutes actual song lyrics with some ribald phrases of his own, but nothing too filthy. He could probably get away with a little bit more than usual tonight, however, for it would seem that even as far removed as they are from OSU or any other major college, this place is experiencing a bit of a holiday downturn as well. Though tucked out here in this innocuous strip mall, the Alumni Club normally boasts a strong crowd regardless of the day or the week, but not now. Our initial visit, for example, the doorman hassled everyone in our party endlessly before permitting entry, though we all possessed valid IDs, and yet tonight we just breeze on in, have a seat at the enormous, gleaming wooden bar.

A friendly, thirty-something lady serving drinks immediately takes our orders, depositing beers in front of us in no time. Otherwise, there’s nobody anywhere near us except for a couple other drunk yet – naturally – well-dressed middle aged guys a handful of seats down, in the direction of the stage. These two strike up a conversation with us, as it turns out they are brothers and, as chance would have it, one is named Frank. The other is Larry, and, oh yeah, they just happen to own this place.

“Either one of you guys play?” the more talkative – Frank of course – of the duo asks us, as AJ is strumming and singing the latest tune alone onstage.

“Yeah, I play a little,” Damon tells them, then nods at me and adds, “and he plays keyboard.”

Frank turns his attention to me for a split second, before focusing on Damon once more. This is perfectly understandable as there’s no keyboard here and, well, I’m not all that good. Damon’s being overly modest, on the other hand, and it’s possible these guys picked up on that vibe instantaneously.

“You have to get up and play!” Frank slurs, and, when Damon demurs, insists, “come on! Play for us!”

He still isn’t sure, though, and it’s not just false modesty leading him to decline. Despite his talents and his experience on stage, an ability to come across as outspoken and extroverted in certain situations, others such as this have him dragging his feet.

“Play for us!” he continues, then, to the barmaid, Karen, says, as he flails an arm to indicate us, “get these boys something to drink! Whaddaya want?”

Damon and I grin at one another and order another beer, deposited in our mitts again basically the instant we have killed our first. Larry and Frank pull him into their midst for a little pow-wow, the effect of which they’re gradually winning Damon over in their efforts to lure him onto the stage. I’m not complaining either, however, for if the free drink weren’t enough, Karen is just hanging out for an audience of no one but myself, leaning against her side of the bar in front of me as we watch the action.

“I like Tuesdays much better than the weekends,” she says.

“Oh really? Why’s that?”

“Well,” Karen sighed, “the guys in here on the weekend are all after the same thing”

Now that they’ve gotten Damon cajoled into gracing the stage, there’s nothing for him to do but anxiously await the metaphorical green light announcing his set has arrived. “Man, I wish I brought my harmonica. I don’t know why but I hate getting up and playing acoustic without it.”

“Really?”

“Yeah, it just kind of makes me feel funny. I don’t know why that is, I like to hide behind that harmonica.”

Once his moment finally arrives, AJ departs the stage. Though he strums his acoustic along with whatever song anyone else wants to sing, and fills up the blank spaces on his lonesome, Damon’s solo performance without Angelo is the only of its kind, at least while we’re here. Tonight’s crowd is skewing older than expected, certainly much more than our other visit, so his choice of song is perfect as he slides into that dimly lit chair – just a pair of Neil Young songs, Harvest Moon and Hey Hey, My My, sung in his soft, slight drawl, as he strums along beautifully. The crowd goes absolutely bananas, roaring with ear splitting applause after each tune, and some folks even rush the stage to throw money at him.

“I need this to buy beer,” Damon jokes into the mic, as he stuffs cash into his pockets. The crowd chuckles heartily and then he exits the stage.

As we’re all telling him he did a great job, and even AJ is gracious enough to drift past with some effusive praise – not at all common in his line of work, for sure – this Frank guy is nearly apoplectic, he’s so wound up.

“That was incredible!” he says, continues, “listen. I own a few bars around this area, and I’m looking at putting something together like this on Mondays at one just down the road.”

“Really?” Damon replies. He appears more polite than all that interested, yet this doesn’t deter his would be benefactor here.

“Yeah. If you’re interested, you know, I’d pay you real well and all, you know. Here,” Frank fumbles around and secures a pen, some paper, scrawls his digits down and hands the slip to Damon, “give me a call tomorrow if you’re interested, and, you know, like I said, we’ll talk about it. I’ll pay you real well.”

By now we’ve somehow tired of all this hoopla and just want to get out the door. Having seen him play countless times, I know he’s good, but like anything else, after a while you just start to take this for granted and maybe even tune it out to some extent. Still, I think even Damon would agree the reaction here was a bit bizarre, more extreme than anyone could have anticipated.

“If you guys aren’t here next week, I’m kicking your ass!” Frank calls out, in jest we hope, as the two of us are headed for the door.

“Whew,” Damon says, as the cold hits us in the face and we trudge toward his truck, “I certainly didn’t expect anything like that!”

“Ah, you sounded good, man,” I confirm.

“I don’t know if I wanna run his jam night or not,” he ponders, as we cruise west now along Morse, “I guess it all depends on how much money he means by I’ll pay you real well.”

We drive on in silence for a minute and then Damon suggests, “I think the reason I went over so good is that it’s a mostly older crowd, same people every week, you know, all regulars, and here this kid comes in, it’s a new face, you know.”

“Well, yeah,” I counter, “but you did sound good.”

“Okay, well, yeah, it’s probably a combination of those things. You know what I’m saying, though – you’d have to agree it at least had something to do with it.”

I’m actually not sure if Damon ever bothered calling Frank. At any rate, he never took him up on the offer of running a jam night. We didn’t show up again for quite some time after it, to some extent even sort of forgetting about the place. But finally, a few years later, during a stretch where I’d rented an apartment just off of Morse and Damon eventually wound up being my roommate there, yet again, the Alumni Club enters our repertoire again, in earnest, as we will visit it more now than at any other time in our lives.

This place would appear to have a better reputation than you might expect for a place that doesn’t exactly advertise everywhere, nor cater to the younger, OSU campus laden clientele. For example somehow Damon and I once met a pair of strippers up in Mansfield who decided to drive down the next weekend to hang out with us. Barely of a legal drinking age themselves – and even that might have been suspect – these two nonetheless suggest the Alumni Club for some reason, before they even made the drive down. We’re not sure how or why they chose this hangout, when a million others would have seemed better suited to their demographic, but what can you say, the Alumni Club has always been a happening spot, and the best Gahanna has to offer.

The four of us hung out there all night…well, at least up until the point they followed us back to our place, got pulled over by the cops somewhere around Morse and Cleveland, before b.s.ing their way through it somehow and finally arriving intact. 

 

2001 Events Calendar

October 16 – AJ Angelo

October 30 – AJ Angelo

October 31 – AJ Angelo