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Skully’s Music-Diner

Skully's Music Diner Columbus Ohio

Skully’s is such a unique place because, for starters, it has occupied three wildly different locations, all of them along North High Street, each of them so dissimilar from one another that even I tend to forget about those earlier homes. Its current incarnation in the Short North has outlasted both of the other ones combined, however, and is legions more iconic, so this will naturally occupy the bulk of what we’re discussing here.

But first, a brief overview of its history, prior to arrival at this particular address. Skully’s started out as an underground (as in literally, below ground) dive bar on the OSU campus, which you accessed via some stairs along the sidewalk on High Street. In those days it was pretty much just a dank pool hall with four or five couches and an all-German Metallica tribute album on the jukebox. Then, in the late 1990s, when Campus Partners started buying up all the properties and knocking them down, owners Skully and Michele Webb were given a handsome payout of $172,605 to relocate – it was either that or hold out for the inevitable eminent domain proceedings. So for a short spell, they were then up in the Clintonville area, at the Graceland Shopping Center, although in this instance it was more of a restaurant than anything else. Finally, in November 2001, they opened up shop the current digs at 1151 North High, this expansion and refinement into the business’s greatest ever incarnation. Kind of like with Used Kids Records, who are also on their third home, you might say this is a “greatest hits” package of everything that worked in previous incarnations…except in this case, with the addition of a few brand new “tracks” which became more popular than anything else they tried before.

The first calendar listing I can find for them is Miss Kitty’s Hot Box, a burlesque show running from February 14 to 16, 2002. From day one, they’ve always featured that sizable stage, plenty of elbow room in front of it on the floor, and offerings centered around either live music or dance parties. Technically speaking, there’s a dash in the name: Skully’s Music-Diner. Most people do not trifle with the dash, but it dates clear back to their “coming soon” sign, before opening, and persists on their website logo, not to mention in plain sight on the official, somewhat famous and definitely glorious marquee to this day – in yellow, all caps font, below the cursive Skully’s and the stars which light up at night.

Foodwise, their menu is much better than you would expect at a venue like this, in fact would justify coming here just for that reason alone. Breakfast is available all day, there’s a decent selection of sandwiches, pizza, other pub grub, vegetarian/vegan options, even a children’s menu. Currently I’m on this run unearthing every detail I can find about 2006, though, so I’m going to start there, and expand outward to other years from this point. Expect much more detail as I work on the page. Presumably you know the drill by now – a little on the thin side at the moment, but bound to become as beefy and juicy as a Skully Burger by the time I’m finished.

Circa ’06, SoulGlo Sundays is a hiphop/funk/soul party with half off drinks for students; Monday nights from 7-10pm brought free pizza for everyone; Tuesdays were Service Industry Night, meaning half price drinks and no cover charge for everyone this applied to. Which seems like it must have been…half the constituent base, during that era; Thursdays were 80s Ladies night, playing the hit songs of that decade, whereby women got in free, also were given a free flower. There was free parking in a lot on the north side of the building, though I’m unsure if this is still true. As far as food went, they were quite proud of some deep fried Cajun calamari, which doesn’t seem to have survived to the current menu, but also their quesadillas, which do live on. Outdoor seating, and serving to 11 Mon-Wed, midnight Thu-Sat.

2006

2011

2012

2006 events calendar:

March 8 – The Walkmen. Their set list is known and runs as follows:

Don’t Get Me Down (Come on Over Here)
This Job Is Killing Me
Little House of Savages
Emma, Get Me a Lemon
Louisiana
Danny’s at the Wedding
Thinking of a Dream I Had
Good for You’s Good for Me
Rue the Day
All Hands and the Cook
Always After You (‘Til You Started After Me)
Another One Goes By

 

April 5 – The Black Coin

April 7 – Jamnesia, The G.R.I.T.S, DJ Numeric

April 8 – it’s listed as a Dresden Dolls afterparty, but I don’t believe the Dresden Dolls themselves are taking the stage – instead, Zachery Allen Starkey, DJ True Skills, and Ocean Ghosts are, and I also see The Loyal Divide mentioned in one listing.

April 10 – Only Flesh play a CD release party

April 12 – Something for Rockets play. I also see mention of South and yet another one of Alpha Zentradi playing on this night. So I’m not sure if any of these are typos or if all in fact graced the stage here.

April 15 – Kill Hannah. They played Nerve Gas at the very least that night, and it sounds great, you can tell as much even through a so-so recording:

Shiny Toy Guns are also on the bill this night.

April 24 – Gil Mantera’s Party Dream, Shuttlecock, Black Cloud, Stylex. There’s at least one small clip of the very last bit from Shuttlecock’s set. They went on right before Gil Mantera:

April 28 – a CD release party from The Receiver.

April 29 – Sheldon Marsh

June 23 – Tough & Lovely play at 11pm. This is billed as their “Comfest” show but I’m not sure what that means, really. Other than occurring the same night as the beginning of Comfest.

June 24 – Weightless Recordings Comfest Afterparty

July 6 – DJ Chuckstar oversees Ladies Eighties night, as is the case every Thursday during this stretch

July 9 – DJs Kenny Kim & Carma running Soul Glo Sundays – again, this is their standard weekly gig

July 10 – Mixed Tape Monday starring DJs Pegasi and Gypsy Rider.

July 22 – The Slide Machine, Melty Melty, Kristi Strauss & The Blue Medusa, Moonlight Chemist

July 26 – Obus, Lunarium

August 25 – Weightless Records Presents an “official beatdown” hosted by Blueprint. Whatever that means, although it is an all-ages show so maybe I shouldn’t ask too many questions. DJ Abilities (gotta admit I like that name – almost like he’s saying, “eh, you know, I’m pretty good at some things, maybe not so great at others, but who cares”), Maker (of Clue) and Pompeii This Morning are listed as performers.

August 26 – Ocean Ghosts, Vietnam II, Blood Violets

August 30 – Poor White Trash

Sep 1 – The Slide Machine

Sep 2 – Dynamik, Thought Set

Sep 8 – Watershed

Sept 15 – Bang! Dance Rock Party

Sep 16 – The Receiver CD release party

Sept 19 – OSU vs Texas game on the big screen

Sept 22 – Evil Queens, Fine Dining, Church of the Red Museum. $1 PBRs

Sept 23 – Craftin Outlaws ( an “alt craft show”) until 8pm, featuring Cinema Eye. As well as over 50 handcrafted works from local artists.

Then there’s something called Jetgirl Dance Party – according to one listing. According to another, it’s Bustown Beatdown with Bottom Brick, Envy Records, Kadiz and 3, Kim Wilburn, Interchemistry, Alphabetics, Hold Em High, Ayce the Prophit and DJ Carma. Which, although it shows a Buckeye football helmet in the ad for some reason, is apparently some kind of Urban Music Showcase. I don’t get the connection. So please allow this reporter additional time to investigate such a gripping piece of intrigue. Whatever the case, ladies get in free, and there’s a VIP balcony.

September 24 – Soul Glo Sunday features not only DJ Kenny Kim and Carma but this time also Wild Kyle

September 26 – S.I.N. Service Industry Night with a live DJ playing Britpop, soul, shoegaze, and postpunk classics.

September 27 – The Marble Faun, Mainstreet Gospel, and Demander play

September 29 – Postcard, Proximity Grey

September 30 – The Slide Machine

October 2 – Brother Ali, BK One, DJ Bombay n’ Manwell, Dub Watson, Red Sun

October 4 – Templeton, The Prids

October 6 – The Lab Rats CD release party

October 11 – Hansel und Gretyl, Crud w/ Bella Morte

October 23 – Kid Congo Powers

November 9 – a 1980s themed Five Year Anniversary Party, with a best-dressed contest paying a cool $500 for first prize. And $25 runner up giveaways all night. There are also free massages thanks to Open Sky Bodyworks, and this being an 80s themed bash and all, I can only wonder at the nature of said massages.

November 10 – a potent bill consisting of Embassy, Novada, Marking Twain, and Sean Benjamin. $1 PBRs may get you in the door as well, in case you weren’t already enticed.

November 11 – a Hip Hop Beat Battle. Never let it be said they aren’t mighty diverse with their offerings. The Green Brothers, Lord 360, and more of that ballyhooed dollar Pabst Blue Ribbon are among the listed attractions.

November 14 – features $3 Skully Burgers, a live DJ, and half off drinks for service industry personnel

November 15 – Leah-Carla Gordone is playing at Skully’s. Not on this specific night, but on some other occasion, Brandon and I were at some other bar and saw a poster advertising an upcoming Gordone performance. He joked that this sounded like some mobster’s daughter, and that if you ever happened to bump into that crew at some bar, her mafia don dad would hint around about wacking you if you didn’t go see her show. You wanna be catchin’ her show, now, sonnyboy, if you get my drift. Got it? Not that we ever did.

November 17 – Band: Mickey Avalon, whatever that means.

November 18 – A leukemia benefit featuring 4 bands: The Judas Cow, Earwig, Celebrity Pilots, The Proper Nouns. There is at least one short video taken from this show, but the recording’s audio is very bad. This was apparently shot by Joel Treadway from cringe.com, and let’s just say we should maybe all be thankful the iPhones came along. Worth viewing so you can get a decent shot of the stage setup, and these guys playing, but I would recommend turning the sound off. The Judas Cow are excellent, though, so this is no fault of their own – and definitely not the venue itself, either. Merely indicative of the video limitations and technical difficulties we were facing back then:

November 25 – “The Return of…The Flying Saucers.” Although I’m not sure if this is a movie, some other band, or else the return of local group Th’ Flyin’ Saucers, who disbanded I think in the late 90s.

November 29 – Miss Molly and Hope Vitellas

December 1 – Red Dahlia and Evil Queens on the bill.

and…

Clash-a-Thon: exact date unknown. The Moops play four songs, but rate it one of their best shows.

2011

January 19 – mgk

January 31 – Hawthorne Heights

February 19 – Cadaver Dogs

February 21 – Baths

February 28 – Say Hi

March 18 – The Wet Darlings

March 27 – The Beat

April 4 – Gogol Bordello. Their set list is known and runs as follows:

Tribal Connection
Not a Crime
Wonderlust King
My Companjera
Last One Goes the Hope
Trans-Continental Hustle
Immigraniada (We Comin’ Rougher)
Break the Spell
Raise the Knowledge
American Wedding
When Universes Collide
Pala Tute
Start Wearing Purple
Sun Is On My Side
Mishto!
Sacred Darling
Dirty Old Town

2012

January 25 – Parenthetical Girls play, also Los Campesinos! The latter’s set has been documented:

By Your Hand
Romance Is Boring
Death to Los Campesinos!
You’ll Need Those Fingers for Crossing
A Heat Rash in the Shape of the Show Me State; or, Letters from Me to Charlotte
Songs About Your Girlfriend
Life Is a Long Time
We Are Beautiful, We Are Doomed
There Are Listed Buildings
Straight In at 101
To Tundra
You! Me! Dancing!

February 11 – Ekoostik Hookah

February 20 – Zola Jesus

March 10 – Loyal Divide

March 23 – Phantods, Indigo Wild

April 22 – The Beat. Set list:

Twist & Crawl
Save It for Later
Mirror in the Bathroom
The Tears of a Clown
Ranking Full Stop
Hands Off…She’s Mine
Sole Salvation

April 25 – Touché Amoré, Defeater, Code Orange, Birds In Row

April 28 – The Town Monster, Mr. Gnome

May 19 – NastyNasty

July 21 – Phantods. Set list:

Raise The Dead
The Promising
Just Like You
Missed the Boat
The Blood of Kings
One Hundred Years
Revival
Music Is Dead
American Girl
All That Glitters
Lone Highway
Our Last Goodbye

July 27 – Bonneville

September 7 – Hoodie Allen, G-Eazy

September 28 – Karate Coyote. Set list as follows:

Underwater Mouthbreather
Cat-O-Pillar
Wookie
Ride On, Pegasus!
When In Rome
Icu2(Rn4a187)
You’re So Cruel
Front Door
So Far So Good
Zombibabi
Lupercalia Pt II

October 14 – House Of Heroes. Set list:

Remember the Empire
Comfort Trap
Touch This Light
Friday Night
God Save the Foolish Kings
Serial Sleepers
Code Name: Raven
If

October 15 – Torche, Kvelertak, KEN mode, Converge

November 2 – VHS Or Beta

November 5 – Espermachine, Assemblage 23

November 9 – Black Moth Super Rainbow

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Glass House

Glass House New Year's party 2002-03

Glass House, as it came to be known over time, was a memorable and dare I say even legendary residence located at the corner of Mulford Avenue and McClain Road. Well, the house is still there, of course – it’s just that the people and circumstances which made it so remarkable, lending it that nickname which would even wind up making its way into places like Columbus Alive!, have long since gone away.

Among the unique features, at least during this time, were that it was a large house chopped into two separate units, and yet both shared the same basement. One had a Mulford address (1177) and the other McClain (977). Also, which is probably the ideal setup – considering the whole shared basement business – all the people living in both halves during this period in question knew one another prior to moving in here. You wouldn’t exactly want to roll the dice with some random dude having access to your half of this funky duplex, only for him to wind up as the next Dahmer or whatever.

But anyway. My first visit to this residence occurred during the New Year’s Eve transitioning from 2001 to 2002. I can’t quite recall the exact mix of roommates at this time, because for example Norman Flores hadn’t entered the picture over here yet, but the most “famous” lineup I would say eventually consisted of Chris Hostetler, Keith Spain, and Norman on the Mulford side, with Kevin Spain and assorted roomies or even flying solo on the McClain half. Whatever the precise mix of occupants at this point, though, I know Chris was living here, because he was the primary instigator and ringleader for a big New Year’s blowout at his pad. Which would become, if it wasn’t already prior to this, an annual ritual.

Speaking of annual rituals, Mad Dog 20/20 entered that hallowed realm itself on this very night, but only on New Year’s. We had all long since moved beyond our formative years drinking Mad Dog otherwise, which is what made it such a hilariously retro pick for the party. To be reprised every single year thereafter, by whatever crew I happened to show up with. On this initial occasion, it was Matt Montanya, Libby, Kevin Kasper (I don’t think Vanessa was with him for some reason), Kim, and me, riding together to the house, which had not yet been labeled Glass House. Libby and Kim had both eaten mushrooms prior to leaving for the bash. We stopped off at this convenience store on Kenny Road for some alcohol, which was when an already half drunk Kasper insisted with a mischievous snicker that we should totally show up with some Mad Dog, totally. Which is where the whole thing started.

Of course, by this stage in our lives, if you’re showing up with Mad Dog, you’re going to suffer some wild guffaws and eye rolls. It’s the equivalent of maybe rocking a bottle of Boone’s Farm wine or clutching cans of malt liquor or something as you roll up into the shindig. One year, by which point the MD 20/20 had long since become ingrained in our New Year’s culture, a bunch of us wasted no time in passing the bottle around the kitchen, instantly upon arrival. Scott Imsland declared, “you guys are fuckin stupid”…then proceeded to immediately reach out and snatch it from whoever was holding it, tilt his head back for a healthy slug himself.

Eh, so onto specifics. I actually don’t recall a ton about that maiden voyage into this precinct. Other than it was still years before I would get a cell phone and, this being an era where I was messing around with Lisa, I called her at some point from the kitchen landline phone, surrounded by mobs of people, only because I had promised to do so. But couldn’t stop laughing for whatever reason, which in one of the most baffling examples ever, made her ultra-paranoid mind leap to absurd conclusions. “Why are you laughing? Are you getting a blowjob?” she demanded. Which only served to make me laugh harder, in turn upping her paranoia. “You are, aren’t you!? You’re getting a blowjob right now!”

I’m like, “what!? What on earth would make you think that?” but she just kept going on and on, and therefore so did my laughter.

By the next year’s party, I had long since become a basic fixture here myself, and become that much more comfortable. Enough so to show up toting a film camera, snapping photos…and to also bring Miles with me as my lone guest. He was already quite blasted and this was the infamous New Year’s where, though not bringing up this topic at all prior to our arrival, somehow the instant we strolled onto this quite crowded scene, he got on this huge kick, practically shouting, “AW, DUDE, WHO’S GOT THE COKE!? ANYBODY GOT COKE?” in that notorious loud and chalky voice he gets when drunk. He went around from room to room, repeatedly, demanding this of its occupants. When everybody he encountered basically just shrugged and told him sorry about your luck, but no, Miles then eventually pivoted in most unexpected fashion indeed: by going through the kitchen cupboards until he found a big bag of totally normal white sugar. And chalking up lines of that on the countertop, snorting it instead.

Andy Lorenz and Dan Bandman at Glass House
Andy Lorenz holding on for dear life to Dan Bandman. Seeing this picture for the 1st time, Dan joked, “the most remarkable thing about it is I’m wearing a long sleeve shirt on one arm and a short sleeve shirt on the other.”

Word of Miles’s sugar snorting antics spread like wildfire, more so than actual drug usage ever would have. And as such this became a huge attraction, watching Miles continually vacuum up a line of Domino every so often – because, try as he might, he was unable to convince anyone else that they should join him. Despite, pinching his nose, his continual instance that, “DUDE, I’M SERIOUS, YOU GUYS SHOULD TRY IT! YOU CAN REALLY FEEL SOMETHIN!” and so on.

He wound up leaving at some point, but I crashed there that night. Then the next morning a handful of us were sitting around the living room, recapping the events, when Crystal said to me, “was that your friend?” regarding the already infamous sugar snorting fiend.

“Yes….,” I reluctantly admitted.

“What an ass,” she concluded with a disbelieving laugh.

I don’t think I ever really made an ass of myself at any of these, personally, although maybe it’s just that my bar for embarrassment is so high (or is it low? This is one of those euphemisms which somewhat confuses me). The closest you might argue I came, though, was one New Year’s where I worked two jobs, back to back, but had seriously eaten nothing all day, prior to coming here. Was kind of banking on there being some food here of some sort, but instead only encountered…this gigantic frosted red velvet cake, sitting on the dining room table.

After the long work day, no food, probably not much sleep the night before it’s safe to say, I was just completely spent. Therefore all I did was inhale a couple pieces of cake, drink actually very little, before effectively saying fuck this to myself. But not a word to anyone else, as I stealthily crawled behind the couch, in this gap I had spotted between it and the wall (don’t ask me how), and passed out for the night, I think before the ball even dropped. It seemed like an awesome hiding place. Yet I awakened the following morning to discover I was completely covered in red velvet cake – people had eventually spotted me there, then found it hilarious to drop little cake bombs from up above, chortle over how I wasn’t even responding.

Norman making a triumphant Glass House entrance.
Norman making a triumphant Glass House entrance.
me outside Glass House
Me outside the house. I don’t think this was the red velvet cake night, but it may very well have been. I actually kind of like this picture, except of course MUST have something spilled all over my shirt – I suppose it’s too much to ask that I would ever take one totally normal photo, ever.

II.

Leap Year Glass House show 2004

Live music would of course become a staple here, too, in the basement. In addition to the show referenced above, I recall at least one other where Superstar Rookie played (I think) their only ever reunion set, some five years after disbanding. That was I believe the night Matt Montanya acted as between-band entertainment, as he got up on the mic and did his world famous, spot on Bill Cosby and Richard Pryor imitations, reciting many of their comedy bits verbatim, to the delight of the masses.

Naturally, in a sprawling house at least partially occupied by musicians, some tunes were recorded here as well. Including at least one full-length album I’m aware of, A Year At Mulford & McClain by Kevin Spain and Phil Minor. It’s a stunning, fully instrumental effort, somewhat of a departure – at least for Spain, from his work with The Judas Cow and others. You can listen to a solid chunk of it here, along with one video I made (on my own, but with their blessing) of my favorite track, Weave:

As you can see from the liner notes, this was fully recorded and mastered et cetera right here. The project has a tremendously warm and atmospheric sound to it. Unfortunately, for years now my disc has been so scratched up that it won’t play or rip the last three songs on the disc. And I’ve discussed this with Spain, but it appears that he doesn’t have any left in his possession, or at least can’t locate them if he does. He probably has those tracks somewhere in his files, but admits at this point he can’t remember what names they gave to which instrumentals, and isn’t fully confident exactly what these last three tunes are. So it remains an incomplete mystery. Copies were only ever handed out to some of his friends, so if any of you have one, by all means please let me know.

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The Judas Cow

Columbus Ohio band The Judas Cow

The Judas Cow began life in the early 2000s as a live trio hitting some of the more prominent rock clubs around Columbus. Their style, a distinctly Midwestern, mid-tempo blend that falls somewhere between Americana and Tom Petty, seems to lend itself just as much to quiet listening sessions around the house, however, and many of us eagerly await some official recorded output.

Led by singer-guitarist-songwriter Kevin Spain, formerly of beloved local group Silo The Huskie, they would at long last release an EP in 2006, Last Summer. Prior to this, the band had circulated some demos by hand, passing Sharpie labeled discs out around town, and it’s impressive to hear how polished these songs became in the finished product. Of course, playing out constantly does help with that process. But bass player Ryan Haye had only just picked up the instrument shortly before joining the group, and you would never guess that in listening to this EP. Here are the tracks, in order:

 

Augmented by a fourth member, Chris Bair (also a Silo alumni), they would reconvene to crank out another self-titled disc in 2008. During their prime, I felt like The Judas Cow were my favorite local songwriters – and course the tunes still hold up now. Sadly, apart from contributing to the occasional Exquisite Noise Records compilation album, it doesn’t appear that any of their material is currently in print.

However, they have been kind enough to allow me to list downloadable version of the albums here! This includes one complete demo from the early days which was never even formally released. Just click on the specific album you would like to pick up in the image below: