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March 4, 2000

<-March 3

I.


When Melissa’s 21st birthday arrives, bringing with it an invite down to the Alpha Delta Pi sorority house that she calls home, we can scarcely pass this opportunity up. The agreed upon plan is to meet them there at 9, at which point we will all but certainly head out barhopping en masse. Up until this point, in the early evening, Damon’s running errands of some sort around town, while I am chilling out back at my apartment. With me I have my good friend and former coworker Clif, mostly because he’d asked what I was getting into, and I saw no reason not to invite him along.

This will turn out to be a great decision, though also somewhat complicating things in the process. It’s always fascinating to think about certain nights which would have turned out completely differently if you didn’t have this one specific person with you…or the flipside, wondering about outings that went sideways due only to the presence of a single random character. Fortunately this birthday excursion falls into the former category, and will go down as one of my more fondly recalled occasions of this entire era.

Until Damon shows up, Clif and I are playing the Nintendo 64 that I still have lying around, mostly the Mario game – you could call this ironic retro fun, maybe, but this unit is only a few years old, and I don’t have anything else. And when Damon does roll in, he’s smiling as though already knowing what sort of night this will be. Which might not take any outrageous insight to forecast, except that as we climb in my car and motor on down to campus, we’re about a half hour late in arriving.

Also, things have not quite gone as planned with this whole Alpha Delta Pi experience. When we first learned that Melissa was accepted into a sorority, right down here along this murderer’s row of such on 15th, we thought our meal ticket had just been punched to an endless bounty of available young women, ready to throw down at a moment’s notice. However, the first strike emerged almost immediately, which is that she had somehow chosen what has to be the nerdiest sorority OSU offers. For example, they once booted a girl out of here simply for being too slutty (as an amusing sidenote, Melissa brought that chick over to our apartment once, right after this happened, to drink and play cards; when this girl started crying about the treatment she’d received, and quoted how many dudes she slept with – a number in the 30s, if I recall correctly – Lisa, in the sweetest turn I personally have ever witnessed from her, attempted consoling the girl, gently informing her, “that’s not very many! Trust me, that’s not too bad!”).

Point two arrived directly on the heels of the first, which is that most of these girls simply don’t like Damon and me. He and I have subsequently gotten a kick out of dropping by every so often, just to rain on various parades and confirm that, yes, they still hate us. He rates a couple notches higher on the benefit-of-doubt meter simply by having a sister here, but I have never been considered anything less than an out of touch buffoon to them. There are a couple exceptions, most notably Melissa herself, but this has by and large held true, even through an influx of fresh bodies every year.

Parking curbside, we approach their stately, almost southern plantation looking building at 94 E. 15th Avenue. A white brick structure with huge columns supporting it, three stories tall and track lit from the outside like an ancient Roman arena, this could have been the ideal location for countless nights of debauchery, if only these girls weren’t so lame. But who knows, maybe tonight is the night we change all that. At the very least, we figure it is bound to prove interesting.

A couple of girls we don’t recognize are sitting on the front porch, so the three of us continue on past them and inside these massive living quarters. Shrugging out of our coats, we take a moment to appraise our immediate surroundings. A small army of chicks are running around from this room to the next, some gabbing, some still getting ready for the big night.  For once in our lives, we don’t see too many guys crowding the picture, but this is tempered with the knowledge that we’ll never get anywhere with these girls anyway. Indeed, Clif’s presence has changed nothing, as the reception wavers uniformly somewhere between dirty looks to outright indifference. As such, and considering nobody’s ready to leave for the bar yet anyway, we decide to dip back outside, and try our luck with those girls on the spacious front porch.

“You could tell within 5 seconds of walking in that we weren’t hitting it,” I observe, about that living room scene.

“I know!” Damon agrees.

As it turns out, introducing ourselves to these two, we learn that they are ADPi girls as well – but from some Indiana chapter. They’re slightly more pleasant, but only by comparison, would be thought of as rude in virtually any other setting. Soon enough, they stroll away from us as well.

“What the fuck?” Damon wonders, after they disappear from sight.

While it’s possible our reputations precede us to some extent, that theory collapses when considering out of state sisters who are just here for the weekend – there’s simply no way they even know who we are. Therefore I have to assume the same about them as I do these local pledges, that there is a bit of an ageism bias here, whereby we are considered, at a whopping 24 years of age, as a couple of weird “old” guys lurking about their scene. And Clif at 26 or whatever is pretty much ripe for a nursing home.

This has always been my assumption, a major factor in the frosty treatment. Yes there is a bit of a jackass shtick we bring to the table, which they surely aren’t enthralled with, but I would maintain we kept this in check until long after it was established they already didn’t like us. However, my ageism concept also soon suffers a major hit, although in this instance it’s a mostly positive development. With nothing better to do, we three return indoors, where Clif unexpectedly runs into some Vince guy he knows. Who is dating one of these sorority sisters, Tonia.

Tonia, perhaps not so coincidentally, happens to be one of the few exceptions, as far as somebody who doesn’t just tolerate but has actually hit it off with Damon and me. Although come to think of it, I’m not sure if this proves or disproves any of our theories. She’s a short blonde, ever so slightly chubby, with lively blue eyes and, despite wearing braces, a beautiful, captivating smile. A sweet, alluring face that either looks curious or devilish, I can never decide which. Though given to frequent bursts of know-it-all behavior, we find this more amusing than off-putting, possibly because it’s well known that she too is skating on thin ice with many of the sisters in this house. Many find her nauseating, although I suspect jealousy plays a huge part – she’s not just attractive and driven in that whole Tracy Flick-esque sense of the word, but also seems to have ruffled a few feathers by being quoted in Rolling Stone a year or two ago, in some “life on campus” article.

As for Vince, he too seems pretty alright to us. An Asian-American with slicked back black hair, he’s arrived at Columbus via Philadelphia and is reportedly quite a bit older than Tonia, or even us. Someone whispers that he is 30, but if so he doesn’t look it. Whatever the exact figure, he’s somewhere in Clif’s age range, as the two of them once worked together, at one of Clif’s many, many jobs.

So the five of us are hanging out, lounging around the living room furniture as others continue bebopping around the house, still getting ready for tonight. Not everyone is accompanying Melissa’s great 21st birthday brigade, but as a sizeable portion are, which means that many, like us, are waiting for the guest of honor to emerge. And to think that we’d been sweating it, for arriving a half hour late.

“I should have fucking known better,” Damon curses, shaking his head.

In an exceedingly small sub-category, there is exactly one figure stomping around the grounds, whom everyone else likes but we do not. Or rather, it’s not that we don’t like him, more that we feel he is undeniably quite annoying, and can’t believe that nobody else feels this way. Although even so, to his credit, once again we are admittedly talking about someone whose annoying behavior is more hilarious than it is loathsome. This would be Jeff, a tall loudmouth lunkhead we have met once or twice before.

“Come on people, let’s go! Let’s go!” he continues to declare, prowling the premises.

A more detailed picture begins to emerge, once we learn that Jeff and Vince are in fact roommates. For some inexplicable reason, though, the girls all seem to think that Jeff is okay, while most allegedly can’t stand Vince. This apparently has something to do with an incident where he came here drunk and was pissing all over one of the bathrooms. Like I was saying, he fits right in with us.

Bored with this, Damon and I decide to get up and wander around the ground floor ourselves. Though we’ve been upstairs plenty, that area is probably a wisely avoided war zone right now, as the territory occupied by women getting ready is often comparable to parachuting behind enemy lines – and perhaps nowhere more so than here. As we make our rounds, I make various mental notes, about details I’ve possibly missed before.

A word about some of the landscape is in order, then. There are, in essence, two living rooms on the first floor.  One is a more subdued effort, with trophies and built in bookcases, a trifle outdated and musty smelling, the kind of setting where you’d sit around and meet someone’s grandparents when they dropped in from out of state.  The other, which is where we’d congregated, went light on the furniture, but does have a piano in the corner and is more conducive to large crowds of people standing around.  During one previous visit, Damon and I got on this juvenile kick of hiding those trophies in various places around the house. Although at a glance it appears they have all been discovered and returned.

“Come on people, let’s go!  Let’s get a move on!” Jeff is hollering, it never lets up. Even in casual conversation, he has but a single, ear punishing volume, or so I thought until he began this even louder shouting routine just now. Still, I really can’t fault the guy. At least he’s actively trying to get everyone rounded up and the hell out of this house.

Though the minutes continue to pass and we now find ourselves hanging out in the hotel restaurant sized kitchen, leaning against an island in the middle, my enthusiasm hasn’t wavered any. I’ve been pumped all evening, possessed by this feeling from the outset that something great would happen tonight. And it does, which is so often the case when these rare, static electricity hunches overtake me. Although this does lead me to wonder, if it’s a true premonition or whatever, that a terrific turn of events was soon arriving, or rather if thinking this is what causes such to happen.

I tend to lean toward the latter, but the caveat is that it has to be something you truly believe, not just some weak “thinking positive” mindset you’re attempting to paste onto your thoughts. At this moment in time, however, absent any definitive evidence, all we have is our usual idle chitchat, in this still fairly exotic setting, while we continue to wait.

“You know what would be funny,” I’m telling Damon, as we brainstorm ways to continue irking these girls, during future visits, “is if we brought in some hookers.”

He laughs heartily at this notion, and it is admittedly a hilarious one even to me. If they hate us now, bringing some ladies of the night with us next time, preferably some really scuzzy, older and grizzled types, at least for the purposes of this theoretical thought exercise, now that would really rattle some cages. Maybe two or three apiece, draped all over us, as we kick back and sip rotgut wine in their living room or something.

At long last, however, the crowd begins thinning out. It had long ago been decided that our first destination will be Quarters, formerly known as The Jailhouse, up on Lane Avenue. Some are walking the half dozen or so blocks north up High Street, while still others are committed to driving there. In the latter camp, Vince and Tonia are kind enough to approach us, and offer to give Damon, Clif, and me a lift. We thank them and politely decline, however, as the three of us are still waiting on Melissa to emerge. Clear up until there’s almost no one left in the house, and Damon asks one of the few remaining sisters what’s taking her so long. This is when we learn that Melissa had already left without us, some fifteen minutes ago.

II.


The three of us don’t get very far, however, traipsing up High, before encountering members of our party. Specifically, we spot Melissa and three of the other girls, hanging out in front of the iconic campus McDonald’s, which has been here since at least the 1980s. “Speh some change?” Damon asks, in a raspy voice, as we approach them. The ladies all laugh at his joke, and soon enough fall in beside us as we continue walking toward the bar.

At Lane Avenue, Clif and I alone manage to cross the street while everyone else gets hung up at the light. Looking back, I can see that loudmouth Jeff, despite his endless clarions to get the troops moving, must have actually left the house after almost everyone, or else gotten sidetracked – he has just fallen in with the rest of our group, behind us. So as Clif and I are just talking our sweet time approaching Quarters, allowing the others to catch up, we happen to glance up at this gyro place next door, spot Vince and Tonia seated at a table in there, having just ordered a late dinner. Then decide on this whim to pop in there and join them. Part of the attraction is that, even from here, the food smells too good to resist.

Although all I wind up ordering is a cheeseburger and a Mountain Dew. Vince and Tonia haven’t gotten their food yet, so it isn’t as though we’re holding them up any. Clif sits chatting, mostly with his old buddy Vince, who stills seems mostly chill and kind of funny, even. And then from out of nowhere, we are suddenly joined by Jeff. He too spotted this table in the window, and could not resist its fragrant allure.

Not that I’m paying much attention to him. Rather, as on previous encounters, I’m feeling like this Tonia actually digs me somewhat, and that I just might be able to pull this off if playing my best game. Assuming the very unfortunate circumstance of her someday breaking up with this Vince character, of course, of course. But at the very least, I think I’m developing a decent idea of what makes her tick. She’s one of these people who has to command everyone’s attention, and therefore the best strategy is to ignore her. To that end I grab a USA Today and sit there reading it intently, while everyone else converses – which openly and unmistakeably intrigues her as much as it drives her nuts. Maybe this doesn’t happen often, but it’s always satisfying when it does, to have this notion about what would work with somebody, and to see that panning out.

But there’s still much work to be done, if indeed I’m not entirely delusional to begin with. And I’m doing myself no favors with a clumsy streak, i.e. spilling my Mountain Dew all over the place. Lacking enough napkins at the table, I grab Jeff’s paper bag in desperation, which his food just arrived in, and use that to soak up the last of it – though he sits gasping, he doesn’t utter a word of protest. The USA Today might have been a more obvious choice, but I couldn’t resist this latest piece of jackass shtick, and everyone else saves Jeff finds this hilarious.

What can I say, I am kind of feeling “on” with the comedy tonight, and can tell that Damon is in the same zone. After finally arriving next door at the bar, I reconvene with him so that he can brief me on any relevant developments. While he would admittedly not quibble with just about any girl in the entire entourage, he’s set his sights on this Katy chick, with whom he has already developed a rapport with in their short time here.

“Where’s Katy? Where’s Katy?” he keeps asking, as we sit at the bar itself for quite some time, determined not to lose track of her.

I’m also onhand as he dispenses an early lesson to Melissa, advising her that at some point, she is going to have to start turning down the shots, or else this is going to be a very short night for her. Quite naturally, however, she listens to none of this, and is subsequently one of the first people to throw in the towel on her own birthday extravaganza, thoroughly blasted and puking in calling it a night. She does, however, throw her arms around me, and drunkenly declare that she is so happy that I made it. “I told Damon, he’s gotta come!” she slurs.

But we’ve got other concerns, and I don’t even notice the specific moment of her exit. Among the peculiarities grabbing our attention is that this place is dead, despite it being a Saturday night, a far cry from the glory years of The Jailhouse or even the early days of this Quarters enterprise. In fact, it’s entirely possible that our entourage represents the only patrons this bar has right now. A group which clocks in at, as far as we can determine, just us five guys, surrounded by about 30 sorority chicks. Some of this is understandable – unlike bars most everywhere else in the known universe, campus establishments do most of their business during the week, with Thursday being the peak night; come Friday, and especially Saturday or Sunday, half the kids have driven home to be with their family, long distance boyfriends/girlfriends, and so forth. Still, a prime weekend night would have never been quite this lethargic, even just a year or two ago. Not that we are complaining the least bit about this phenomenal ratio, at what amounts to a private bash.

“This makes up for all the sausage parties I’ve been to over the years,” I tell Vince, over top of some frantic hip-hop beat. With not a single soul on the dance floor, the music their house DJ is pumping out bounces off the walls like molecules fired from an atom splitter.

“Oh, absolutely,” he agrees, sizing up the field.

Much of the decor seems the same as those Jailhouse days, so I’m not sure about the reasoning behind the name change. Quarters has floor to ceiling poles, spaced about two or three inches apart, lining the dance room like an actual jail cell.  Dark lighting aplenty, broken up only by the flashing colored pin spots sweeping said dance floor, unless you counted the garish neon signs mounted behind the bar, beckoning you forward toward your favorite intoxicant.   And, of course, a requisite pair of pool tables, tucked safely downstairs, away from all the commotion.

At some point, Clif and I decide to drift downstairs and avail ourselves of this last refuge. And this basement is also exactly as I remember: exceedingly musty, wooden planks on the walls bowed ridiculously inward, the concrete floor uneven and cracked. Yet none of that really matters, so long as there’s enough room to shoot.

Racking and breaking, despite announcing this scene change to nobody, we only get to a place where one of us has sunk two balls before Jeff comes loping down here after us. Vince and Tonia are right behind him, an inexplicable development – albeit one cracking me up as I picture the scene upstairs. Unless you count the help, Damon now has about….twenty-nine sorority chicks, all to himself. Maybe twenty-eight, depending upon whether Melissa is still here or not. And maybe this was a stupid idea to begin with, venturing down here, but I’ve never had a ton of success drooling over chicks, I do far better just hanging back and acting normal, as though not even noticing they’re here. Whomever I cross paths and bump elbows with, it’s great, it just feels natural, and I can make things happen then. Besides, apart from the birthday girl herself, I would still maintain that my most realistic option is down here in the basement right now anyway. And indeed, despite her boyfriend’s presence, she certainly appears to be laying it on extra thick in getting me to pay attention to her.

Nonetheless, Jeff remains an unavoidable sideshow, one it is physically impossible to ignore. As soon as he arrives down here, having already boasted of his billiards prowess at various points tonight, he feels the need to prove it.

“Alright, me and her,” he announces, pointing at Tonia, “against you guys, and I’ll give you those two balls as a handicap.”

Glancing at one another, Clif and I just shrug before casually agreeing to his terms. We have not the first clue what mayhem lies off in the distance, and that this will eventually wind up as but merely the second (and a distant second at that) most memorable table game of the night. As for Tonia, she is only sheepishly, reluctantly drawn into Jeff’s brash orbit, and he very nearly pulls this off. What happens is that the game gets down to where there’s just an 8 ball on the table, and Jeff scratches when shooting it. Awesome. Totally fucking awesome.

Back upstairs, regrouping with Damon, we assess the current situation. As the only male up here for quite some time (unless counting the lone guy bartending, flanked by a pair of women back there, or the isolated DJ) he’s been enjoying quite the field day.  Cheerfully hopping from one table to the next, he’s really come alive since we left him. Discussing matters, it occurs to us that as among the few who are over 21 years of age – a field further weakened with Vince being spoken for and neither Jeff nor Clif demonstrably doing much to pull in any ladies themselves – we should be playing this angle up to our full advantage. He and I are at least attempting to work the field, although his methods are typically a lot more over the top or at least forthright than mine. And on this note, he has a flash of insight leading to one of his most brilliant gambits ever: we will buy rounds for all the ladies here, yes – but the rounds in question will actually be nothing more than tray after tray full of Pepsis.

And this strategy works like a charm, ridiculous or not. It’s a safe bet that most if not all of these girls have acquired multiple drinks already, by whatever means, and are too drunk to tell the difference. Now they like us just fine, sure. Who knows, maybe this was just the icebreaker for the ages that we needed, and will win them over forevermore.

There’s no reason to think beyond the present tense, however. By now, Clif has had the good sense to join us, for this hilarious and borderline surreal piece of theater. Damon’s big idea is that if he springs for a tray full of Pepsis, dispensed into normal looking cocktail glasses, and then casually walks over to some random table with them, that the girls will come flocking, assuming that these are shots. Which is in fact exactly what happens. From this distance, Clif and I are nearly pissing ourselves with laughter – right before we launch into action with trays of our own. And the bartenders quite naturally don’t give a shit, are possibly even relieved that these underage students are going gaga for soft drinks, and continue dispensing refills for free beyond this point.

This glorious turn evolves into two of us hanging at the table while a third guy retrieves the next tray, taking turns on rotation. Meanwhile, these girls have fleshed out the remaining chairs around it, with still others hanging on us, throwing their arms around our shoulders like long lost best friends, asking if they can please have another one of these “shots.” They are at one point as much as three deep, swarming in a circle around these tables, clamoring for another of these delicious concoctions.

Jeff is nowhere to be seen while this is going on, which is really just as well, and he may have already left. Meanwhile Vince and Tonia are among the handful trifling with the dance floor at this point. And once this shot onslaught runs its course, a handful more fall into formation out there, as Clif and I stand just off to the side, surveying the action. Tonia keeps bending over and shaking her ass mere inches from my crotch, yet though I continually glance over at Vince to gauge his reaction, he appears oblivious to her shenanigans. She soon grows bored, however, either due to the lack of drama or the attention paid to her, and with a phone number shouted in my ear before they disembark, these two are also gone.

And then it’s hard to say what happened. So much for that notion of a permanent icebreaker, obviously. Because one moment Damon, Clif and I are cracking up and high fiving over beers at the bar, the next it seems we turn around and the entire OSU chapter of Alpha Delta Pi is gone. The OSU one, yes. Because by whatever improbable turn of events, the three of us find ourselves in the company of no one else but…four girls from that Indiana chapter. These chicks are in the same boat as we, for everyone else they were with took off without them. And it’s right here that the night takes its next dramatic turn.

“I know this party on Norwich we can hit,” the skinny, somewhat whiny one named Darcy tells us.

III.


“Don’t let her out of your sight,” Damon whispers to me, jabbing a finger in Darcy’s direction. He has to dip into the restroom before we depart, and, quite correctly, recognizes this as the best opportunity we’ve had all night, likely in many a night.

Not that we have anything to worry about. These ladies cotton to us alright, and it certainly doesn’t hurt that they are lost without our navigation. Darcy has a street name, sure, though I get the impression she has no idea where it’s actually located. Assuredly, they could have found their way back to ADPi without us, but this big city is mostly foreign and possibly somewhat dangerous to them, they would rather not brave it alone. Having a few harmless dorks like us around is a compromise they can live with.

The seven of us weave our way a few blocks northeast, and almost immediately stumble upon a throbbing scene at this house on Norwich. No one bothers checking the address, and in fact might not even possess such. Darcy and the one quite large girl – we never learn her name – are both convinced that this has to be it, and so we approach the place.

Not that getting inside the house will prove to be very easy, as by my estimation there must be a thousand kids, easy, crammed onto and within this property. This is by far the biggest party I have ever seen contained at somebody’s residence. But biggest doesn’t necessarily mean best, and it truly is a physical challenge to wade our way through this crowd. If it were just us three guys, we probably wouldn’t even bother, unless in a seriously determined mood. The girls wish to be here, however, and as we ask random passerby about a keg, the consensus is that there’s one buried deep within the recesses of the back yard.

Front yard, front porch, back yard, back porch, the living room and kitchen and all the other rooms in between, we navigate this jam packed maze to that potential treasure chest awaiting at the end. During this process, somehow the strawberry blonde, Chrissy, and I become separated from everyone else. Black lights are flickering in the sticky hot swamp of a living room, and for whatever reason, though normally not even a move that would ever occur to me, I take her hand, lead her through these bodies, with the rap music so loud in our ears it is almost attacking us as a physical presence.

It’s hard to explain, but though I hadn’t been paying her any more attention than the others up until that moment, from this point forward, we just click. I’m sure she appreciates my little chivalrous turn, guiding her through the land and all, and yet it isn’t until we come up for air on the backside of this house that we can really even talk. Chrissy instantly reminds me of a Natasha Lyonne with somewhat reddish but mostly blonde, curly hair. Otherwise quite similar in appearance and personality, or so it seems to me, down to the soft though plenty curvaceous figure, the wide eyed yet mishievous countenance, the husky voice and sarcasm and bluntness. She’s quite attractive, yes, and I would most certainly love to hook up with her. And while she doesn’t spell out any particular interest in me, I get the impression this interest is just as swiftly reciprocated.

When we had made it as far as the kitchen, where some conventional lighting blessedly awaited us, I had risked a look behind us, and could glimpse Clif making his way, with Damon and the objectively hottest of the four Indiana girls, Amanda, a bit farther beyond. And no clue about the other two whatsoever, although they did seem the ones most likely to know a familiar face here. Now, with Chrissy and I having stopped for a moment, these other three catch up to us, and I take a moment to fully appraise Amanda’s appearance. In much the same manner as I had, Damon, the lucky bastard, seems to have somehow connected with his randomly appointed sidekick in identical fashion, in the time it took to cross the house. Amanda’s skinny and has a sweet, innocent look to her, sandy brown shoulder length hair, and what Damon and Clif and I, in whatever private conferences we are able to manage, has to be about the tightest ass we have even seen.

But I’m not complaining in the slightest. Chrissy is 100% my type, which makes tonight’s absurd chain reaction of unlikely occurrences all the stranger. As a mostly reunited mass, though, we have no choice except to confront and resume the purported end goal of this quest. The line is considerably intidimating, however, and as we continue moving in the vague direction of where we were told the keg would be, fifteen, twenty, maybe thirty minutes might pass – time stands still out here, which only serves to make the passing minutes impossible to gauge. A little red bucket and a Salvation Army bell would come in handy right now. Although, who are we kidding, it would take nothing short of an ambulance siren to part these masses, and even that might not work.

“I’m gonna take a piss,” Clif eventually declares, tapping out of this slow shuffle and disappearing once more into its dark inner recesses.

But wait, what is this? Land ho! After untold minutes crossing this vast sea, a keg at last appears before us, the confirmation that we have indeed stood in a line all this time and not simply swayed around the back yard for no reason. Only for the four of us to reach it, and discover…there are no cups. We have been to who knows how many collective keg parties, and it never occurred to any of us that this might be a concern.

What now? A thousand impatient nineteen year olds burn holes in the back of our heads, we’ve got to think fast. But really, there’s only one thing we can do. “Fuck this,” we say, with slight variations. I take Chrissy’s hand once more, steering her away from here, and spotting my maneuver, Damon does the same thing in grabbing Amanda’s.

Darcy and the other one have not been spotted anywhere for quite some time, in fact none of us are certain they even made it as far as the house. Plus, we have no idea what became of Clif. But then in retracing our steps, we find the other two girls waiting basically right where we left them, on the sidewalk, as though knowing things would turn out exactly like this. Except they are much more impatient now, and Darcy’s whining even more than before.

I get it, though. The air has grown downright chilly, dropping farther with every minute, and none of them have coats. In the meantime, we’ve got to continue standing here under the flimsy assumption that my friend will magically reappear. As we continue to stand around and shiver here, I can feel each tick of the second hand on my watch, knowing full well that our chances of sticking with these girls are exponentially decreasing with each.

“What do we do?” a distraught Damon whispers to me, and we are always on such a similar wavelength that it’s wordlessly communicated exactly what he means, also that I get it.

Pressure compounding, it closes in and begins to wrap around us like a fog. The girls are talking about partying some more, but are clearly on the brink of saying goodnight if we intend to keep standing here. But then, by some miracle, at what is near to the last possible minute, here comes Clif skidding out of the crowd and onto the sidewalk.

Not that we are out of the woods just yet. Continuing back to High Street and then south upon it, Darcy won’t stop complaining – it’s too cold, it’s too late, they’ve got such a long drive back to Indiana at the conclusion of this weekend. Now that Clif has returned, she has instead turned into the largest threat, with the potential for wrecking whatever potential this night still holds. Even the 4-3 disparity in theoretical pairings isn’t quite the black cloud that her presence is.

And yet they continue to hang with us, in fact it is agreed we’ll get some carry out beer and then figure out where to drink it. Whatever their reservations, Clif’s apartment is one option being tossed around, for he at least keeps his pad tidy and lives in a nice part of town. Whereas I am worried that any potential female guests would take one look at my ghetto apartment and turn right back around.

Our first thought is to acquire beverages at the UDF on the corner of Frambes. We suddenly realize it’s past 1am, however, which means that this option is out, and the only other is to pay through the nose for to-go brewskies from some bar. The Out-R-Inn is conveniently located right behind here, and once our eyes settle upon it, we instantly recognize that here lies the path forward. It’s decided that Damon and I will stroll over there to purchase the required essentials, while these underage girls wait behind. And Clif. Chrissy is wearing my coat by now, and we don’t really expect them to bail on us, but leaving him in their mix as “collateral” seems like a good idea all the same.

After we return with a case of Natty Lite apiece, our miniature mob continues moving down High. At this juncture Darcy’s complaints have now morphed into bitching about all their fellow traveling sisters that ditched them, and wondering what became of those girls. Finally arriving back at the sorority house, however, we encounter a handful of local ones who are still awake, and tell us about some frat party farther down 15th that they intend to hit. Once again we are somewhat hanging back and just taking cues from our ladies, and when it seems obvious that they really want to check this out, we stash the beer in my car and walk up to the street to that fraternity.

As far as I can recall, this is my first ever visit to a frat house. In a truly momentous night chock full of memorable revelations and developments, our time here will rank right up there near the top of the list. I feel as though we have passively hated upon frat boys our entire lives without really taking the time to know any, or understand their people’s culture. This isn’t going to turn into a full fledged defense of the boneheaded bro lifestyle or anything, but…I think there’s more to the story here than maybe we ever realized. Also that this particular story is maybe filed disconcertingly very close on the bookshelf to ours. Just on a higher shelf.

But as we knock on the front door of this massive though faceless manor, one I would struggle to pick out in a photo lineup from all the others on this row, some out of the loop seeming frat brother answers. He’s either just gotten home or just awakened from a nap. The girls are all in front of the pack – us three guys stick to the back – and one of them asks about a party.

“Uh….yeah….but I’m not sure if it’s started yet, we weren’t going to let people in until 2:30.”

“Can we come in now?”

“Hold on, let me check,” he says and shuts the door.  Damon and I exchange amused grins and raised eyebrows – here we were, always trying to con girls into coming to our place, whereas these cats wouldn’t even let them in unless the timing was right.  Slick, very slick.  The kind of slick that throws parties which begin at 2:30 in the morning.

He comes back moments later and, having just learned there were already about thirty people in his basement – imagine that – the dude says okay, sure, we can come on in. Even so, it immediately becomes apparent to us that while all these females are quite welcome, us men are bound for a much frostier reception. This is totally our initial impression, that it’s cool we brought some women and everything, but don’t expect cordiality, and in fact it may be best, hint hint, if we just take a hike.

At least up until the night’s next strange twist rears its head. I’ve been marveling for years at just how many people Clif knows, seemingly everywhere I go with him. And that scenario has already occurred once, much earlier tonight, when he unexpectedly crossed paths with Vince. Only to repeat yet again at this of all places – some Cory guy, who is a fraternity brother residing in this household, used to work with him. He sees Clif and is borderline giddy, shouting his name with enthusiasm. And from this moment forward, we are suddenly golden.

I don’t harbor any ill feelings about the initial cold shoulder. In fairness, we typically act pretty much the same when unfamiliar dudes crash our parties. Now that we are brought into the fold – if not exactly anywhere near their equals – I can see that we’ve also been 100% wrong about this entire scene. Much like most of the popular kids in high school turned out to be, we eventually learned, it seems that by and large…these dudes are basically doing the same shit as us, running the same kinds of games with the same attitudes. They’re just doing it at a much higher level.

I still don’t believe that it was any form of bitterness, jealousy about how successful these characters have been with this crap; I think it’s more this blind assumption that this was a very cheesy, shallow existence, and that these fratholes were just some extremely lucky dumbasses. A perception aided in large part by endless depictions of such in movies and TV shows, sure. But let’s get real, here. They are members of a prominent organization smack dab in the heart of this internationally renowned juggernaut of a university. A lot of these guys have brighter futures than we, a lot of them are probably really smart.

And if they’re not smart, they’re at least clever. Again, to hate them is ridiculous, because an awful lot of this smacks of our stunts – if only we were a little bit better at them. This was obvious before we even set foot inside here, like that junk about not allowing a bunch of hot women into their house before 2:30am. University policy is also giving them a huge leg up, too, for example in permitting alcohol inside fraternities, yet outlawing it within sororities. In other words a policy all but shepherding the ladies to their doorstep.

I’m much more interested in the similarities I detect, however. For specific examples, as we’re now gathered in the quote unquote basement – which is just an exquisitely furbished rec room – there’s this table game nearby, charred around the edges. An incongruous sight, even here, and I just know there’s a story here, one that I must ask Cory about.

“Hey, why does that foosball table have burn marks all around the edges?” I inquire, after we’ve each grabbed a cold Miller Light from this ice filled trough behind their bar.

He turns his head to glance over at it before calmly explaining, “oh, we stole that from Papa Joe’s as it was burning down.”

Whoa. If true, and nothing about his casual delivery makes me doubt this in the least, then this is an amazing little piece of local history that not many people can possibly know about. Papa Joe’s was a campus instution, a pizza shop on High that went up in flames a few years ago, taking the Waterbeds N’ Stuff next door with it. Suddenly, I know that I absolutely must play on that table tonight. But first, other curiosities await, like the life-sized traffic light propped up in one corner – I never realized how large these things truly are, for they do not appear as such when dangling above your car in an intersection. Yet I never quite get around to asking about its origin, because Cory can’t resist telling me how they acquired this fully functional Pepsi machine.

“We stole that from the student union hall,” he tells me, chortling as he casts his mind backwards to this sequence of events, “it was funny, we told the kids working there that we’d come to fix it, but we had to take it with us.”

“No way,” I marvel, grinning in admiration at their demented brilliance.

“Yep,” he nods, “they even helped us load it onto our truck. And what was funny was we called the guys at Pepsi a few days later and told them we lost our key to the machine, so they sent a guy out here to give us a new one and we got, like, sixty dollars’ worth of change out of it.”

Clif is overhearing this too, of course, and we’re both laughing so hard that our stomachs threaten to split open. Only when we at last compose ourselves are we able to contemplate this matter of the legendary foosball table. With Damon off wandering around, to fully inspect the landscape, he and I are left to try out this piece of Papa Joe’s memorabilia, enhanced by this unexpected bonus of Chrissy and Amanda cheering us on, courtside.

Following a couple games of this, they leave to play Damon and someone else over at the pool table. This is when a couple of the preppier looking residents walk up, to challenge us to an exceedingly high stakes foosball game. High Stakes: what this means is that, according to them, there’s a house rule involving something called a bun run. If either side manages a 10-0 shutout, then the losing team must run a lap around the exterior of this massive house. With a fully naked bottom half.

Well, we can say that it’s only totally obvious what happened in retrospect. Sure. That’s why Clif and I agreed to this madness. But it must be said that they surely play these same rules against one another all the time, I don’t sense that this was invented out of thin air just for us. Only problem is, we are quite bad at this game, when compared to them. And even then, if we really wanted to press the point for a ready escape hatch, then an opportunity presents itself with the score 7-0 in their favor. One of these guys knocks the ball into his own goal, which seemingly lets us off the hook.

“Doesn’t count,” he says, however, as they drop the ball back into play. And so we play on without any protest, with two possible opposing reasons for doing so – either that we are feeling so confident in our ability to score one goal, or else we are feeling so unconfident in our ability to win this argument, in their house. I know for me, it’s a little of both. I do enjoy a good challenge, yes. But also recognize that they are hellbent on making us look like fools, and the best thing we can do is take our medicine like men. I’m not going to be found whimpering, and begging them not to humiliate me. We’ll just go along with this, and whatever.

Ten minutes later, Clif and I are in their foyer, taking off everything from the waist down. Which is admittedly a little less mortifying than it otherwise might be, when considering that this is actually far from the first time that I have run around outside naked. “You guys can keep your shoes,” they tell us, and does help, considering this Ohio weather isn’t exactly tropical at 3am in the beginning of March.

It also serves to hasten our pace considerably, as we dash out the circumference of their sizeable estate. I take off first across their front yard, figuring this would be preferable to staring at Clif’s skinny black ass in front of me. At all the doors and windows, the guys huddle around and snicker, check our progress, while the chicks generally laugh outright and point. Panting, I arrive back at the front door only moments before Clif, where I’m relieved to discover what is my actual worst and only true fear – that they would lock us out to further perpetuate the prank – is fortunately unfounded.

We grab our clothes and quickly dress, and if there’s a silver lining to this, it’s that no one in our little party is even aware that this went down. Chrissy and Amanda are still playing pool with Damon, while Darcy and the other girl left shortly after we arrived here. Better yet, when I finally encounter Damon again, it turns that they’ve just finished their games and he’s been looking for me. While Clif and I were outside, some serious scheming had transpired in our absence, and Damon has me follow him into the nearest restroom for a complete lowdown.

“That Chrissy says to me, I really like your friend Jason, how hard do you think it will be for me to hook up with him?” Damon laughs, “I didn’t want to tell her, well, basically, if you drop your pants…”

“Yeah,” I chuckle. But then he continues, explaining that Chrissy had just pressed onward, bluntly stating the deal in what I can so vividly picture, without even being present, her very Natasha Lyonne-esque manner as she blurted this out.

“So she tells me, I’ll hook you up with Amanda if you hook me up with Jason,” Damon explains, chuckles again as he adds, “sounded good enough to me! Only thing is, she asked me how we were going to get rid of that Clif guy.”

IV.


On the surface our new blueprint seems somewhat sinister, even though technically nothing has changed at all. The plan always was for me to run Clif home after this, and that’s exactly what we intend to do now. It’s just that there’s the added wrinkle of these women at the end of this odyssey, for Damon and me, so long as we don’t blow it.

When he asks me what I think we should do, I rub my chin for a few ponderous seconds before saying, “I could drive him home, say I was going home myself but that you were gonna stick around here and party with the girls some more. Then you could ride with them in their car, meet me at my house.”

“That should work,” he nods in agreement, as we exit the restroom to set these wheels in motion.

I feel bad for lying to Clif, but at the same time, can’t think of any way to spin the truth that would be less harsh. Hey dude, those chicks wanna hook up with us, but they said you gotta go. Would that be somehow better? And as I’ve stated, his outcome would wind up the same no matter how we played this. I’m sure there are some really hardcore types out there who would say, no man! You draw the line in the sand and tell those chicks, bro! It’s one for all and we stick together as a team! But that’s just silly. It’s now almost 4am and he would be wanting a ride home soon anyway.

Even so, it does bother me, as I’m convinced that this wouldn’t have panned out in quite the same manner if he hadn’t gotten us accepted into that frat party. Maybe things unfold in a basically similar manner, particularly as Chrissy and I were already bonding at the first house, who knows. I think we probably do end up in bed together either way, but not this immediately, and the part about Damon and Amanda doesn’t happen at all. So this is kind of like you’ve made it to the World Series, but then the day before it starts, you release one of the key guys who got you there.

As we climb into my car, I don’t get the impression he suspects anything. More just wistfulness, as though wishing he could remain behind with Damon to party some more as well. Although he does ask me, when we are nearing his apartment off of Henderson, if I think we will meet up again with Chrissy and Amanda down the road, if Damon or I had managed to get their digits and so on. Here I have to conjure up on the spot another diplomatic but technically true response, in this case muttering something about, uh, yeah, I’m pretty sure we will make something happen with those girls.

Flying across town back to my apartment, I’m not sure it’s a good sign at all to see that they haven’t arrived yet. Damon does after all have a key here, and for that matter I have an actual roommate, Big Paul, who may or may not be present – as has been increasingly the case, I’m not exactly sure where he is at the moment. He could be locked in his room or out still carousing on the town. Whatever the case, he missed one hell of a night with us – even though once again, I am grateful he skipped this one, as that too might have thrown off the dynamic just enough.

But then I’ve no sooner popped all of these Natty Lites into the fridge, when this trio magically materializes. And in no time we’ve got beers open, the living room disco ball spinning for good effect, and are playing a card game at the coffee table, Asshole, which I’ve not quite gotten into, though these college age females sure do love it.

For whatever reason, inspired by a show we’d seen awhile back, Damon and I get on this kick reciting the lyrics to Neil Young’s Tonight’s the Night, in particular anything to do with the word shaky. That was his keyword of the night and we are destined to repeat it. So yeah, extreme weirdness, but these girls aren’t bothered by our peculiarities in the least. Damon for example cannot remember Amanda’s name for the life of him, but as she keeps talking about an upcoming trip to Florida, he continues to call her Florida instead. But I think she mostly digs that. And you know, weirdos or not, I believe we have absolved ourselves in spectacular fashion tonight – maybe some of those frat guys are banging hotter chicks tonight, but these two look pretty damn good. We went into the belly of the beast and still emerged to bring them home with us.

Not that we’ve sealed the deal just yet, mind you. For now we must at least feign some passing interest in this card game, even if doing so requires blurting out nonsensical song lyrics. A typical exchange therefore passes with a sequence very close to this.

Shaky shaky shaky shaky, I might be singing, to pass the time, in a facsimile of Neil’s high pitched warble.

Bruce Berry…Bruce Berry, Damon would add.

“It’s your turn,” one of the girls tells one of us.

Shaky shaky shaky

“Go. I’m the president, I make the rules here.”

Bruce…Bruce…Bruce…

“Okay, my new rule is, there’s no cussing.”

Shaky shaky Bruce Bruce

Bruce Berry…Bruce Berry

“Alright,” Amanda finally demands, after so much of this, “who is this Bruce Berry, anyway?”

“Bruce Berry was a real hard worker,” I explain.

“Yeah, he used to load an Econoline van,” Damon adds.

These two are the picture of puzzlement, attempting to find any pieces whatsoever to snap together about what we’ve just said. This reminds me of a very similar conversation, actually, during the Y2K New Year’s, over at Alan’s cousin’s place. One of the girls we were playing cards with there, in response to mine and Alan’s thoroughly bizarre, music related “conversation,” had sighed and said, I can never figure out what guys are talking about. Regarding this moment tonight, Damon will later tell me, “you know what it is, man, is we move so fast, bouncing from topic to topic, I don’t think these girls can follow what we’re saying.”

Maybe, but I don’t think that always applies, and certainly not in this instance. My take is that in situations like these, when you are attempting to get with a girl for the first time, progress must move in a spiral motion if you hope to get anywhere. Now that we’ve gotten them to the house, with basically just one last hurdle remaining, we have to spend x amount of time focusing on anything else in the universe except sex. Or at least put up a solid front of pretending to. And this card game, even the Bruce Berry nonsense, is as good as anything else.

I fully expect to take Chrissy upstairs with me tonight. It feels impossible to derail that train at this point. Assessing Damon’s chances is a little trickier – Amanda seems to like him alright, yet Chrissy had made it sound as though she would have to do some convincing to sway her friend. And Amanda does look killer, slender and tan, wearing these tight black pants that perfectly frame her magnificent behind. Chrissy is a really attractive girl, too, near the top range of my all-time list…but man, if Damon manages to pry the panties off this Amanda, then I will really be impressed.

Everything is moving in the right direction, though. After the card game has either worn down or the girls have grown tired of our singing, Chrissy asks me, “hey, do you have a TV in your room?”

“Yes ma’am,” I reply.

“Let’s go upstairs and…watch some TV,” she suggests.

Who am I to object? The two of us begin making this move, as Damon pulls out the couch bed for himself and Amanda to climb into. Upstairs, though flicking on the television, Chrissy and I otherwise immediately abandon this pretense and begin making out, then transfer this action to the bed. Less than six hours after meeting this girl from IU, I begin yanking off her clothes, and she mine, with those other two downstairs hopefully making similar introductions to one another.

Up here, our top halves are fully naked now. She has some killer breasts, which I explore in detail, then begin kissing her belly. Only when I start to unbutton these beige colored jeans she’s wearing does Chrissy throw up the first stop sign of the night. “Let’s…chill out with that,” she tells me.

“You don’t want to take this any further?” I ask.

“Not today,” she says.

But that’s cool. This is only a temporary roadblock. And right around this time, I realize, amusingly enough, that birds are chirping outside my window. Which is when I glance over and discover that it’s daylight outside now, too. And here I have to be to work at 9 o’clock this morning. We soon fall asleep, and I grab a couple hours of shuteye before making it over there.

Postscript:

When I have a chance to compare notes with Damon, after racing home from work, he reveals that he wasn’t able to nail Amanda, that they just kissed briefly before she told him she was really tired and went to sleep. “I kind of expected that, though,” he admits, “I was telling myself, man, he’s gonna go up there and bang his chick, but I’ll be lucky just to make out with mine a little bit.” I confess to him that I did not in fact have sex with Chrissy yet, but that this was obviously just a formality, her taking a pointed stance to slow things down a smidgen.

And we manage to keep this going for awhile, too, with both girls, to varying degrees. Chrissy writes me a sweet note before leaving town, as we all exchange email addresses and phone numbers. Amusingly enough, though, Chrissy first emails Damon, explaining that she was too nervous to pop this question to me herself, but asking him if he would ask me if I might be willing to come to Indiana to see her – this sets my mind spinning, actually, with the possibilities involved in becoming so distant that girls are contacting my friends instead and asking them to get ahold of me on their behalf; my game does admittedly tick up another level once I begin applying some of those concepts. Hilarious, to be sure. There is one weekend later on, though, where the four of us have plans to meet at this hotel halfway in between our two distant cities, before Amanda gets cold feet and taps out at the last minute. After this, it’s never quite the same. We still stay in somewhat frequent contact with them, though, until things begin to fizzle out, late in the summer.


Ooookay, so…what else was going on around this fair city, on March 4, 2000? Well, I’m glad you asked. It turns out that Kodo Drummers were playing at Palace Theatre. Also, Tony-winning Broadway performer Audra McDonald is at the nearby Southern Theatre.

The Kenny Road Borders, which is probably my most visited bookstore during this time period, gets into the event based swing of things themselves. They host “Parenting Reading 2000,” an all-day occurrence featuring Pokemon league play for children, a little mini-seminar called Homework: A Parent’s Survival Guide,” a storytelling session with Curious George and Miss Heidi, author Mary Baker Eddy, a sing-along, and crafts. Participants are encouraged to wear pajamas, too.

March 5 ->

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High 5

Bonathon 2000 at High 5 Columbus Ohio

Jump to yearly calendars:

2000

2001

2006

My first visit to the High Five Bar and Grill occurs on January 15 2000, when an all-star lineup performs AC/DC cover songs all night, as part of this “Bon-A-Thon” charity event. Among these were many friends of mine, in their recently reformed version of Bedlam. Left to right this translates as Alan Kline (drums), Brian Randolph (vocals), Paul Radick (rhythm guitar), Paul Linville (bass), and Damon Privette (lead guitar). Meeting at my apartment prior to the show, I was able to snap a few publicity photos of them, such as this one.

Unfortunately, we only decided to bust the camera out after they went through this costume wearing routine. Breaking out a bunch of random gear found in various corners of this place, Linville had on this crazy cape and purple, medieval looking vest with a matching black hat, skull and crossbones hatband. Alan throws on this business shirt, tie, and dress slacks ensemble left over from my banking days, whereas Brian takes his actual shirt off (in a foreshadowing of future, semi-controversial events) to walk around in a trench coat instead. Damon, meanwhile, brings his own crazy getup, of the very rock star-esque leather pants, but also this shiny shirt that looks red when viewed from one angle, black from another. Radick alone takes the sensible route in wearing his normal street clothes. Nonetheless, just prior to picture time, and long before the show, nearly everyone reverts back to form – Alan alone wears his borrowed costume out to the club.

I actually covered this “Bon-A-Thon” event for a short-lived Mansfield monthly, a black and white local music mag, and still have a copy somewhere. Until I stumble upon that article, though, and can crib some of that material, these notes will have to suffice. Let me say that finding out anything online about the High Five, which bit the dust in 2008, has proven extremely difficult. As always, if anyone has any info or any other hotline tips to submit, these would be most appreciated. Until then there’s my skeletal commentary here to tide you over.

Bedlam have only played Columbus on very rare occasions, such as a weekend back in January of ’96. Their stance has always been a valid one, paradoxical though it may seem: Columbus bands make far less money from the door than they would in other, smaller towns, like the ones in the Mansfield region to the north. At that time (mid 90s – early 00s) it was not unheard of for a very good band, of which they are one, to pull in at least $300 a night playing various bars around those towns. I know of at least one popular metal outfit who was making $600-$900 per outing, in podunk places like Shelby. The problem with a scene like Columbus is not just one of competition, but also a heavily ingrained culture, decades in the making. It’s common practice around here to have 3-4 bands splitting a bill, and fighting for the door. As such you would have to draw 3-4 times as many people just to bring home the same loot. Assuming you were playing for the door at all, and weren’t just being paid in skunky draft beer or something.

Whatever the case, this is for a good cause, they are mostly all AC/DC fanatics, and it promises to be a great time. There’s also the opportunity for networking and promotion, not to mention reestablishing themselves in light of one other important fact: this is the first Bedlam show in about 3 1/2 years. They actually broke up in late ’96. As such, this is not only their initial trial run since reforming, but Brian Randolph’s debut with the group. In fact, as Privette and Linville were splitting vocal duties before, this is their first attempt at having a dedicated frontman, period.

After shooting these photos, we head out in two vehicles, which translates as Kline and Linville riding with me, the other three in Radick’s car. They’re following us most of the way, although we manage to lose them somewhere along High Street, just south of campus. Though driving around a bit, looking for them, we finally park, figuring they’ll find their way somehow or another. We order a couple of pizzas from the Papa John’s down the street, then stand around outside in hopes of spotting the others. At last, they appear, walking up to us from the south on High Street.  Turns out Radick had hit a pothole which somehow managed to screw up his power steering, and now the car is parked blocks away while he tries to figure out what to do.   

So while Alan goes to grab the pizzas, the rest of us have no choice but to retreat to Radick’s car instead, pitch in to retrieve the rest of the equipment. Well, everyone but Brian, who insists he must remain indoors to “protect his voice.” En route, Radick’s on the phone with his dad, getting advice about the car predicament.

Back at the bar, the crowd is small at first but fills up quickly, despite a somewhat steep at the time $5 cover. Our buddy Travis Tyo shows up, though he’s not playing with own band Superstar Rookie tonight. Instead, he’s joining forces with Dan Focht of Salthorse and some other local cats. As far as friends in the crowd, Damon’s sister makes it here with one of her chick friends, Radick’s sister with a couple of her own. The ever present Sean Gardner’s wandering the premises, although I don’t recall him playing with anyone this evening. Also, in another unexpected twist, we bump into former classmate Jason Woods, despite only spotting him I think one other time in three years of living here.

As far as what’s happening on the stage, two middle-aged guys on acoustics play first. Though the purists might think this is horseshit, I kind of like the distinct spins everyone is putting on these old AC/DC chestnuts. Following them is an outfit calling itself Servants of Evel (as in Knievel), which features a redhead chick singer in a red, white and blue bikini top. After their set, I’m “interviewing” the singer for my own goofy ass purposes. She says her outfit was designed after Evel’s motorcycle logo, but of course I could have already guessed that.

 Other than this, I break off from our crew for a little while and dance with some hot girl named Nicole, meet some other lady in furs. In between this, I’m getting caught up in some tiny Bedlam related drama. Brian is dealing with a case of the nerves, wants to read off lyric sheets while singing, as in literally stand there holding sheets of paper at the microphone. I’m guessing teleprompters are out of the question here. The other guys are bitching to me about it, Linville especially, but nobody has told Randolph point blank that this is out of the question. I finally decide to tactfully approach Brian, despite not having any actual dog in this fight, and tell him that he doesn’t need the lyric sheets, because nobody pays attention to the words anyway.

And yet he takes these pieces of paper up with him regardless. But it doesn’t really matter, as Bedlam go over extremely well, playing a five song set of the classics: Big Gun, Gone Shootin’ and Shot Down In Flames I know for certain, as well as two others. The only blemish proves to be Randolph’s doing, although this particular development blindsides everyone, has nothing to do with the lyric sheets: at some point in their set, he whips off his black tank top, and is standing there shirtless. As in, he thinks that the chicks will be impressed by his wicked buff bod or something. I am hanging out near the stage when this happens and witness the whole thing. Kline and Linville tell him straight up that if he ever does this again, he will be immediately fired.

They have a point, considering that I actually hear girls in my vicinity groan when this transpires. But, I don’t know, it sure seems like certain personality types are drawn to certain roles within a band, and this is what you’re signing up for if you decide to take on a front man. From a performance standpoint he can certainly deliver the goods, except, well…you might have to endure some cheesy moments, such as this. I still think it’s a mostly worthwhile tradeoff.

As soon as their set ends, I make a bee line for the bar, and bump into Jason Woods yet again. We’re leaning against the bar, with our backs to the stage, chatting about our current jobs, when the announcer guy congratulates Bedlam from the stage. At which point Woods just about chokes on his drink, at the shock value in hearing that name. He has talked to the guys a little bit here, of course, but apparently didn’t realize that they were still going by Bedlam, as they were clear back in the early high school days, nearly a decade ago.

“Are they still using that name?” he marvels, though that is obviously the case.

 In other developments, there’s this Arty guy who is connected to High 5 in some capacity, playing bass for Pat Dull & His Media Whores. He’s wearing this very shiny outfit and they go over extremely well, in fact I would say they are the crowd favorite. Travis and his thrown together crew play a killer set, too. They all wore plain white tee shirts here, because the original plan was to spit fake blood during their set; that plan was eventually scrapped, and yet the tee shirt look prevailed anyway.

Melissa and her sidekick are bored to tears at this point, announce they’re heading out. But Shelly and her very attractive friends are having a great time, in fact they are talking about partying with us at my pad afterwards. So Damon and I spring for a bunch of carryout beer. Even Radick, who has pounded a few ales and is pumped up about their seamless return to form, is in buoyant spirits, says fuck the car, he’ll worry about that tomorrow. We’re trying to talk Travis into riding out to my apartment, too, but he explains he lives in Grandview and isn’t about to drive that far tonight.

Then, after we’ve already bought the damn beer, the girls back out and leave. This means that the six of us, their equipment, and the carryout beverages must all fit in my Geo Storm, as we drive halfway across town. Somehow, we just barely manage to pull this off.

Okay, so that’s all I have at the moment on the High 5. Over the years to follow, however, I will attend countless other shows here, which I hope to transcribe in the near future. In the meantime, all I can tell you is that this place was sold in late 2008 to a few guys around town, including the owners of Skully’s and somebody from Ravari Room. They began remodeling the interior, but only got around to formally rebranding it as Circus in early 2009. So there’s that, and there’s also this mighty incomplete events calendar, which is all I’ve been able to cobble together thus far:

Year 2000 Events Calendar:

January 14: New Bomb Turks

February 1: Plague Daddy, which is some kind of free techno show

February 3: Pfifer, The Marbles, Mr. Earl 

February 5: Gossamer, Low Sunday, Monster in Your Closet

February 7: Spoken Word Night. Either that or this is the name of a band – which, come to think of it, wouldn’t be a bad marketing strategy.

February 8: Plague Daddy techno again

February 10: Superstar Rookie, 84 Nash, Pat Dull and the Media Whores. I attend this show but must admit to not remembering many specifics.

February 11: Templeton, Prospect, and Silo The Huskie

February 12: Anger Nation and Crush Effect

February 14: At least some people theoretically spent Valentine’s at High 5, where Tixeon DJ is plying his wares.

February 18: Combine, Sporadic Still, God Thought

February 19: The Mendalsonics, The Sovines, and The Wahoos

February 21: Tixeon DJ again.

February 22: Plague Daddy again.

February 23: The Vague and Mr. Earl

February 25: Gigolo Skills and Miranda Sound

February 26: Dubok vs. Evolution Control Committee,  whatever this is.

March 9: Superstar Rookie, May/June, Pat Dull & his Media Whores

March 10: Templeton, Beta Roric, Rancid Yak Butter Tea Party

March 30: Green Sky Grey, Season’s End, Turnbull 

March 31: Jive Turkeys, Jack Neat, Lylo

April 21: The Breakdown

May 9: Furnace St. and Chew’s Eye Shop

August 5: Ronnie Dawson

Year 2001 Events Calendar

January 14 – New Bomb Turks, Cult of the Psychic Fetus 

March 3 – Owen Grey, The Stapletons 

March 4 – Punk Rock Matinee beginning at 6pm. Features Nothing to Lose, Innocence Lost, The Creeps and more 

March 5 – Man Planet, Hex on Wheels, Neverwhere, Japanic 

March 6 – Punchy, Trapper John 

March 7 – In Motion w/ DJ Eric D, Rotating E.D. Prodagy, Noah Nine 

March 8 – The Urban Funk Ordinance, HeeVahAva, Amara 

March 9 – The Flux featuring members of Gunga Din, Gil Mantra Party Dream, Jack Diesel 

March 10 – Silver Star, Phantom 13, Something Said 

March 11 – another Punk Rock Matinee. This one features Jessie & the Rippers, Little Orphan Anarchey (sic), The Brute AFO, 5 Foot Nothing 

March 12 – Cee Knowledge & The Cosmic Funk Orchestra (tentative) 

March 13 – Pop Sound Lounge 

March 14 – Jeremia Grotto, The Husher 

March 15 – Basrtard Squad, Hex on Wheels 

March 16 – Jessie & the Rippers, Criminal Authority 

March 17 – The White Outs, Bob City, A Planet For Texas 

March 18 – Punk Rock Matinee again. This time it’s Rancid Yak Butter Tea Party, Half Barrel, 12oz Rebels 

March 20 – Pop Sound Lounge 

March 21 – Leveled, Diluted 

March 23 – Doors-A-Thon for the Open Shelter 

March 24 The Cusacks (plus unnamed support act(s)) 

March 25 – Punk Rock Matinee. Face Down, Burning Dawn, The Creeps, Innocence Lost 

March 27 – Pop Sound Lounge 

March 28 – In Motion w/ DJ Eric D 

March 29 – Mercy Township and unnamed support act(s) 

March 30 – Pat Dull & Media Whores (tentative) 

March 31 – Ohio Punk From 2001 (part 1). Starts at 5pm and is an all day showcase. Innocence Lost, 12oz Rebels, Time has Come, The Creeps, Lazy American Workers, Blatant Finger, LegBone, ScallyWagon, 2% Talent, The Echoes, The Throbs, In Common, The Hitchcocks, Jerkwater Jive, Ska Blue plus Food, Drink, Videos, DJ. 

October 11 – One Drop, Trailer Park Ninjas 

October 14 – 5 Hand Gang, Speed Devils 

October 15 – karaoke 

October 16 – DJ Kinkey Doll, DJ Kahkai 

October 25 – Lowdown, Unlearned, Soma, High More Body 

October 26 – Urn, Gossimer, Josh Roxxx 

October 27 – Trailer Park Ninjas Halloween Party 

October 28 – 60 Watt Jackass, Crooked Country, Two Cow Garage, Full Custom Time Bombs (or is it Full-Custom Tim, and F Bombs?), Ukelele Man. Different ads list slightly different lineups, though, so it’s possible some of these acts didn’t play.  

October 29 – karaoke 

October 31 – Separation of Terms, More Plastic 

November 2 – Cringe CD release after party. They are also judging and announcing winners for a new logo contest. According to one ad, the owner’s predelections are “jack of hearts, guitar, guns, voluptuous women.” Local musicians, artists, media, and owner comprise the judging panel. I’m not sure how it turned out, although hopefully it solved the High Five/High 5 disparity – they usually display their name as High 5, but events calendars usually list them as High Five. I like the way High Five looks better personally, but I understand the thinking behind the other, official name, considering this is near the corner of High and 5th.  

Year 2006 Events Calendar

January 2 – punk rock karaoke. This is a Monday, and they have the exact same thing booked for all Mondays, so you get the drill. I won’t be listing them all. Someone named GURU hosts these things and the bar features half price pitchers on PBR, Bud, Bud Lite.

January 5 – Somany Dynamos, I Against The Tower. This is an early show.

January 6 – Houses, Ashley Creek, Cale, Autumns Last Romance. This is an early show.

January 7 – Chris Mills and the New Miserable Bastards, Two Cow Garage, Chris McCoy and the Gospel

January 8 – at 2pm Jack Rinella hosts the first NLA meeting of the year, revolving around the topic of “Bedroom Play.” This has something to do with folks who are into leather for spicing up their sex life. A $2 door charge contributes to the cause.

Much later, there’s a good ol’ fashioned music show featuring Peelander Z, Marvin The Robot, and Ali Zjana.

January 12 – Deadwillrise, Harlots, Burning Love Letters.

January 13 – Audible Detonation (the bar’s website at this time raved about the band, saying, “High Five loves this band! They’re crazy, they’re fun, they’ll make you dance.”), The Real California (which features Ron and Don from The Peachbones.)

January 14 – Rapfest twin bill with both Kadiz and Lyrical having a CD release party.

January 15 – Girls Girls Girls, One Step Ahead

January 16 – Possibly Cyborgs play an early show. This is before the punk rock karaoke juggernaut lumbers to its feet.

January 17 – Femme Fatality, The Colour Scheme, The Stock Market Crash, Anna Ranger

January 19 – Day 9, Lead the Children to the Slaughter, An End To All This

January 20 – MC battle

January 21 – Kati’s graduation party, from 5-9pm. Then the Evolved Kings Of Rock hoedown, hosted by columbusparty.com and featuring at least 8Kount, Simply Waiting, possibly others.

January 24 – They start (at least I think it begins here) this new thing that sounds kind of cool, Tuesday Amateur Nights. Lasting from 8 to 10, it costs $15 to register, though this does get you passes for two guests to come watch you play. It says they are using “Apollo style judging,” whatever that means, and the winner gets $150. Will repeat on future Tuesdays hereafter.

January 25 – following an open dodgeball night at nearby Thompson Rec Center, there’s an afterparty here at the bar.

January 26 – A dance party called UNDERGROUND, which is also known as Less Than Zero, features what sounds like someone spinning classic records ranging from Britpop to punk to new wave and so on. No cover charge. It will repeat as a recurring event on most but not all Thursday nights.

January 27 – Novemberkills plays an early show. Then later there’s a packed set at normal hours with Jonathan Burgess, Wake Up, The Blue Eyed Gunslingers, Asthmo, and Supersonic Theory.

January 28 – multi-level Battle of the Bands begins tonight. There are 3 rounds of competition, with the next occurring on Feb 25 and Mar 25. A list of the known participants: Dissonant Hatred, Occams Razor, Study of Revenge, Once Pure, Caje, Halo Effect, Sour Blood, Pollock, Ripcord, 1 Point 3, Bishop.

First place, which I’m guessing isn’t handed out until the final night in March, includes a sponsorship deal with Rockstar Energy Drinks, 10 hours of recording time, a music video filmed by Columbus Productions, press kit submissions to major labels, prizes from Evolved Body Art, and an unspecified cash windfall.

Second place nets prizes from Evolved Body Art and a press kit from Columbus Productions, but what also might be the most bizarre/hilarious reward for any such competition, ever: they will film half of a music video for you. How does that work, exactly? I am now dying to know how this turned out and what the finish product wound up looking like.

January 29 – Battle Of Gettysburg, Triceratops

February 1 – Shuttlecock, Freedom

February 3 – some sort of Myspace party. DJs, drink specials, and no cover charge.

February 4 – so this is something else new they are starting, which is a “Psychedelic Supper” on Gallery Hop nights (first Saturday of every month.) Running from 5-9pm, it will feature a meal, of course, but then followed by live music from Mas Bagua – this is presumably the psychedelic part, and not anything you will be ingesting.

February 5 – quite the action packed day here. First, from 1-5pm, there’s a rugby party hosted by Scioto Valley and OSU’s teams. Then there’s a Super Bowl gathering later, featuring 25 cent wings, the game itself of course, a halftime draft for what I’m guessing is a fantasy football league organizing this event (called the QuarterBack Club), and then afterwards DJs Alan Greenspin, Detox, and Kenny Ki scratching records or whatever it is they do.

February 6 – the usual Monday night punk rock karaoke thing has been upgraded, tonight only, to Strip Tease Karaoke. Hosted by “local hotties” the Project X Girls.

February 7 – and now the weekly Tuesday amateur night is followed by a proper show, featuring Circle Takes The Square, Junius, and Freedom.

February 8 – Old English, MOB, We Rise Records, Sangreal

February 10 – In what is to be a multi-week installment, donewaiting.com kicks off its 3 year anniversary party. One thing that’s odd about this is they don’t appear to have written about the shows at any point on their actual blog. Like I could find nothing, before or after, relating to these events in the slightest. Then again, can I reasonably claim there have never been any bizarre and baffling marketing lapses in my own half-baked strategies? Not exactly. But anyway, Sweetheart, Houseguest, The Six Parts Seven, and Beaten Awake are the scheduled performers for tonight. Celebrations will continue on the next two Fridays as well.

February 11 – Marah, a band Stephen King is apparently really into. Unless this is a made-up quote.

February 12 – Mice Parade, Pompeii, This Morning, and Elephants Gerald

February 16 – speakerFIRE, Listed M.I.A., Lest Still Bleeding, and Probably Cyborgs play an early show. Then Edith Frost, The Zincs, and Tiara play one at the proper time.

February 17 – Donewaiting’s celebrations extravaganza continues with Little Darlings, 333, Mixtape vs. Atakbot, and Apocalypso as the scheduled acts.

February 18 – An early show features 1931 (for a CD release), Kill What I Adore, Gone To Graceland, and The Bloodstain Prophecy. Then much later, at 11pm, there’s a Rapfest with acts, in running order, Infinite, Lyrical and the Association, L-Marr The Great, Blackhouse, Streetkor, Distinct1, and Swift all on a tightly wound schedule. Tito 6, who was recently signed to Shady Aftermath, makes a special guest hosting appearance. Doors open at 9, though, with DJ Carma spinning records for a couple hours. $5 cover, $1 drafts, $2 imports, $5 uh, Hennesey and Heineken combo? That’s what the ad says.

February 19 – something which didn’t happen but has me intensely curious about it, and thus I will list here anyway: Report Suspicious Activity, The Bomb, and Early Empire were supposed to play, but the show was cancelled.

February 22 – The Black Angels, The Slide Machine

February 24 – Donewaiting’s anniversary wraps up with Envelope, The Evil Queens, Miranda Sound, and Necropolis

February 25 – the three part battle of the bands (from January 28) continues. Group B so to speak features the acts Azygous, Templetons Zeal, Day Nine, The Nothings From Nowhere, Addison Iane, The Most Beautiful Losers, An End To All This, Caption, Triceratops, and Mystic Syntax

March 1 – Curt Kirkwood of Meat Puppets fame plays a solo gig here. The Rackets open for him.

March 3 – not entirely sure what’s happening here, but it sounds pretty awesome. “Columbus Dude Band Extravaganza,” says it is starring Freedom, Pretty Weapons, Sweetheart, and a couple other acts. Come hear us sound like your dad is the tagline for the show, listed on the High Five events calendar. In other news, something billing itself as Nicks Shit Fit is also on the docket, though it’s unclear if this is related to the dude band blowout or what. All we have to go on by way of description is that this is a “doom patrol” of some sort.

March 4 – the whole Mas Bagua/Psychedelic Supper thing, tying in with the Gallery Hop, happens again from 5-9pm. After that, you are encouraged to “come enjoy the hospitality of the OSU Women’s Rugby team,” heh heh, from 9 o’clock onward. This is related to some Arnold’s Fitness Classic afterparty that they are hosting here.

March 6 – Strip Tease Karaoke again, featuring Project X Girls and free giveaways. This seems to be a first Monday of the month occurrence, an appendage to the punk rock karaoke on all other Monday nights.

March 8 – another dodgeball afterparty

March 10 – The Life And Times, Russian Circles, and local band Miranda Sound.

March 11 – Desolate Mindframe, A Vicious Cycle, Life Shot, Study Of Revenge

March 12 – An extensive early show featuring Valencia, Time and Distance, Dusty Innocenti, Five Year Breakup, and Levi

March 14 – Psyclon Nine, The Brown Notes. DJ FailSafe opens.

March 15 – The Receiver, Eagle Seagull, Pirate

March 16 – Folly, The Static Age, Paulson play an early show, followed by the whole UNDERGROUND dance party thing

March 17 – the latest Evolved Kings Of Rock with a bill of Ryan Smith and the Agency, Bullet Jones, Nicholas Williams. Before that, there’s an early show involving The Junior Varsity and the awesomely named Small Towns Burn A Little Slower.

March 18 – and now the latest Rapfest. Distinct1, Forever Fam, Catalyst vs Kadiz, RNS, and Lyrical are the performers. DJ Carma is “dropping straight hip hop sets,” whatever that means, during the interludes.

March 19 – Simply Waiting and All Left Out

March 21 – Kiss Me Deadly

March 22 – Aloha, Kopaz, and Jon Chinn

March 24 – Haram with opening act Freedom

March 25 – At 3pm, the Scioto Valley RFC rugby team has their social event here. Later, the third and final night of that multistage Battle Of The Bands (January 28, February 25) concludes with the finalists pulled from the first two shows. The roll call is as follows: Azygous, An End To All This, Occams Razor, Once Pure, Day Nine, Mystic Syntax, A Vicious Cycle, Caje, Ripcord, Study of Revenge. Although at present, I haven’t discovered who won.

March 26 – an early show that appears to be some traveling horde from Portland, Oregon. At least four and probably all five bands hail from there: Privacy, A John Henry Memorial, The Watery Graves of Portland, TI-83, and Thanksgiving.

March 28 – Premature Burial, The Bloodstain Prophecy, 4th Plague

March 29 – at 8pm, the Ohio Roller Girls conduct their league meeting here. This gives way to a show headlined by My Way My Love (all the way from Japan), opening acts 333, Church of the Red Museum, and Kim Chi

March 30 – an early all ages show featuring The Joggers and Oxford Collapse. Then later UNDERGROUND again.

March 31 – another Rapfest

April 1 – Gallery Hop deal with Mas Bagua again. Also something called Funk Fashion featuring J Rawls. Cosmo martini specials are in store for the lucky visitor.

April 2 – Liz Janes is in town and is joined by a free jazz group called Create (!) – and yes that exclamation is part of the name, not my doing. Half-handed Cloud and Parker Paul are also on the bill.

April 3 – something called “hold” is listed as the early show. Later comes the strip tease karaoke business.

April 4 – A duo called Dangerzone, which features Amos Famous and Bru Lei, graces the stage. Kru Kid is also in the mix somewhere.

April 5 – a show featuring 1 Point 3, Black Cobra, and the incredibly named If He Dies He Dies.

April 6 – Racebannon, Gospel, Freedom all play. There’s also that Underground dance party business at some point, either before or after or between these bands.

April 7 – Centro-Magic, Great Lake Swimmers, and Two Cow Garage play. That last one is touting itself as “the last rock and roll band.” I like these guys, but that’s a bit much.

April 8 – Call Me Lightning and I Against The Tower play an early show. Later, there’s a “Skatetillion Ball” offering patrons the chance to meet the various teams of the Ohio Roller Girls League: Band Of Brawlers, Take Outs, Blackeyed Bullies, and Sprockettes. DJs Moxy and Drastic soundtrack this soiree.

April 9 – This month is littered with dates on the High Five website’s event calendar where they have an entry marked “hold (rd)” or in one instance “hold (nw)” as it was on April 3 also. I have no idea what this means, but today is one such day. It’s possible this is some kind of TBD designation that they used internally and only made sense to them. So while it’s possible this is the name of some performer, I’m guessing no.

There is an early show listed however featuring Capital Tragedy, November Kills, Triceratops, and Philo.

April 12 – Torche and The Sword

April 14 – An event for some entity called columbusparty.com

April 15 – A tribute night in honor of the Uncle Tupelo/Wilco/Son Volt family tree of music. I’m not sure exactly which performers were involved, however.

April 17 – John Vanderslice is in town for a gig, with Wooden Wand for support. There’s also a punk rock karaoke just like all other Mondays.

April 20 – You Will Die perform, and otherwise there’s an Underground dance party just like all other Thursdays.

April 21 – Fine Dining and The Proper Nouns play.

April 22 – Another Scioto Valley RFC rugby team social event, beginning at 3pm

April 23 – Capital Tragedy play another early show, joined this time by Inked In Blood, Hand to Hand, and 1931.

April 26 – High On Fire, Goatwhore, and Waiting To Die

April 28 – first there’s an early show featuring Bottom Line, Break Away, and The Aesthetics. Later, a Tribal Night hosted by Raks Jahanni, with special guests Snakes Rising

April 29 – Scioto Valley’s rugby squad convenes here again, at 3. Later there’s a CD release party for Aether.

May 1 – a bit confused because according to their events calendar, tonight is a party celebrating their 2nd anniversary. But I’ve been coming here since early 2000 and they were certainly in business before then, for who knows how long. So was this place closed at one point? Did it change hands or undergo a remodel/rebrand? That could maybe explain the switch from apparently preferring High 5 in the early days, to styling it as High Five in more recent ones. Whatever the case, it’s also a party for Evolved’s sixth year in Columbus, with the whole Strip Tease Karaoke thing a-happenin’

May 5 – Thought Set and a Cinco De Mayo party

May 6 – Mas Bagua and the whole Gallery Hop thing

May 12 – First, an early show featuring Bloodstain Prophecy, Every Bridge Burned, The Devil Wears Prada, and 1931.

Then later it’s a bash celebrating Sean’s birthday. Freedom, Tree Of Envelope, and Pat Minotaur are on the docket.

May 13 – Desolate Mindframe, Lifeshot, Stapled Mouth Shut, Axiomatic, Human Incineration

May 14 – An early show involving Chiodos, Number 12 Looks Like You, Lorene Drive, and The Blackout Pact

May 19 – First another early show, this time with Clearview Kills, Near Miss, and The Finals. This is followed by a BA Baracus CD release event.

May 20 – Weightless Records, a local hiphop label, stages an all ages show. The Other Paper reviews this in the issue that follows. According to the piece written by Rick Allen, Blueprint leads off the show by explaining that the format will be somewhat unusual, in that everyone will only be performing a couple songs apieces. “Tonight, everyone is headlining,” he is quoted as saying.

Greenhouse Effect kicks things off, with Amos Famous in the role of DJ, and are described as only okay; Blueprint, Manifest, Envelope, and Zero are all given high marks, however.

May 24 – Phobia, Electro Quarterstaff, Disfear, Misery Index, Strong Intention, Bohemian Grove

May 25 – Hempfest Fundraiser. Bum Wealthy, RTFO Bandwagon, Fists Of Fusion, and Doug Guttenberger are the listed acts.

May 26 – Growing Thrones. (Kranky) is also listed off to the side, in the High Five ads, whatever that means.

May 27 – Battle Of The Bands. Last Minute Messiah, Life Shot, House Of Cards, and Threshold Of Pain are the listed acts. Doors open at 5pm.

May 28 – 30 OT 6, Left 4 Dead, and Grey Scale

June 2 – Infinite Number Of Sounds, Ocean Ghosts, Electric Grandmother

June 17 – an early show featuring The Fold

June 24 – another battle of the bands

June 25 – Dysrythmia, Behold The Arctopus, Idiedtrying

High Five July 2006 events
it seems redundant to list these, when I already have the picture

July 29 – battle of the bands

August 2 – Only Flesh, Mankind Is Obsolete, Ohm Ghost

August 26 – battle of the bands

September 21 – an early show features Much The Same, God As A Bullet, Wars Of The Future, Houseguesst, and False Alarm. Then there’s a late show with Beaten Awake, Brainbow, and Houseguest again.

September 22 – Byzantine, Demiricous, Shocking Jesus, Cadavary Spasm, A Chaotic Dream

September 23 – From 6 to 9pm there’s something called A Bossa E Nossa which ties in with Jaime’s birthday party. Then later Homegrown Hero headlines a local talent celebration including Clutterhouse, Derk Vana, Rese Jhordan, The Damnits, W.D.K., Dan Swartwout, and Barry Lanier

September 26 – Asia’s Hope, which has something to do with a skreened.com launch party. Peachcake, Less Pain Forever, Matt Beckler, Cale, and Stealing Bismarck are also here.

September 30 – battle of the bands

October 14 – Curtis Vodka show. He is a DJ from Alaska.

October 28 – battle of the bands

November 1 – something they are calling BEATLOUNGE.

November 2 – Outlook First Thursdays at High Five evidently begins here, whatever this is. The Yekrats are the featured act.

November 3 – Burn In Silence, Year Of Desolation, A Love Ends Suicide

November 4 – there’s an Urban Sound Showcase, and also the Scioto Valley rugby team has its latest social.

November 5 – Jack Rinella is here from 1-4pm

November 6 – the punk rock karaoke thing is still going on, as it is every Monday

November 10 – Fetish Under Glass from 5-9pm. I think this might be an art exhibit, not a band.

November 11 – Gear Pit runs from 3-9pm. If I’m reading this correctly, it involves the following acts: Razor Key Exit, Garblejunk, Only Flesh, Darkness Undying, CC Manded, Dark Monarchy, Mystic Syntax, Remains Of Eden.

Then at 10pm there’s something called Pornucopia staged by Students Pursuing Avant Garde, with DJ Daddy Whorebucks performing.

November 12 – A Chaotic Dream, Human Incineration

November 14 – Los Burbanks

November 16 – Searius Add

November 17 – the DownFront Beat Michigan Rally, with musical guests What We Are, Trailing Grayson, Downplay, The Andy Shaw Band, and Vinyl

November 18 – The Wild Breed Boys

November 23 – Misery Index, Swarm Of The Lotus, Intronaut, Premature Burial, Human Incineration. I’m going to take a wild guess that these acts are not performing the top 40 hits of today.

November 24 – Brazilian Night! Featuring $3 Caipiranhas all night, and special guest Magia Tropical

November 25 – Tribal Night! Once again somehow featuring $3 Caipiranhas all night, and special guest Magia Tropical. But then a Brazilian acoustic segment begins at midnight.

November 30 – Rikets, Only Flesh, and An End To All This

December 1 – DownFront Holiday Benefit Show. Proceeds go to Toys For Tots and the Franklin County 2nd Harvest Food Bank. The Damnits, Morning Round, and Exceptional Edward perform.

December 2 – another Urban Sound Showcase

December 3 – Level C has their CD release party here, even though they actually hail from Cleveland.

December 4 – Strip Tease Karaoke celebrates its one year anniversary.

December 5 – another Outlook First Thursday

December 8 – Ryan Smith, Your Favorite Assassin, Pike

December 9 – DEJAVU Latin Fusion Rhythms

December 15 – the second DownFront Holiday Benefit Show. This one has Zomo, The American Imports, and Blackcoin on the bill.

December 16 – third and final of the DownFront shows. Cardinal Hill, The Andy Shaw Band, and Downplay take the stage this time around.

December 25 – Santa Claus Karaoke!

December 29 – Magia Tropical

December 30 – Tribal Night

I guess I forget that they actually served food at this place. Then again wasn’t this a late night destination for such? Like people would go here late for 3am breakfast? In late 2008 local bar owners Skully (Skully’s) and Mike (Ravari Room) purchased the place. It was remodeled and renamed, possibly to Circus. The kitchen had closed by this point. 

High Five flyer for The Evil Queens and Tigerella
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Little Brother’s

Willie Phoenix 2001 gig Little Brother's

Little Brother’s, the brainchild of former Stache’s owner Dan Dougan, opened its doors in the spring of 1997. When the bar and live music oasis hosts its opening celebration on May 25 of that year, R.L. Burnside is the headlining act, and they don’t yet have a license to sell booze. This is a great metaphor for how this establishment hit the ground running, and almost immediately became one of our city’s top venues.  I think they have one pool table to the left, in front of the restrooms – but that’s quite alright, as you really didn’t come here for their billiard offerings.

Here I will begin listing every Little Brother’s event that I come across, with hopefully a little bit of personal insight if possible. It never would have occurred to me in my wildest dreams that I would eventually wind up working the door some at this place, or the merch table for a Twilight Singers show. But I truly came to love this establishment and was sad to see this era come to a close. However, which is maybe only right, this was also ground zero for probably my worst night living in Columbus. I would still take those, too, once a decade or so – it’s a worthwhile tradeoff. I mean I’m sure this Standard Hall restaurant currently occupying 1100 N. High is great and all, but it’s clearly a totally different thing.

Click the year below to jump ahead in the timeline. Or else by all means continue reading…

1997

1998

1999

2000

2001

2002

2003

2004

2005

Exterior of 1100 N. High Street, Columbus, Ohio

1997

May 25 – R.L. Burnside

May 28 – Yo La Tengo, The Magnetic Fields

June 7 – Guided By Voices, Thomas Jefferson Slave Apartments

June 22 – Wayne Hancock

July 4 – Hovercraft

July 29 – Over The Rhine, Tuscadero

July 30 – The Muffs

August 4 – Mark Eitzel, Jill Sobule

September 18 – Luna

September 28 – The Kelley Deal 6000

October 17 – Jorma Kaukonen

October 20 – Squirrel Nut Zippers

October 22 – Tish Hinojosa

October 28 – Don Caballero

November 8 – Jim Carroll

November 13 – Hum

November 19 – Flogging Molly

December 9 – Over The Rhine

December 13 – The Jesus Lizard

1998

January 13, 1998 Superstar Rookie, Midway, Vena Cava

They’re gracing the stage tonight at a relatively new music club on High, south of campus and just barely into the artsier, vaguely yuppie-fied district known as Short North. It’s a place called Little Brother’s, the creation of former treasured campus venue Stache’s owner, Dan Dougan. None of us have ever been here before, and furthermore, neither Damon nor Paul have yet seen this band, incredible though it seems.

The upper reaches of this Short North region are not quite as polished, as art gallery saturated, as the lower half or three quarters. Thus when we cruise past this distinctive off-white brick building, the individual blocks of which are by appearances each about as big as our television set, we’re pulling left into a gravel lot. Though not ordinarily locking my car, something about this neighborhood suggests it’s not the worst idea in the world to do so now.

Upon entering the club, a classy looking bar awaits us, to the right – and a number of familiar faces both there and beyond. Each of which, or at least those given to much emotion, seem fairly amazed that we would breeze in unannounced like this, particular as even Alan and I haven’t been to a gig since September. Most are lounging around the central seating region, a cavernous space between the bar and the stage, populated with a small fleet of tiny square tables. Overall I would estimate it claims about a third the space of the Newport’s ground floor, with a raised stage, and, via a walkway breezing past the right side of this platform, a backstage room to which Dan escorts us.

While the club itself has only been open six months, I’m guessing it might have served a similar purpose during previous incarnations. All four walls of this secluded rear bunker are plastered with posters, stickers, and the like, advertising a litany of past shows. Bandman can’t resist the temptation to slap a few transparent Superstar Rookie stickers throughout the room, and as I happen to spy a Mike Watt sticker on the wall, remnants of a solo jaunt, he admits it’s a little strange sometimes to think that he’s playing on the same stage as a guy like that.

But they’ve been here once before already, and will surely deliver the goods tonight, the early jitters long behind them. First, however, we have to wade through a couple of other unfamiliar acts. As a group we venture out to the tables, drop into loose formation, either standing or seated, along with Travis and the other guys from the band, in addition to all the other random spectators we know. Matt Montanya’s among those gathered here, and Jeremy Wendling, Tiffany Miller and that skinny blonde Lori chick I remember from previous parties. Matt Kasper, Kevin and Vanessa, and that strange little Greg character who’s always kind of a dick to me for reasons unknown, has been from day one.

Vena Cava is the opening act tonight, an artsy four piece. They’re okay but I can’t really seem to get into them. At least there’s a quality sound system here and some people who know how to run it, which bodes well for the remainder of the night. Midway, a punk outfit, assume the throne next and take advantage of this fact, faring much better. Then again it kind of doesn’t matter if you can’t play, and these guys certainly can. They pull off the often tricky balance of managing to rock mightily while at the same time displaying a comical stage presence. The drummer will execute these lightning fast rolls, for example, pausing for just a fraction of a millisecond to point his sticks at the singer, before falling into a normal beat again. And some of their touches are just plain musically impressive, such as the bass player’s occasional lilting harmonies.

Following their set, having observed a Papa John’s nearby on the drive in, I walk up the street to score some cheesy bread. On the way back, strolling down the eastern side of the street, where Little Brother’s sits, I pass this short, skinny black woman standing on a corner.

“Can I suck you tonight?” she asks, casually, without even really looking at me. Hmm, but no, thanks, I’m good on that front.

When I return, Montanya’s seated at my table, now, a welcome development, and Dan’s hanging around, is all but begging me for some cheesy bread. I don’t mind hooking him up with a few sticks – it only seems like the humane thing to do. The funny thing about this, though, is that as he leaves so Superstar Rookie can take the stage, Montanya, likely wasted and spotting the Papa John’s box but apparently not paying attention to any of these developments, asks me, “how’s your za?”

“My what?”

“How’s your za?” he repeats, and when I still evince some bafflement, he adds, “Your za! Your pete-za!”

As for Superstar Rookie, they sound far better than ever before – and were never bad to begin with. This is due in part to that superior PA and decent sound man, and this somewhat larger, musically dedicated club. Plus, at least for the time being, it appears they’ve reached a decision to flip-flop guitar players, as Dan is mostly playing the lead parts and Tony’s switched over to rhythm. Lastly, Brandon has also made great strides as a singer, since I last saw them in September.

They could already be the best local progenitors of whatever you call this particular strain, poppier than Midway but with some elements of punk woven in. Dan, having dispensed with the three piece suit business but still otherwise positively oozing with enthusiasm; Copper, solid yet possessing his own unique and powerful sound back there on drums; Travis mostly grinning and standing in place as he plays his bass, as though slightly unable to believe they’ve gotten this good so quickly; and Brandon, expressionless as a rule but with his face becoming flushed the more they play, also occasionally raising his eyebrows to deliver a line or sometimes pump his fist, albeit standing stationary for the most part just like Travis.

As for the set itself, these are mostly upbeat originals, though the sound, texture and speed vary from song to song. On exactly one occasion, Copper, whom Bandman once told me is actually an amazing multi-instrumentalist, drifts up to play guitar on a song he’s recently written, as Dan then takes his place behind the kit. And in keeping with what is apparently a tradition so far, they throw in a cover of Just What I Needed, plus a snippet of that one instrumental piece from Top Gun, Bandman beaming throughout as he wails away on guitar.

Damon is impressed, as we mostly suspected he would be, and will say of their show, “a lot of bands, I feel like they’re good, but you can kinda tell what their influences are. These guys don’t really sound like anybody.” For Paul to enthuse about them is really something, however, going as far as to track down Copper and tell him he’s an awesome drummer, asking the band for a copy of their tape – gestures Paul would never undertake if not genuine. While we are all sometimes capable of jackass comments blurted without thinking, and I especially often have a serious struggle being anything but real, I do at least attempt as much tact as possible if it occurs to me. But Radick rarely bothers, or is possibly incapable of such, knowing little else but the blunt approach.

Afterwards, we mingle with the band, mostly Dan, Travis, and Dave. Brandon remains aloof, although I think this is probably shyness more than anything else, while Tony it seems is a bit of a skirt chaser and works the room with that singular focus. Soon enough, with various handshakes doled out assuring them we’ll get together again before long, like with a very intoxicated Montanya, we shove off into the night.

February 7, 1998 – Superstar Rookie, Salthorse

In the midst of a crazy Saturday night with a ton of stuff transpiring, Jon Weirick calls me, proposing yet another option.

“Superstar Rookie’s playing at Little Brother’s tonight and your ass had better be there!” he threatens. 

“Eh, maybe,” I tell him. 

“What’s this maybe?” he demands. 

Unusual for him, Paul R will wind up driving down from Lexington, and the two of us do indeed catch this show. It’s kind of strange, but though this feels like the least interesting of the four options initially presented to me for this night, driving down High Street to watch my buddies play nonetheless seems right, somehow. You can’t even really put your finger on it, but buried somewhere is the notion that an option you hadn’t even known about when the day began is the correct one, the one you always knew you’d follow, all the same. And I think maybe this is the function of friends, in a metaphysical sense. Beyond the obvious benefits of social interaction and mental well-being, they also help you interpret reality. Though appearing as inconveniences in the moment, all of these phone calls still without question help me sort out what is really going on. 

“Hey hey!” Dan Bandman greets us upon arrival.  

Travis is also pleasantly surprised, though unable to resist calling out the busted up nature of my spectacles, which I’ve forgotten to remove. “Dude, what is up with your glasses?” he howls. Apart from being Coke-bottle thick and composed of a wire frame highly redolent of 1986 fashions, they are held together by bent paperclips, and there’s also a huge chunk gouged out of the left lens now. One night I was walking home from Woody’s and right by Taj Mahal, on the sidewalk beside their wrought iron fence, these glasses fell from my head, scooping out this crater in the process. 

As far as Superstar Rookie constituents are concerned, Jeremy Wendling is making a somewhat unexpected appearance. Dan Goddard and Ana are here, as is Jon Weirick with his now reconciled girlfriend Jennifer Thomas, back with him following a temporary separation. Otherwise, it’s a fairly typical, half full crowd for a spacious bar on a random winter night. 

“I did not expect to see you here, the way you were talking on the phone,” Weirick admits. 

A four piece by the name of Salthorse kicks off the night. The spelling they’ve chosen is unfortunate, only the first of many bad decisions made. I mean, is this sal-thorse or salt horse we are watching? But you catch glimpses which suggest this could be a great band, which makes the rest so frustrating. 

Most of their troubles, I hate to say it, but you can pin these to the feet of their lead singer. Initial impressions are that they rock, but their vocalist, who also strums rhythm guitar and oh yeah is wearing a navy blue ski cap, is a little bit on the silly side. He also keeps making a bunch of inexplicably goofy faces, like bugging his eyes out with tongue extended, as he bites down on it, which completely undermine any rocking aspects to their songs. Or regarding the mic like it’s a foreign object, or high stepping around the stage like someone attempting to avoid mud puddles. 

“This guy’s getting on my nerves,” I tell Paul. 

“Mine too,” he admits. 

“The band rocks, but their singer makes me feel like I’m gonna throw up,” I add.  

“I know,” he agrees. 

Everything is a matter of personal taste, obviously, yet it’s difficult to imagine that even the group themselves are entirely comfortable with this persona. Right before I’d said this, the impetus for my comment, their singer executed another bugged out eyes expression, this time with his chin titled to the left, lips pulled back in a horrified mimic of a scream while theoretically regarding some person in the audience. Except you can tell at a glance this isn’t genuine inspiration, rather the nervous stage tics of someone uncomfortable up there and attempting to overcompensate with kooky affected mannerisms. It sucks being on edge in the spotlight, sure, but I would say just stand and sweat in your boots like everybody else. 

“Can you believe this whole band is made up of Lexington grads?” Jon remarks offhand, as he and Jennifer are hanging out with the two of us. “They all four graduated, like, class of ‘88 or ‘89…” 

This seems like another crazy development, even if these guys are likely just a little too old for me to have made their acquaintance. Jon knows the lead player’s name, though, the burly dude with curly hair on the left, shredding lead guitar and probably the best musician in the band: Milan Karcic. But I will soon learn another factoid that shouldn’t matter, yet it’s impossible to ignore and now has me viewing them in a different light. The lead singer is Dan Focht, a name I’ve only seen thus far. We’re still getting his mail at 1990 ½ Summit Street. He and I don’t know who else were the theorized “skate punks” who’d lived there right before we moved in. Wow. 

The set soon ends and Salthorse walks off to a smattering of applause. After a short intermission, our boys in Superstar Rookie take the stage, and while I wouldn’t say this is one of their top outings, they’re still delivering the goods at a high level. They’ve come a long way in swift order and I would already consider them one of Columbus’s best live acts. Brandon does still have some room to grow as a singer, but he hasn’t been at this long and would surely rate himself in the same fashion. Even after – or possibly as a result of – shifting Tony over to rhythm guitar, he’s still struggling at times to find his niche within the group. That’s about it for the slight beefs, however, as the strength of the remaining core, Bandman and Tyo and Copper, more than make up the difference. On a technical level, the sound maybe isn’t quite as awe inspiring as the first occasion we witnessed them here, but any marginal decline is more than made up by the swarm of dancing bodies before the stage.

Afterwards, Paul and I chat with the guys and hang out in the small backstage area while they’re tearing down. One curious encounter which makes me wonder about my wingman here concerns a short blonde girl who apparently went to high school with us – Radick was a grade below me and I wouldn’t claim to know anywhere close to everyone in his class – who certainly looks attractive enough and is chatting his ear off, trying to talk him into the inevitable party at Travis’s later. Yet he remains non-committal at best to her overtures, in fact it’s pretty obvious he has no interest in attending.

“You guys should come party with us later!” she insists, shifting her gaze over to me in a last ditch plea, as though I might have the power to sway him, “there’s gonna be tons of girls gettin drunk!”

February 15, 1998 – This Cajun band named File plays a 4pm show, brought to you by the Short North Folk Sampler.

February 26 – Patty Griffin

March 14 – Thinking Fellers Union Local 282, Moviola, Fuck

March 22 – Syrup, Helium

April 1 – Carrie Newcomer

April 8 – Sixpence None The Richer

May 13 – Tribe 8

May 17 – The Woggles

May 30 – Link Wray

June 10, 1998 – Swervedriver, Spoon

Though visiting the club a couple of times to view local acts, first and foremost Superstar Rookie, my first so-called “national” show glimpsed here would occur when Swervedriver careens into town, in June of 1998. Having seen the English shoegaze-y type group one other time, they really impressed me, and thus this contest at Magnolia Thunderpussy catches my eye, the previous week. They have this box out by the door offering a pair of free tickets to whichever name is drawn. While it seems likely they drew more than one name, or possibly dispensed free tickets to every name, I’m not complaining or asking questions when Magnolia’s calls to say I won, just a few hours before the show.

One of my roommates, Alan, happens to be home from work, and agrees to go with me. He’s never heard of the band but is generally up for live music in any form. In the hours leading up to it, I call some of the usual suspects, too, friends I know who seem good candidates for attendance, to gauge whether anybody else is going. At every instance, an answering machine awaits me at the other end, so I never speak to anyone…but it doesn’t matter, as we bump into every one of these souls down at the show anyway.

As had been the case five years ago, that night we witnessed these guys opening for the Smashing Pumpkins, this occasion is fast turning into a high school reunion of sorts. It’s not an overstatement at all to suggest that previous show had been a real eye opener for many of us, a somewhat mind blowing experience. That night is a major reason many of us are here and creeps into the conversation repeatedly this time around.

After parking next to the club, in their uneven gravel lot, we round the corner and immediately run into Jeremy Wendling, who is sitting on the sidewalk in front of the place with Angie Stearns, the two of them reclining against the giant off-white bricks of its exterior. Next up, Dave Kemp, who is merrily drunk, it would seem, ambles over to shake our hand. Then I give my name to the doorman, and we gain admission, which is when we realize that something like half of this wall-to-wall crowd must be familiar to us.

Some of this is so surreal we’re struggling to make sense of it. Travis is hanging out inside the door, which is probably the most expected development thus far, but we spot Steve Simmers meandering through the crowd nearby, having just purchased a beer, and this inspires us to drift over and do the same. Here I nearly crash into a former busboy at the restaurant I too recently left, the Damon’s on Olentangy, Dave Warnock, seated at the bar. He sort of resembled another Dave, the main Foo Fighter Grohl, when both were sporting greasy long black hair. But now that Warnock’s cut it, he curiously does not. Weirder still, Warnock’s not just sitting next to but somehow knows another guy from our old high school, Greg Dillinger, and keeps namechecking a bunch of other Mansfield area people in attendance, asking if I know so-and-so, even though he is not from our region. Somehow none of this ever came up when we were working together.

“Hey, you’re friends with Keisha, aren’t you?” this voice calls out from behind me, and it’s that Jeff guy Alan knows from the Guard. Alan happens to be over in the near distance, talking to some other people, and I point him out to Jeff. Then we intercept Travis again in the middle of the crowd, and he informs us Jon Weirick’s up near the stage with a ton of other people we know, which is where we head next.

Spoon is the opening act, an indie band who’ve just signed a major label deal yet not really gained much of a foothold nationally. At the time of this show, I am also not that familiar with them, but will never become a fan even when hearing more of their music over the years. In fairness to the group on this night, however, I must admit to not really paying attention, too busy chatting with these random encounters to properly do so. As it so happens, they will soon become the far more popular of these two bands, and not only their set list but audio of this performance exists, while I have neither for Swervedriver. Here’s the rundown of Spoon’s set:

  1. Rocket USA (a Suicide cover)
  2. Mountain To Sound
  3. Utilitarian
  4. Minor Tough
  5. Primary
  6. Idiot Driver/ I Could See The Dude
  7. Get Out The State
  8. Metal Detektor
  9. The Guest List/ The Execution/ Not Turning Off
  10. Telemon Bridge
  11. Car Radio
  12. Waiting For The Kid To Come Out
  13. Lowdown (a Wire cover, not the Boz Skaggs song) (although the latter’s borderline disco groove might make more sense)

Here’s the audio from the show if you care to indulge:

This is the first time I’m listening to this performance since, and as mentioned wasn’t glued to their set at the time, either. I would rate this now as decent, but not exactly an otherworldly experience. Minor Tough actually sounds a lot more like Bush than anyone would probably like to admit – only the presence of this fluid drummer elevates Spoon beyond that. In fact I think the drummer is pretty much the only thing to get somewhat excited about on any of this stuff. At the end of Primary, Britt Daniel does mention that this is their first show on the tour, and throws a howdy out to the headliners. Aside from this, it’s decent background music, nothing more, as it was on a summer’s night in 1998.

Some of our friends are thoroughly engrossed with this group, though, or at least standing right in front of the stage as if they are. Jon’s up here with his girlfriend, Jennifer Thomas, and in this extended circle we find Dan Bandman, Jack Edinger, Scott Imsland, Tiffany Miller, Ben Kick, and a good dozen others. Most of all though I’m stoked to see my old friend Matt Montanya, as he and I continually crack up and discuss classic memories for the majority of Spoon’s duration on stage. Matt’s good arm is in a cast right now, not that this condition is limiting him from moshing when the mood strikes.

Early on, Weirick says to me, “I’ll buy if you fly,” which sets a pattern that will last the remainder of the concert: he’s paying for the beer, so long as I’m willing to retrieve them. And this is totally fine with me, for the sight lines and sound are great throughout this club, not to mention it affords an excellent opportunity to cover more ground and see who else I might rub shoulders with. Even in one instance next door neighbor Sean Gardner, who seems to have gotten over our covering the side of his house with a bunch of food. We talk for maybe thirty seconds before continuing our separate ways.

It’s tragic that I have the complete Spoon show, but that Swervedriver’s appears lost to the sands of time, at least for now. There’s always the hope of unearthing some documents or reliable memories, but the truth is, I’m not focusing any more to their set, either, though remaining rooted near the front of the stage. They are touring in support of their 4th album, 99th Dream, and while they’ve definitely lost some early fans by this stage of their career, and the critical buzz once surrounding them has moved on, I might personally like this material just as much as their previous, trendier stuff. It’s a great swirling album to throw on around the house when occupied elsewhere, the proverbial release that slowly grows on you. Less heavier than their earlier albums, but, as the title might indicate, a little more dreamy.

We will soon discover some of the reasons behind this momentum loss. It seems that upon rolling into town last night, these Swervedriver mates somehow caught word that our buddy Ben here would be a reliable local source for them to score some heroin. Apparently only two of the four band members are into this stuff, at least at present, and Ben does indeed deliver them the goods. He, along with a few other friends of mine who aren’t into the heroin scene at all – who only wished to hang out with Swervedriver – wound up visiting them at their hotel room last night, in the Holiday Inn on Lane Avenue. This has led to rumors that these same couple of characters might hit a party at Travis’s house, after the show tonight.

Without any knowledge or memories about particulars, it seems a good bet they played a solid amount of material in support of this most recent release. Also from what is probably the consensus favorite, Mezcal Head, which I have on cassette dubbed from a disc borrowed at the downtown library, and their equally praised debut, Raise, plus surely a smattering of the early EP and B-side type offerings. The dimmest corner of their repertoire for me is a third album I admittedly haven’t listened to, probably because it wasn’t even released in the U.S., coinciding with the rough five years in the wilderness there where the band seemed a bit lost, and you didn’t really hear much about them.

I only wish I had focused a little more, and taken better notes after the show, but am enjoying this reunion aspect and talking throughout, the same as everyone else is. Still, despite a lack of specifics, I know my impression at the time – echoed by just about all who’d seen both – is that this represents a solid outing, though nowhere near as mindblowing as that show in ’93. Yeah, yeah, I know, there’s nothing more tedious than a grizzled blowhard blathering on about previous concerts seen in sepia tinted decades past…but sometimes, these comparisons prove sort of useful.

The room is so insanely humid that these beverages seem to evaporate through our pores before cooling us down in the slightest. Standing maybe ten feet away from this four piece, we turn to them now and again, when not merely absorbed as an ear splitting soundtrack, and I do remember thinking it cool at the time that they don’t trifle with an encore. Then, following various high fives, quick recaps, and airing of vague impressions, we are in our various vehicles, seemingly half the crowd bound for Travis’s house on Patterson.

Alan and I stop off at the Kroger on 7th and High to pick up beer but then also some Krispy Kremes, basically as our dinner.  By predetermined consensus, a bunch of us have agreed to meet at Weirick’s apartment, from which we will walk over to this bash. Once inside we are confronted by one of the mustiest trinkets imaginable, continuing this 1993 nostalgia theme – Jon throws on the debut album by Canadian rapper Snow, which he has for some reason in his living room CD collection. While he blasts Informer at full volume, Matt Kasper starts breakdancing to it, then a few others join in the fun. Meanwhile Weirick is showing Alan and me the scene of the crime, this coffee table where Montanya recently messed up his arm.

“Travis sat on it,” Jon explains, pointing at the empty hole in the middle pane, where a piece of glass should be, “then we put the pieces back together, and Montanya put this hand through it.” Apparently he was reaching for a pack of cigarettes on a lower shelf and wasn’t aware the glass had been reinstalled, necessitating a trip to the emergency room.

He does get at least one good story out of the cast, however. Once we arrive on foot at Travis’s house full of people, sitting or standing around in ever shifting packs to drink beer, play pool, and listen to music, two members of Swervedriver do indeed eventually drift through the front door. A number of us trail after them, once they breeze through the house and then out to the back yard, to shake their hands, to repeat the standard and surely tedious lines about tonight’s great show and a really good one we caught back in ’93 as well.

Alan and I spend a couple of minutes conversing with the tall, tough looking bass player, Steve George, who nonetheless possesses the requisite droll British nonchalance everyone expects. He seems kind of bored with the conversation until Alan mentions World Cup soccer, a genius move causing George’s eyes to light up. And so we bluff our way through this subject for a while. Then Alan presses his luck in asking the dude for a cigarette.

“Oh, sure, mate,” he replies, and fishes one out from the pack. Alan lights it, takes one puff, then discreetly spins away to hand it off to Jon Weirick.

“That cigarette he gave me was laced with pot!” Alan whispers to me, as the bassist is still within earshot, “I can’t be doing that shit with the Guard and everything!”

A short while later, I happen to be standing nearby when Matt Montanya starts chatting with both members of the band, and attempts signing these guys to a record deal. But instead they just sign his cast.

Swervedriver: bandanna shades trousers

 

June 21 – Ruins

July 2 – The Mekons

August 11 – Edith Frost

September 8 – The Meat Purveyors

September 13 – stare, Trance To The Sun

September 17 – Tish Hinojosa

September 29 – Juliana Hatfield

October 13 – Archers Of Loaf

October 20 – Mike Watt

October 21 – Two Dollar Guitar, Fuck

October 22 – Built To Spill

November 7 – Guided By Voices, The Apples In Stereo

November 12 – Jonatha Brooke

November 18 – Cult of the Psychic Fetus, Tribe 8

1999

January 14 – O.A.R.

January 28 – Fred Eaglesmith

January 31 – Sloan

February 25 – O.A.R.

February 27 – Mudhoney, Thomas Jefferson Slave Apartments, Cheater Slicks

March 7 – Superchunk

March 27 – Cheryl Wheeler

April 20 – Edith Frost

April 28 – Iris DeMent

May 11 – Built To Spill

May 12 – Los Straightjackets

May 27 – The Disco Biscuits

July 2 – Cathy 13

July 3 – Mojo Nixon, Sovines

July 6 – The Cannanes, Log, Timonium

July 8 – Big Barn Combo, Cheatin’ Dogs

July 9 – Gillian Welch, David Rawlings (early show)

July 14 – Candye Kane, The Chiselers

July 15 – The Mighty Diamonds, Beniah, The Decals

July 19 – Blonde Redhead, Man Or Astro-Man?, Dianogah

August 13 – Kami Lyle

September 12 – Wayne Kramer

September 16 – The Disco Biscuits

September 24 – Royal Trux

October 2 – Shemekia Copeland

October 10 – Mike Watt

October 13 – Martin Sexton

October 26 – Donna Mogavero, Toshi Reagon

October 28 – Superchunk

November 2 – Sloan

November 3 – At The Drive-In, The Get Up Kids

November 7 – The Apples In Stereo, Of Montreal

November 18 – Southern Culture On The Skids

December 31 – Watershed, Lilybandits, Wahoos. Complimentary champagne & party favors! Just $10

2000

January 1 – Mullins Band playing (but of course) a “Mullinnium Party.” 

January 8 – Elvis-A-Thon. 4th Annual. 

January 15 – Velveteens

January 22 – Fred Haring and the Franklin County All-Stars CD release party. Yikes. This is what’s scheduled, anyway, but if I’m not mistaken Haring scrapped his own CD release plans for the time being. I’m not sure if he played the show anyway.

January 27 – Hot Club of Cowtown with Jack Neat. I’m not sure if this is one entity or two. I can’t make any sense of what’s going on with that name. 

January 28 – Tiara/Betaroric CD release. Tiara plays in support of their new album Again Cast In. This is show is reviewed by Jerry Dannemiller for The Other Paper and he says they were overly loud, which tended to obscure their sharp songwriting, and made the vocals seem especially weak by comparison. And that the closing 10 minute number was especially brutal.  Betaroric (now that’s a strangely twisted mouthful) is also celebrating a new CD, though he has even fewer nice words for this outfit, labeling them “the sound of Midwestern art students looking at themselves in the mirror” and describing their sound as sometimes resembling a fork caught in the garbage disposal. 

January 31 – Jack Ingram 

Every Sunday (as of January): Flex Crew (reggae)  

February 2 – The Sovines, The Bottlerockets 

February 3 – The Twist-Offs 

February 4 – Stepford 5 CD release party. Templeton and Electric Porn open.  

February 5 – The Cowslingers, Bottletones, Blatant Finger 

February 11 – Scrawl and Thomas Jefferson Slave Apartments (?). Although I see a different events calendar listing Lunasa as playing here at 8pm. 

February 16 – Nashville Pussy 

March 3 – Tim Easton 

March 4:  Columbusmusic.com showcase, including Go Robot, Go! and others. This is the 2nd such event, meant to promote the website (it features downloadable mp3s by local acts). Throat Culture (a cappella) open, performing both originals but some covers that sound like they must have been awesome – such as AC/DC’s TNT done doo-wop style. Website owner Jason Clayton is on hand, passing copies of a sampler (Super Sampler Volume I) featuring all these acts, as well as a handful of others. 

Templeton is next, followed by the heavily touted NUdE, then GRG. By the time they take the stage, it’s about 2 in the morning.  

March 5: Yeah No (NYC) with Avant Collective (local) opening 

March 7: Two Dollar Guitar

March 9: Fighting Gravity, Jerkwater Jive, Fallout Shelter 

March 10: ARA Benefit featuring Hoodoo Soul Band, Mescalito, Soul Fu Villains 

March 15 – The Sheila Divine

March 16: Local heroes Scrawl, with support from Girlie Machine. Scrawl drummer Dana Marshall used to play with Girly Machine and is performing with both – his last show with Scrawl, too, as he is moving overseas 

March 23 – Toshi Reagon

March 28: Yo La Tengo, Quickspace

March 30 – Knee Jerk Reaction 

March 31 – John Mullins Band 

April 5: Bad Livers

April 6 – Richard Buckner 

April 10 – The Gunga Din 

April 11: Cat Power

April 18 – Karma To Burn

April 20 – The Melvins 

April 22 – Workbook Studios CD release party for Proud Like Parents compilation. No Tagbacks, Silo The Huskie, The Randys, The Stepford Five, A Planet For Texas, Gilmore Tamny, Amy Alwood, Jon Chinn perform. A computer is set up at the show so fans can play songs from the CD, and order it online from the dedicated website page. As an added bonus, the cover charge is being donated to Wellness Community. 

April 28: BR5-49, with opening act Tarbox Ramblers (Cambridge, MA). Slaybaugh raves about Tarbox in his 5/4/00 review for Alive.  

April 30 – …And You Will Know Us By The Trail Of Dead

May 1 – Rock For FLOC. A benefit for migrant workers, staged by the Farm Labor Organizing Committee. Doors open at 6 for an all-ages show (Cessna, Mr. Celery Face, Fletch Wiley), with a regular 18+ one to follow at 10 (Stepford Five, F*Bomb, Floatation Walls). There’s even a special Dan Dougan appearance! 

May 4 – Peter Rowan

May 6 – Fred Haring CD release. For real this time. Apparently the one earlier this year was canceled. 

May 11 – The Go 

May 20: Local band HensleySturgis play a CD release party, commemorating their debut album Open Lanes.

May 31: Juliana Hatfield and her other band, Juliana’s Pony, both play 

June 1: L7

June 5: Collapsis 

June 6: Asylum Street Spankers, Ukelele Man 

June 7 – Shaffer Street 

June 12 – The Skatalites 

June 14 – Todd Snider, Dan Dougan 

June 16 – Legendary Pink Dots 

June 19 – Rebirth Brass Band, New Basics Brass Band 

June 20 – Quadrajets, The Bell Rays, Fireballs of Freedom 

June 21 – MP3 Showcase featuring Emily Richards, Bryan Kelly, and others 

June 26 – Blonde Redhead 

July 1 – Mojo Nixon & The Toadliquors. This is billed as a “Co-Dependence Day Party.”  

July 8 – Season’s End CD release 

July 24 – an interesting first ever foray into digital broadcasting for this venue. A website called “Digital Club Network” is hosting a four day online festival, broadcasting live shows. New Bomb Turks, Bob City, and Them Wranch perform to an actual crowd, though anyone can also watch for free online, from a static, single camera video feed. Some buffering issues aside, the event proved mostly a success. 

July 28 – HensleySturgis again, this time with Hayseed 

July 29 – Flyin’ Saucers 

August 4 – New Duncan Imperials (billed as their “last Columbus show”) 

September 17 – Sleater-Kinney, The White Stripes

October 10 – Martin Sexton. Damon and Leah are at this show. He ends up raving about this guy and his guitar playing abilities, says it was a really good performance.

October 17 – Drive-By Truckers

October 20 – Merl Saunders. This show is notable in that it’s an early transmission from a website called Digital Club Network, the first one I can track down. They would broadcast live from a venue, but then save it for viewing later as well. This wasn’t just a Columbus production, either, as they’ve set up shop at select venues all over the country.

I can’t find a set list much less the video or even audio now for this. If anyone knows how/where to track down these old DCN recordings, I would love to hear about it!

October 22 – Planet 12 and Subatomic Particles and Public Nuisance. Another DCN broadcast.

October 24 – Versus

November 11 – Superstar Rookie CD release. Pretty Mighty Mighty and A Planet For Texas also play. 

November 15 – Yonder Mountain String Band

December 13 – Over The Rhine, Ashley Peacock

December 15 – Stepford Five. Another DCN broadcast.

December 16 – The Returnables, Salthorse. Another DCN broadcast.

December 17 – Mojo Nixon & The Toadliquors. Another DCN broadcast.

December 21 – Emperors Of Bad Luck. Another DCN broadcast.

Alive names Little Brother’s as the best place in town for rock n’ roll, 2000. Paul Bearer works the door and Bill Kramer is the sound man.

2001

January 12 – Elvis-a-thon Benefit 

January 20 – Gaza Strippers 

February 6 – J. Mascis. Another DCN broadcast.

February 13 – Flogging Molly, Blue Meanies. Another DCN broadcast for at least the Flogging Molly portion. After this I can’t find mention of any others, so this may have been a short lived experiment here.

February 15 – Sarah Harmer

February 28 – Yonder Mountain String Band

March 9 – The White Stripes

March 24 – Jonathan Richman

March 25 – Over The Rhine

March 27 – Crooked Fingers, Azure Ray

April 4 – Stephen Malkmus and the Jicks

April 10 – Amy Ray, The Butchies, Rose Polenzani

April 21 – Frank Black and the Catholics

May 3 – Grandaddy

May 8 – Guided By Voices, The Lovin’ Spoonful, Spoon

June 3 – Glen Phillips

June 5 – Flickerstick

June 6 – Blake Babies, Wheat

June 27 – Kristin Hersh

July 12 – Mojo Nixon & The Toadliquors

July 24 – Pete Yorn, Ours

August 23 – John Mayer

September 5 – The Faint, Blood Brothers

October 11 – Peach Melba, The Almighty Senators 

October 12 – Uncle Sam’s Dream Machine, The Sultans of Bing 

October 13 – Scoot-A-Que 4 event! A Planet For Texas, Superstar Rookie, Fat Ass, The Patsys (possibly The Cutters, mentioned in at least one events calendar).  

October 14 – Thalia Zedek 

October 15 – Aboogatoot, Len Lew 

October 19 – Salt Horse CD release party. Joined by Grafton, Pretty Mighty Mighty, The Marcy Mays Experience 

October 22 – The Corn Sisters

October 23 – Death Cab For Cutie, The Prom

October 24 –  Iris DeMent

October 25 – Caedmon’s Call

October 26 – Stone Velvet, Go Robot Go, Barefoot Landing 

October 27 – The Paladins with Ray Fuller & The Bluesrockers, Bastard Sons of Johnny Cash 

October 28 – 3pm show is Columbus Blues Alliance Twin Tower Benefit. Dave Chisholm Band, Blues at Last, Nighttrain, Willie Pooch & The Upsetters, Teeny Tucker Band all play.  

Then a different 8pm show, not part of this, which features Mezzanine C-14, Bob City, Grafton, The Weary Boys 

October 29 – Karma To Burn with Bastard Squad of America 

 October 30 – Tomato Box Creative Music Ensemble, with The Avant Collective opening. The Other Paper raved about the first, John Zorn likes the latter. 

 October 31 – Jive Turkeys, Go Evol Shiki, Di Di Mao, Suran Song in Stag, Flotation Walls 

November 1 – Jude, Michelle Branch with Scott Dorsuch 

November 3 – Jay Farrar

November 4 – The Sheila Divine

November 11 – The Frogs

November 12 – The National

November 14 – The Immortal Lee County Killers

November 24 – Willie Phoenix, Johnson Brothers, X-Rated Cowboys 

December 4 – Bliss 66

December 8 – Nashville Pussy, Betty Blowtorch, Broadzilla

December 14 – Watershed, Willie Phoenix, The Stepford Five play benefit show for Grant/Riverside Pet Therapy Program. This supplies terminally ill patients with free pets. Attendees get a gratis copy of Watershed’s latest single, Can’t Be Myself 

 December 20 – Over the Rhine 

 

2002

January 15 – Maery Lanahan, Ember Swift

February 14 – The Breeders

February 20 – Azure Ray, The Good Life

February 21 – Drive-By Truckers, Slobberbone

February 23 – Jonathan Richman

March 1 – Virginia Coalition, Llama

March 3 – Daniel Ash

March 29 – Daniel Ash

May 11 – Watershed

May 13 – Supersuckers

May 25 – Gossip

June 11 – Frostiva, Mary Timony

June 19 – Umphrey’s McGee

June 25 – Pretty Girls Make Graves

June 28 – Umphrey’s McGee

August 29 – Drive-By Truckers

September 5 – The Black Keys

September 18 – Luna

October 8 – Melt Banana

October 19 – John Wesley Harding

October 28 – Particle

October 31 – Bright Eyes

November 1 – Faire Winds

November 6 – The Black Heart Procession

November 8 – Lou Barlow

November 10 – The Black Keys, The Datsuns

November 28 – KHM

2003

January 9 – Cursive, Neva Dinova

January 25 – Ordinary Peoples

February 16 – Koko Taylor And Her Blues Machine

February 17 – The Great Fiction, Lovedrug

February 20 – Sleater-Kinney, The Black Keys

February 21 – Neko Case, Carolyn Mark, Catherine Irwin

March 6 – Rilo Kiley, The Good Life, Mayday

March 12 – Maroon 5

March 21 – Frank Black and the Catholics

March 22 – Minus The Bear, Cursive, No Knife

March 24 – Mary Timony, Frostiva

April 1 – The Datsuns

April 2 – Bettie Serveert

April 10 – Lovedrug, twothirtyeight, House Of Heroes

April 25 – The Detroit Cobras

June 1 – Q And Not U

June 3 – Rocket From The Tombs

June 6 – Melt Banana

June 13 – Laura Cantrell

June 16 – Small Brown Bike, Lovedrug, Rocky Votolato, The Casket Lottery

June 25 – Hot Action Cop

June 26 – Drive-By Truckers

July 23 – Rilo Kiley, M. Ward

July 26 – Vic Chesnutt

July 28 – Jets To Brazil

August 9 – Watershed

August 26 – Xavier Rudd

September 3 – Tommy Stinson

September 14 – Cursive, The Blood Brothers, eastern youth

September 28 – Lovedrug, MewithoutYou

October 4 – Allison Moorer

October 9 – Pseudopod

October 11 – Peaches

October 23 – Beulah

October 29 – Death Cab For Cutie, Mates Of State

November 6 – Electric Six

November 23 – Planes Mistaken For Stars, Lovedrug, Narcissus

November 29 – Over The Rhine

2004

January 14 – The Samples

January 19 – Mastodon, Rune

February 1 – Copeland

February 13 – The Black Keys

February 23 – Mary Timony

February 25 – Gossip

March 11 – Guided By Voices

March 18 – dada

March 22 – Great Big Sea

April 23 – Cursive, Darkest Hour

April 28 – Mastodon, Rune

May 6 – Blue October

May 7 – Electric Six

May 28 – Tracy + The Plastics

May 29 – Scrawl, Slumber Party, Mascott

June 9 – Beulah

June 19 – Heartless Bastards

June 20 – Braid, Minus The Bear, Murder By Death

June 24 – Over The Rhine

June 28 – Spoon

July 11 – As I Lay Dying

July 27 – Rainer Maria, Engine Down

August 6 – The Walkmen

August 12 – VHS Or Beta

August 15 – Bad Acid Trip, Tub Ring, Dog Fashion Disco

September 9 – Brave Combo

September 11 – Les Savy Fav

September 13 – Sloan

September 25 – RJD2

October 17 – The Decemberists, Apollo Sunshine

October 21 – The Good Life, Neva Dinova, The ’89 Cubs

October 24 – mclusky

November 2 – Nada Surf, Maplewood

November 4 – Pinback, Aspects Of Physics, Earlimart

November 8 – Mastodon

November 11 – American Music Club

December 3 – Over The Rhine

2005

February 19 – Heartless Bastards

February 20 – Kings Of Convenience

February 25 – Watershed

February 26 – Dr. Dog

March 12 – Death From Above 1979

March 13 – The National

March 24 – Drive-By Truckers, Heartless Bastards

April 15 – The Dirtbombs

April 19 – M. Ward

April 27 – MUTEMATH

April 29 – The Clarks

April 30 – Danko Jones

May 4 – The Wedding Present, The Organ

May 7 – The Decemberists

May 8 – Jimmy Chamberlin Complex

May 11 – Unsane

May 25 – Stereophonics

June 14 – Neko Case, Johnny Dowd

June 15 – Caesars

June 20 – Kimya Dawson

August 12 – Brave Combo

August 13 – Heartless Bastards

August 16 – Joe Ely

August 26 – Bob Schneider

September 2 – Over The Rhine

September 7 – Matt Wertz

September 20 – The National, Clap Your Hands Say Yeah

September 29 – We Are Wolves, Gossip

October 1 – Tom Waits-a-Thon. Local acts ranging from Bob Sauls to Champipple to Ukelele Man tackle cover tunes by the gravel throated legend.

October 5 – The Posies, with Miranda Sound (local) and Oranger (not sure) opening.

October 7 – Rainer Maria

October 13 – Stephen Kellogg and the Sixers

November 3 – American Music Club

November 10 – The Avett Brothers

November 16 – Dwarves

November 19 – Bob Mould

November 26 – Heartless Bastards

November 29 – Cracker

December 7 – Karl Denson’s Tiny Universe

December 10 – Over The Rhine

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Insomnia

Insomnia coffee shop Columbus Ohio

“Well, Christ,” Damon sighs, after we’ve finished chucking a sack full of potatoes at Alan’s door, down our stairwell, and finally at some apartments across the street, “we might as well walk down to Insomnia, see what those freaks are up to.”

A favored shortcut steers us south on Indianola, meets the sweeping arc of East 16th. In the orange radiance of streetlights struggling through the trees, parked cars clog both sides of the narrow street, ass to mouth. Past the nation’s first ever junior high school, still functional, and a brand new building OSU erected to accommodate its Jewish student body, where broad, crescent shaped brick steps bow before a glorious glass foyer. Bands forever carrying gear through the Bernie’s back door, as 16th dead ends with a club foot against the High Street sidewalk. A unique configuration that lessens traffic, abets our breezy stroll.

From the sidewalk, we descend some stairs to land upon their black and carpet rug, the one with this Insomnia logo emblazoned upon it. Regardless of hour, Insomnia is perpetually jampacked with bodies. Tonight, a few geeks studying even, as other clusters of bored roommates stoop over Jenga, cards, chess. Mostly, however, as is often the case, belligerent skinheads comprise a solid majority here, with a healthy dose of Maxwell’s goths thrown in for good measure. Plenty of conventional seating in the heart of the floor area, although church pew types also line some of the walls. The Goff siblings share an uneasy glance, as Damon and I imagined they might. But for guys like us who live to keep the pot continually stirred, pairing our redneck allies with the weirdo contingent at this all night coffee shop is too rich a prospect to resist.

The only one among us with so much as a nickel in his pocket, I spend nearly every cent I have on a steaming cup of hot chocolate. Feeling sorry, as I do, for K.C., who looks about ready to cry over these croissants behind the glass case.

“Man I wish I had some money,” he whimpers, rocks on his heels, licks his lips, “those look good.”

We find an available seat near the room’s center, sneaking surreptitious glances at the pierced punks. Just as we marvel at the industrious students able to focus here, where the wondrous fragrances of a million varied coffee blends waft and mingle with an equally diverse conversational mosaic. Yet with the exception of my steaming hot beverage, we collectively have nothing else to hold our interest. Lacking other means of absorption, we’re the true freaks here, the only ones in the room paying attention to anybody else.

To our left, a well-dressed, clean cut kid, head shaved bald, stands talking to a pair of OSU pupils. Nearby, this black bum wanders in and out of the store, he shuffles around inside, mumbling to himself and harassing the customers with an occasional, unwarranted rude comment. He passes the kid with the shaved head, hisses “nazi!” before drifting outside again.

Slamming on the brakes mid sentence, the kid’s features harden and he follows the homeless figure, flying through the doorway with one hard shove. Located below ground level, with its entire front wall a sheet of glass, the layout here fulfills our voyeuristic impulses honed through years of channel surfing. A tidal wave ripples through the patrons as they too are glued, for this instant, to the scene unraveling outside. Lying just beyond the glass, ten or twelve cement steps rise to meet a half dozen exterior tables. Filled near capacity, this cramped arena hosts the bum and the skinhead, slinging incendiary threats at one another with commendable gusto. Sensing trouble, the counter help leaps into this potentially explosive fray, sprints out of bounds before this heated exchange escalates into something else. An employee escort removes the combatants from Insomnia’s culpability zone, though all parties involved continue sparring on the sidewalk.

“You guys ready to leave?” I ask.

If we had known this treasured campus haunt would prove so short lived, we might have been a little more inspired to stick around and observe as much as possible. Not just on this night, but the many others we drifted here, during this brief, halcyon period in the late 90s.

Insomnia was located at 1728 North High Street, a spot now occupied as I write this by a bar called Midway. The street level exterior actually looks more or less the same, excepting the paint job, enough that you can tell what it once was. Insomnia’s lease expired in July 2000 and they were put on month-to-month terms at that point, before finally closing in spring 2001. In an Other Paper article dated January 11 of that year, owner Scott Smith is quoted as saying, “the landlord never particularly liked us, so it’s not surprising. He was never a big fan of our patio. He never liked us being open 24 hours.” A lawyer, Brent Rosenthal, who acts as go-between for the landlord, is quoted as explaining, “I’m the trustee for a trust. The guy who owned it put it in a trust for estate-planning purposes in 2000.”

A Starbucks that just went in nearby has affected their business somewhat as well. Smith also says, about the pending close, “we have a small group of avid, if not mildly insane, customers that aren’t happy.” Incredibly enough, at this time, Dunkin’ Donuts has no locations whatsoever in Columbus (they’d yet to make their shocking comeback) and Starbucks is only beginning to infiltrate – that new location, on the other side of the Urban Outfitters’ building, opened for business in 2000, and was the first anywhere near the OSU campus. But clearly, the times were swiftly changing, not just here but everywhere else around town.

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Maxwell’s Bar

Maxwell's Bar and Magnolia Thunderpussy, High Street, Columbus Ohio

Itching for adventure, we latch upon Maxwell’s, across the street from The Edge. Though passing this club a number of times in pursuit of others, we have nonetheless absorbed and pondered those tantalizing tunes emanating from its mysterious pitch black interior, we’ve seen scores of lovely ladies swallowed up by the same. Rumor has it that Thursday is 1980s night and as such we can no longer resist.

After the twenty minute walk here and a wait in line very nearly as long, we finally gain entry into the club. Struggling to adjust, our eyes initially protest this unrelenting onslaught of black, not only the absence of light but also the predominant shade in both hair color and clothing among the freaks that populate this place. Goth kids, in other words, though accentuated with a plentiful dose of meek freshmen females, cowering in corner clusters, making us feel at home.

Aside from a remote DJ booth perched in a loft above the dance floor, reachable only by a wall clinging ladder, the layout is fairly standard here. Near the entrance, a number of tables and chairs, a couch by the DJ’s ladder. A u-shaped bar enclosed by the building’s front wall, with one lone pool table underneath a swinging lamp on the other side of it.  Beside the pool table, the establishment’s only window, a giant plate glass affair affording a splendorous view of High Street.

Occupying much of the room’s center is the dance floor, elevated about two steps up from the rest of the club. Beyond lie two more couches and another pool table in a relatively well-lit section, the restrooms, and then a patio for fresh air whenever the weather allows. Assaulting our ears with panoramic supremacy, these golden pop nuggets such as Little Red Corvette, Just Like Heaven, and 99 Luftballoons. Depeche Mode’s Blue Dress, The Bangles reworking Hazy Shade of Winter, and seemingly every cut from the first two Beastie Boys albums. Given, these girls are less attractive than the selections at that subterranean club across the street, but they’re also less included to give us any grief when we approach – and we avoid the top 40 dance music prevailing over there.

All told we spend fifteen minutes surveying the establishment, at the conclusion of which Damon and Paul announce they’re leaving in favor of The Edge. I don’t care much about where they’re headed, because at long last we’ve finally stumbled onto a scene with substance and potential, the fleeting pot of gold, and to bail now is laughably insane. I have a seat on the back couch to soak it all in while Alan’s off at the john.

An overweight youth with wire rimmed glasses and bowl cut dirty blonde hair flops onto the couch beside me. He’s dressed like an overzealous sports fanatic, in the jersey shirt of a Chicago baseball team. The kind we cater to in the clubhouse at my restaurant, he admittedly appears as out of touch as us in this murky habitat. My eyes are momentarily riveted, though, to this short redhead in a tight black dress nearby, and I’m paying the corpulent White Sox fan no mind. Until, that is, he expresses his incompatibility with the place by launching this half full cup of ice into the air, impacting the pool table felt just as this musclebound thug with a shaved head is lining up to take his shot. Incredibly, no punches are thrown, but he’s attracted attention plenty.

“Ever been here before?” he asks, lounging still in perfect unflappable ease.

“No.”

“Me neither,” he says, “and I’m never coming back.”

“Oh really?” I return.

“Yeah,” he says, “my girlfriend dragged me here. Some friends of hers come here all the time. We were over at their house and they were all doing coke and shit, so they decided to bring us here. That’s them over there,” he elaborates, nodding toward a group of three girls, among them my redhead in the tight black dress.

He introduces himself as Brian, and I’m suddenly interested in becoming his best friend. As this entire exchange has transpired in the time it’s taken Alan to secure a stall in the john, it seems ridiculously easy, though I suppose we are due some good fortune. At any rate if Chicago fits in here we no longer have any worries about assimilation. And if only this Brian will bridge the gap between me and the strawberry princess, I’m willing to suspend my disbelief, I’ll gladly endorse the notion of love at first sight.

From the group, he calls his own woman over, introduces her as Kathy. With a naturally attractive face readily given to smile, and a dash of makeup that, while sparse, is more colorful than what the other freaks are wearing, she’s a comely brunette in her own right, friendly and by turns either self effacing or putting down this place. But I can see no reason in beating around the proverbial bush, particularly with strangers I may never see again.

“I think your little red headed friend is hot,” I admit.

Kathy whistles to her two friends, who immediately join us. Like my redheaded beauty, the raven haired goddess beside her wears another tight black dress, clinging to a body only marginally less sensational. Their names are Tonya and Valerie, respectively, and to my astonishment after just a moment the redhead grabs my hand, leads me out onto the dance floor.

“Come on,” she says.

Just then, his timing immaculate, Alan returns from the restroom. I shout to him and point at Valerie and tell him to follow us on out onto the floor, which he does, he jumps right in beside her. Amidst the swirling lights and the throbbing beat, we claim our tiny parcel of land, as Alan’s beside his babe and I’m all over Tonya.

Our bodies grind together and the whole time I can’t help but think this is it, I’ve finally arrived. She pulverizes my crotch with her ass and I’ve got a hand on each of her hips and it doesn’t matter that we’ve barely spoken five words to one another, total. All that matters is the moment, every twitch our bodies make to the music, every ounce of sweat, the way the occasional pinspot light sets her lustrous hair afire and her green eyes dancing in the dark alongside us.

We maintain this frantic lockstep for two or three more songs, then separate. Needing no coaching of his own, Alan fixates upon Valerie in much the same fashion as I have upon Tonya, and now’s he’s priming me on the finer points of seduction. The girls are still dancing and Brian’s kissing Kathy on the couch while we hold up the back wall, three distinct islands within eyesight of one another but playing this scripted game of social conduct.

After ignoring our prey awhile, we spot them walking out onto the back patio. Alan turns to me and says, “come on, let’s go talk to them.”

Meeting the girls outside, we converse with them a short while. If club time is expressed in songs rather than minutes, then this discussion clocks in at approximately one and a half. Eventually, they hear a beat they can dance to, or maybe the well of our conversation runs dry, the flames of discourse momentarily extinguished. Either way Tonya and Valerie make a beeline again for the floor and as the crisp air around us feels like a splash of cool lakewater after sweating indoors, we’re in no hurry to follow.

“Now when we go in,” Alan explains, “we need to act like we don’t even know them. Don’t even look their way.”

“Okay,” I nod, as we step inside ourselves.

We besiege the dance floor again, this time without the girls. Neither of us are especially fleet of foot, but he insists this is our best ticket, and as I don’t known one tenth of what Alan does about girls this becomes our next grand maneuver.

He comes off like a genius, then, when the hottest girl in the entire bar swings her hips over to where we are. A tall skinny girl with sandy hair, in untucked white tee shirt and tight black slacks, she immediately begins dancing with us. Beneath those pants lies the most amazing ass I’ve ever seen, a feature made no less incredible in viewing it under such intimate circumstances. She jumps frantically up and down with the big 80s beat, inching closer and closer, until that luscious behind is flush against my crotch, grinding out the rhythm of the song.  I do my best to keep up and move along with the girl, rubbing her wondrous rump with my hands.

The song ends and she wanders off without a word, but it doesn’t matter, her impact has been felt deep and wide. Tonya and Valerie are against the back wall, eyeing us and talking in what appears even from this distance as conspiratorial plotting. That the skinny girl with the tight ass deems us worthy enough for a dance only improves our standing with these other two, it seems.

“Look at them,” Alan says to me and nods his head in the direction of the cigarette machine, against which Tonya and Valerie are standing, “they haven’t taken their eyes off of us.”

The house lights come up and it’s time to leave. Bouncers in black shout venomous instructions herding everyone to the door, and meanwhile, our two girls are still staring at us with an expression equal parts wonder and awe. I can’t wrap my head around the luck we’ve enjoyed this evening, but do my best to act as if it is an everyday occurrence, sensing this is a front worthy of Alan. Brian and Kathy are nowhere to be found, but we offer Tonya and Valerie some perfunctory goodbyes before stepping out into the night.  Euphoric, Alan and I scarcely notice the winter chill biting our extremities.

“Dude, it’s in the bag!” he cheers.

“You really think so?”

“It’s in the bag,” he repeats, and I believe.

Needless to say, the next time we run into these two, they don’t even remember meeting us. Such is the scattershot nature of these unhinged outings in a half dark room stuffed with strangers. The lame attempt at conversation with this Tonya is one of the more awkward, dorktastic moments of my life and I soon enough retire this charade.

We have plenty of other adventures on the docket to keep us entertained, anyway. Mondays for example mean goth night at Maxwell’s. We arrive to check it out hot on the heels of our Thursday escapade, and encounter about one third of the crowd. In a sea of black inkier even than 1980s night, we gape in open amazement at the handful of pierced loners in dark clothing and raccoon mascara, writhing along to Nine Inch Nails, trying to act mysterious.  Howling till our sides hurt for nearly two hours, before calling a much deserved end to our evening.

A pair of additional, unexpected complications will append any voyage to these clubs. One such issue is the matter of coats. Wearing a coat to this strip of bars, if walking as most do, is always a tricky strategy to navigate. You could do without, although the weather will not necessarily permit this. Otherwise, it’s either wear the thing around, carry it with you, or find a place to stash it. Each of these options has its obvious faults. Paul and I try hiding ours behind this couch at Maxwell’s, only to have them both disappear. The other challenge to navigate is the attitude of the bartenders if attempting to order a water. Though considerable lip service is donated to taking care of the designated driver, or even just the sensible babysitter, in today’s society, these dudes apparently didn’t get the memo. Open hostility awaits you at first, followed by being ignored outright once they begin to recognize your face. The weird thing about this is, there’s no guarantee of a tip even if these (underage?) drinkers are ordering beers and cocktails. On the other hand, plenty of folks would tip on a water if delivered without an attitude. And it isn’t like tap water is more difficult to pour than a draft, or a bottled one tougher to lift from a cooler than your 12 ounce Bud Light. Unless these barkeeps are business owners, which I seriously doubt is the case, it shouldn’t much matter to them. Actually even if actually owning the business, it shouldn’t matter – Maxwell’s for example was collecting three dollars a head on Thursday nights, minting a small fortune in the process from that revenue stream alone.

But these are minor blips. Maxwell’s offers a veritable cornucopia of delights, depending upon the night and your inclinations. Learning the what and when of this outrageous campus spectacle prove equally important to the who and how, all chapters of our own ongoing education. Wednesday nights each week, this club hosts a one dollar door charge techno gala, termed Maxwell’s House, while every Tuesday and Sunday, they sell pitchers of draft for the rock bottom price of twenty five cents. None of these hold a votive candle to Monday’s goth night, however, which itself dims literally and figuratively against Thursday Big 80s. For factors you can never quite determine, certain elements resound better against your own interests, the arc of your ambitions. In theory nothing should surmount scraping together a few dimes and nickels for the plastic pail drunkfest, but we feel most comfortable here on Thursdays, networking our faces and names then, without ever resolving why.

Quarter pitcher night, it must be pointed out, is somewhat of a gimmick. Oh, the prices are real, but the problem is they keep running out of pitchers. You must maintain a death grip on yours at all times or else risk someone stripping it from you in a beer fueled frenzy.

“I wouldn’t even waste my time with those quarter pitcher nights,” Paul advises us after the fact, having had the sense to avoid this scene, “all it will ever be is skunk beer they’re trying to get rid of.”

A plate glass window in front of the pool tables, wedged into that street facing corner behind the bar and before the dance floor, affords awesome opportunities for people watching. Another Thursday, we’re bringing a couple of newcomers to this freakish scene which has somehow become our surrogate home, in the form of Damon’s girlfriend Shannon and my buddy Doug.

Enduring the customary block long wait, the clock above the bar already reads 12:30 and much of our night is shot. Alan and Doug go in on a pitcher of the cheapest brew available, and, hitting it off as well as I envisioned they would, stand in our normal central observation post, by the cigarette machine. Shannon’s suddenly not feeling well, on the other hand, checking Damon’s own enthusiasm, and I’m not compelled to drink at all. With an impressive adaptability he rarely extends, meanwhile, Paul’s good cheer survives the bartender’s word of a Heineken outage. Though detesting the skunk draft beer, as he calls it, Paul orders a plastic cup of foamy Michelob, and, continuing his astonishing if potentially short lived transformation, agrees to join me as partner in a game of pool.

For a change of pace we put some quarters upon the front table, in this corner of the bar we rarely occupy. Waiting our turn, joined by Damon and Shannon, through the mammoth plate glass window we watch college student swarms file past en route to other watering holes. Two clean cut, carbon copy males, constituents of that same army, have run this table for a while, but my first turn out I sink five consecutive balls. Though a considerable liability, my partner has little work ahead of him as we quickly swat these lads from their pedestal.

“He’s awesome,” Paul whispers to Damon, who nods in polite disinterest, as if plotting his escape. Addressing me, Paul adds, “that was cool how you came out of the gate like that, showed em who’s boss.”

“Hell yeah,” I grin.

Paul never plays pool and watching him stab at the cue ball with his feeble left-handed shot always provides some much needed humor. Occasionally he strikes gold, but for the most part represents a pure handicap. Still, as the ring of onlookers gradually morphs, aspirants to the throne, we’re now up against a pair of tall cheerleader types, their abilities neatly delineated into the same demographics as ours. The sandy haired one, she’s a shade worse than Paul, while the Nordic blonde, squinting when she speaks, introducing herself to me as Amy, has impressive command of the table. We promptly dispatch them, impressive in its own right, doubly so considering the relentless force of Paul’s chatter.

Under normal circumstances, Damon we could not pry from an opportunity such as this, even in his strictly observational role. But citing Shannon’s mysterious illness, they evacuate. When the rotation of turns permits, Amy and I stand against the bar’s backside, separated from its cooler by a thin plywood wall, spray painted black, cracking wise about the world outside this window, those dressed with unintentional hilarity within, the ineptitude of our partners.

But Maxwell’s will suffer a curious fate, before eventually shuttering and being reduced to rubble. Always a freaky place to begin with, as soon as school breaks for the summer, it somehow transforms into a gay bar overnight. Alan and I drift up there one night, but unearth little to hold our interest outside carnival attractions such as a seven foot tall bald guy wearing a frilly pink dress, and our go-go boot girl making out with some other chick. Figuring it must only be a summer thing, we give the place a rest until school resumes in the fall, and yet for whatever reason, Maxwell’s never does revert to its prior form. That rainy Thursday in September will bookmark an era, the end of what had been, not even three months earlier, a weekly ritual.

II.

We somehow land in a throwback mood and decide to check out Maxwell’s one more time, considering it has been months upon months and might have reverted back to its former great self, for all we know. A half-hunch somewhat confirmed upon arrival, where it’s a relief to see that these former hallowed grounds, given up on entirely and last visited just once in the fall, is packed just like those days of yore. Every bit as gloomy, of course, a condition which these swarming bodies don’t allay, but at least it’s mostly normal college kids again as the freak quotient is now mercifully low. 

While we stand around drinking ale and listening to poppy hits from the prior decade, this Asian babe wearing what has to be the shortest skirt I’ve ever seen commands most of our attention. Understandably, we make a concerted effort to remain within eyesight of her for much of the evening. 

But then, in the first happy accident of the night, who should drift through these doors next but Melissa and an extensive pack of her current/old crew, the dormitory gang. Sid and Britta but then also a couple pretty faces I don’t know, plus the always unfortunate guys trailing behind them. We hadn’t known they were coming here, didn’t know this place was even on their radar – and you have to kind of wonder what impact these cell phones are soon going to wreak upon this landscape. Right now, fluke, spontaneous encounters are a nightly occurrence and a large percentage of the fun, never knowing who’s where and what kind of people you might bump into. And yet I have a feeling this phenomenon is bound to drastically change. 

Wherever they’ve been before landing at Maxwell’s, Britta is blotto, but in a surprising twist so is Sid. This is an event without precedent, at least in my association with her, which certainly leads to speculation that maybe she’s lightening up a little bit. That perhaps, in the wake of that final heated night at our house, she suffered an epiphany and realized she was wrong. However, this notion is soon dispelled by an exchange that betrays none of this self-awareness. 

McGathey!” she cheers, in a drunken semi-stupor, “when am I coming to party at your house again?” 

“You’re not.” 

Sid’s understandably taken aback by this declaration and presses me for further clarification. When I elaborate on her history of interfering with our good times, in particular by willfully attempting to bust up any and all efforts we ever make with her female friends, she denies these charges. But I stand by the claims in my case. 

The girls it seems have only breezed through here en route to their dorm, and when they decide to leave, we follow suit. It’s at this turn in the road, rounding the corner from High Street onto the West 11th, that Renata first appears in earnest on our radar. We pass the Cornerstone and Cluck-U-Chicken, the street lights and their neon cousins providing a much better glimpse of her shapely posterior than Maxwell’s would ever afford us. Unfortunately, she’s joined at one of those hips by some Steve character, meaning we have little recourse but drooling in her wake.