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Maxwell’s Bar

Maxwell's Bar and Magnolia Thunderpussy, High Street, Columbus Ohio

Itching for adventure, we latch upon Maxwell’s, across the street from The Edge. Though passing this club a number of times in pursuit of others, we have nonetheless absorbed and pondered those tantalizing tunes emanating from its mysterious pitch black interior, we’ve seen scores of lovely ladies swallowed up by the same. Rumor has it that Thursday is 1980s night and as such we can no longer resist.

After the twenty minute walk here and a wait in line very nearly as long, we finally gain entry into the club. Struggling to adjust, our eyes initially protest this unrelenting onslaught of black, not only the absence of light but also the predominant shade in both hair color and clothing among the freaks that populate this place. Goth kids, in other words, though accentuated with a plentiful dose of meek freshmen females, cowering in corner clusters, making us feel at home.

Aside from a remote DJ booth perched in a loft above the dance floor, reachable only by a wall clinging ladder, the layout is fairly standard here. Near the entrance, a number of tables and chairs, a couch by the DJ’s ladder. A u-shaped bar enclosed by the building’s front wall, with one lone pool table underneath a swinging lamp on the other side of it.  Beside the pool table, the establishment’s only window, a giant plate glass affair affording a splendorous view of High Street.

Occupying much of the room’s center is the dance floor, elevated about two steps up from the rest of the club. Beyond lie two more couches and another pool table in a relatively well-lit section, the restrooms, and then a patio for fresh air whenever the weather allows. Assaulting our ears with panoramic supremacy, these golden pop nuggets such as Little Red Corvette, Just Like Heaven, and 99 Luftballoons. Depeche Mode’s Blue Dress, The Bangles reworking Hazy Shade of Winter, and seemingly every cut from the first two Beastie Boys albums. Given, these girls are less attractive than the selections at that subterranean club across the street, but they’re also less included to give us any grief when we approach – and we avoid the top 40 dance music prevailing over there.

All told we spend fifteen minutes surveying the establishment, at the conclusion of which Damon and Paul announce they’re leaving in favor of The Edge. I don’t care much about where they’re headed, because at long last we’ve finally stumbled onto a scene with substance and potential, the fleeting pot of gold, and to bail now is laughably insane. I have a seat on the back couch to soak it all in while Alan’s off at the john.

An overweight youth with wire rimmed glasses and bowl cut dirty blonde hair flops onto the couch beside me. He’s dressed like an overzealous sports fanatic, in the jersey shirt of a Chicago baseball team. The kind we cater to in the clubhouse at my restaurant, he admittedly appears as out of touch as us in this murky habitat. My eyes are momentarily riveted, though, to this short redhead in a tight black dress nearby, and I’m paying the corpulent White Sox fan no mind. Until, that is, he expresses his incompatibility with the place by launching this half full cup of ice into the air, impacting the pool table felt just as this musclebound thug with a shaved head is lining up to take his shot. Incredibly, no punches are thrown, but he’s attracted attention plenty.

“Ever been here before?” he asks, lounging still in perfect unflappable ease.

“No.”

“Me neither,” he says, “and I’m never coming back.”

“Oh really?” I return.

“Yeah,” he says, “my girlfriend dragged me here. Some friends of hers come here all the time. We were over at their house and they were all doing coke and shit, so they decided to bring us here. That’s them over there,” he elaborates, nodding toward a group of three girls, among them my redhead in the tight black dress.

He introduces himself as Brian, and I’m suddenly interested in becoming his best friend. As this entire exchange has transpired in the time it’s taken Alan to secure a stall in the john, it seems ridiculously easy, though I suppose we are due some good fortune. At any rate if Chicago fits in here we no longer have any worries about assimilation. And if only this Brian will bridge the gap between me and the strawberry princess, I’m willing to suspend my disbelief, I’ll gladly endorse the notion of love at first sight.

From the group, he calls his own woman over, introduces her as Kathy. With a naturally attractive face readily given to smile, and a dash of makeup that, while sparse, is more colorful than what the other freaks are wearing, she’s a comely brunette in her own right, friendly and by turns either self effacing or putting down this place. But I can see no reason in beating around the proverbial bush, particularly with strangers I may never see again.

“I think your little red headed friend is hot,” I admit.

Kathy whistles to her two friends, who immediately join us. Like my redheaded beauty, the raven haired goddess beside her wears another tight black dress, clinging to a body only marginally less sensational. Their names are Tonya and Valerie, respectively, and to my astonishment after just a moment the redhead grabs my hand, leads me out onto the dance floor.

“Come on,” she says.

Just then, his timing immaculate, Alan returns from the restroom. I shout to him and point at Valerie and tell him to follow us on out onto the floor, which he does, he jumps right in beside her. Amidst the swirling lights and the throbbing beat, we claim our tiny parcel of land, as Alan’s beside his babe and I’m all over Tonya.

Our bodies grind together and the whole time I can’t help but think this is it, I’ve finally arrived. She pulverizes my crotch with her ass and I’ve got a hand on each of her hips and it doesn’t matter that we’ve barely spoken five words to one another, total. All that matters is the moment, every twitch our bodies make to the music, every ounce of sweat, the way the occasional pinspot light sets her lustrous hair afire and her green eyes dancing in the dark alongside us.

We maintain this frantic lockstep for two or three more songs, then separate. Needing no coaching of his own, Alan fixates upon Valerie in much the same fashion as I have upon Tonya, and now’s he’s priming me on the finer points of seduction. The girls are still dancing and Brian’s kissing Kathy on the couch while we hold up the back wall, three distinct islands within eyesight of one another but playing this scripted game of social conduct.

After ignoring our prey awhile, we spot them walking out onto the back patio. Alan turns to me and says, “come on, let’s go talk to them.”

Meeting the girls outside, we converse with them a short while. If club time is expressed in songs rather than minutes, then this discussion clocks in at approximately one and a half. Eventually, they hear a beat they can dance to, or maybe the well of our conversation runs dry, the flames of discourse momentarily extinguished. Either way Tonya and Valerie make a beeline again for the floor and as the crisp air around us feels like a splash of cool lakewater after sweating indoors, we’re in no hurry to follow.

“Now when we go in,” Alan explains, “we need to act like we don’t even know them. Don’t even look their way.”

“Okay,” I nod, as we step inside ourselves.

We besiege the dance floor again, this time without the girls. Neither of us are especially fleet of foot, but he insists this is our best ticket, and as I don’t known one tenth of what Alan does about girls this becomes our next grand maneuver.

He comes off like a genius, then, when the hottest girl in the entire bar swings her hips over to where we are. A tall skinny girl with sandy hair, in untucked white tee shirt and tight black slacks, she immediately begins dancing with us. Beneath those pants lies the most amazing ass I’ve ever seen, a feature made no less incredible in viewing it under such intimate circumstances. She jumps frantically up and down with the big 80s beat, inching closer and closer, until that luscious behind is flush against my crotch, grinding out the rhythm of the song.  I do my best to keep up and move along with the girl, rubbing her wondrous rump with my hands.

The song ends and she wanders off without a word, but it doesn’t matter, her impact has been felt deep and wide. Tonya and Valerie are against the back wall, eyeing us and talking in what appears even from this distance as conspiratorial plotting. That the skinny girl with the tight ass deems us worthy enough for a dance only improves our standing with these other two, it seems.

“Look at them,” Alan says to me and nods his head in the direction of the cigarette machine, against which Tonya and Valerie are standing, “they haven’t taken their eyes off of us.”

The house lights come up and it’s time to leave. Bouncers in black shout venomous instructions herding everyone to the door, and meanwhile, our two girls are still staring at us with an expression equal parts wonder and awe. I can’t wrap my head around the luck we’ve enjoyed this evening, but do my best to act as if it is an everyday occurrence, sensing this is a front worthy of Alan. Brian and Kathy are nowhere to be found, but we offer Tonya and Valerie some perfunctory goodbyes before stepping out into the night.  Euphoric, Alan and I scarcely notice the winter chill biting our extremities.

“Dude, it’s in the bag!” he cheers.

“You really think so?”

“It’s in the bag,” he repeats, and I believe.

Needless to say, the next time we run into these two, they don’t even remember meeting us. Such is the scattershot nature of these unhinged outings in a half dark room stuffed with strangers. The lame attempt at conversation with this Tonya is one of the more awkward, dorktastic moments of my life and I soon enough retire this charade.

We have plenty of other adventures on the docket to keep us entertained, anyway. Mondays for example mean goth night at Maxwell’s. We arrive to check it out hot on the heels of our Thursday escapade, and encounter about one third of the crowd. In a sea of black inkier even than 1980s night, we gape in open amazement at the handful of pierced loners in dark clothing and raccoon mascara, writhing along to Nine Inch Nails, trying to act mysterious.  Howling till our sides hurt for nearly two hours, before calling a much deserved end to our evening.

A pair of additional, unexpected complications will append any voyage to these clubs. One such issue is the matter of coats. Wearing a coat to this strip of bars, if walking as most do, is always a tricky strategy to navigate. You could do without, although the weather will not necessarily permit this. Otherwise, it’s either wear the thing around, carry it with you, or find a place to stash it. Each of these options has its obvious faults. Paul and I try hiding ours behind this couch at Maxwell’s, only to have them both disappear. The other challenge to navigate is the attitude of the bartenders if attempting to order a water. Though considerable lip service is donated to taking care of the designated driver, or even just the sensible babysitter, in today’s society, these dudes apparently didn’t get the memo. Open hostility awaits you at first, followed by being ignored outright once they begin to recognize your face. The weird thing about this is, there’s no guarantee of a tip even if these (underage?) drinkers are ordering beers and cocktails. On the other hand, plenty of folks would tip on a water if delivered without an attitude. And it isn’t like tap water is more difficult to pour than a draft, or a bottled one tougher to lift from a cooler than your 12 ounce Bud Light. Unless these barkeeps are business owners, which I seriously doubt is the case, it shouldn’t much matter to them. Actually even if actually owning the business, it shouldn’t matter – Maxwell’s for example was collecting three dollars a head on Thursday nights, minting a small fortune in the process from that revenue stream alone.

But these are minor blips. Maxwell’s offers a veritable cornucopia of delights, depending upon the night and your inclinations. Learning the what and when of this outrageous campus spectacle prove equally important to the who and how, all chapters of our own ongoing education. Wednesday nights each week, this club hosts a one dollar door charge techno gala, termed Maxwell’s House, while every Tuesday and Sunday, they sell pitchers of draft for the rock bottom price of twenty five cents. None of these hold a votive candle to Monday’s goth night, however, which itself dims literally and figuratively against Thursday Big 80s. For factors you can never quite determine, certain elements resound better against your own interests, the arc of your ambitions. In theory nothing should surmount scraping together a few dimes and nickels for the plastic pail drunkfest, but we feel most comfortable here on Thursdays, networking our faces and names then, without ever resolving why.

Quarter pitcher night, it must be pointed out, is somewhat of a gimmick. Oh, the prices are real, but the problem is they keep running out of pitchers. You must maintain a death grip on yours at all times or else risk someone stripping it from you in a beer fueled frenzy.

“I wouldn’t even waste my time with those quarter pitcher nights,” Paul advises us after the fact, having had the sense to avoid this scene, “all it will ever be is skunk beer they’re trying to get rid of.”

A plate glass window in front of the pool tables, wedged into that street facing corner behind the bar and before the dance floor, affords awesome opportunities for people watching. Another Thursday, we’re bringing a couple of newcomers to this freakish scene which has somehow become our surrogate home, in the form of Damon’s girlfriend Shannon and my buddy Doug.

Enduring the customary block long wait, the clock above the bar already reads 12:30 and much of our night is shot. Alan and Doug go in on a pitcher of the cheapest brew available, and, hitting it off as well as I envisioned they would, stand in our normal central observation post, by the cigarette machine. Shannon’s suddenly not feeling well, on the other hand, checking Damon’s own enthusiasm, and I’m not compelled to drink at all. With an impressive adaptability he rarely extends, meanwhile, Paul’s good cheer survives the bartender’s word of a Heineken outage. Though detesting the skunk draft beer, as he calls it, Paul orders a plastic cup of foamy Michelob, and, continuing his astonishing if potentially short lived transformation, agrees to join me as partner in a game of pool.

For a change of pace we put some quarters upon the front table, in this corner of the bar we rarely occupy. Waiting our turn, joined by Damon and Shannon, through the mammoth plate glass window we watch college student swarms file past en route to other watering holes. Two clean cut, carbon copy males, constituents of that same army, have run this table for a while, but my first turn out I sink five consecutive balls. Though a considerable liability, my partner has little work ahead of him as we quickly swat these lads from their pedestal.

“He’s awesome,” Paul whispers to Damon, who nods in polite disinterest, as if plotting his escape. Addressing me, Paul adds, “that was cool how you came out of the gate like that, showed em who’s boss.”

“Hell yeah,” I grin.

Paul never plays pool and watching him stab at the cue ball with his feeble left-handed shot always provides some much needed humor. Occasionally he strikes gold, but for the most part represents a pure handicap. Still, as the ring of onlookers gradually morphs, aspirants to the throne, we’re now up against a pair of tall cheerleader types, their abilities neatly delineated into the same demographics as ours. The sandy haired one, she’s a shade worse than Paul, while the Nordic blonde, squinting when she speaks, introducing herself to me as Amy, has impressive command of the table. We promptly dispatch them, impressive in its own right, doubly so considering the relentless force of Paul’s chatter.

Under normal circumstances, Damon we could not pry from an opportunity such as this, even in his strictly observational role. But citing Shannon’s mysterious illness, they evacuate. When the rotation of turns permits, Amy and I stand against the bar’s backside, separated from its cooler by a thin plywood wall, spray painted black, cracking wise about the world outside this window, those dressed with unintentional hilarity within, the ineptitude of our partners.

But Maxwell’s will suffer a curious fate, before eventually shuttering and being reduced to rubble. Always a freaky place to begin with, as soon as school breaks for the summer, it somehow transforms into a gay bar overnight. Alan and I drift up there one night, but unearth little to hold our interest outside carnival attractions such as a seven foot tall bald guy wearing a frilly pink dress, and our go-go boot girl making out with some other chick. Figuring it must only be a summer thing, we give the place a rest until school resumes in the fall, and yet for whatever reason, Maxwell’s never does revert to its prior form. That rainy Thursday in September will bookmark an era, the end of what had been, not even three months earlier, a weekly ritual.

II.

We somehow land in a throwback mood and decide to check out Maxwell’s one more time, considering it has been months upon months and might have reverted back to its former great self, for all we know. A half-hunch somewhat confirmed upon arrival, where it’s a relief to see that these former hallowed grounds, given up on entirely and last visited just once in the fall, is packed just like those days of yore. Every bit as gloomy, of course, a condition which these swarming bodies don’t allay, but at least it’s mostly normal college kids again as the freak quotient is now mercifully low. 

While we stand around drinking ale and listening to poppy hits from the prior decade, this Asian babe wearing what has to be the shortest skirt I’ve ever seen commands most of our attention. Understandably, we make a concerted effort to remain within eyesight of her for much of the evening. 

But then, in the first happy accident of the night, who should drift through these doors next but Melissa and an extensive pack of her current/old crew, the dormitory gang. Sid and Britta but then also a couple pretty faces I don’t know, plus the always unfortunate guys trailing behind them. We hadn’t known they were coming here, didn’t know this place was even on their radar – and you have to kind of wonder what impact these cell phones are soon going to wreak upon this landscape. Right now, fluke, spontaneous encounters are a nightly occurrence and a large percentage of the fun, never knowing who’s where and what kind of people you might bump into. And yet I have a feeling this phenomenon is bound to drastically change. 

Wherever they’ve been before landing at Maxwell’s, Britta is blotto, but in a surprising twist so is Sid. This is an event without precedent, at least in my association with her, which certainly leads to speculation that maybe she’s lightening up a little bit. That perhaps, in the wake of that final heated night at our house, she suffered an epiphany and realized she was wrong. However, this notion is soon dispelled by an exchange that betrays none of this self-awareness. 

“McGathey!” she cheers, in a drunken semi-stupor, “when am I coming to party at your house again?” 

“You’re not.” 

Sid’s understandably taken aback by this declaration and presses me for further clarification. When I elaborate on her history of interfering with our good times, in particular by willfully attempting to bust up any and all efforts we ever make with her female friends, she denies these charges. But I stand by the claims in my case. 

The girls it seems have only breezed through here en route to their dorm, and when they decide to leave, we follow suit. It’s at this turn in the road, rounding the corner from High Street onto the West 11th, that Renata first appears in earnest on our radar. We pass the Cornerstone and Cluck-U-Chicken, the street lights and their neon cousins providing a much better glimpse of her shapely posterior than Maxwell’s would ever afford us. Unfortunately, she’s joined at one of those hips by some Steve character, meaning we have little recourse but drooling in her wake. 

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Club Dance

Club Dance in Columbus Ohio

Beyond the provisional gate of our I-270 outerbelt, we find Club Dance, nestled like a newborn amidst the runaway, half diseased strip mall sprawl between ghetto Whitehall and redneck Reynoldsburg. But Club Dance is no baby, having thrived here for nearly twenty years now, under a litany of names, and the same could be said for most of the strip clubs and restaurants lining this commerce laden section of Brice Road – even though it technically has a Channingway address.

Living where we do, the more prominent downtown skyscrapers visible from our front yard, and the distance out of town north a known, mentally traceable one, it’s easy to lose sight of our fair city’s heft, to downplay reports we keep hearing of its ever increasing size. But to navigate a course out here to the eastern extreme, to log the miles and chart the minutes, and only then reach the trembling lip of this outlying suburban wall, is to have these notions reduced to rubble on impact. Fleshed out months ago by our few trips to the western extreme, my earlier, grandiose pronouncements concerning this city appear horribly misguided. Flashing like cameras somewhere deep within, the lights and landmarks I’ve absorbed during this lone jaunt to Club Dance disabuse me of the thought I’ll conquer Columbus in a lifetime, or for that matter in ten of them stacked end to end. And in terms of these ends, the east to west variety, they stretch so far I can’t wrap my mind around them.

We can’t have it all, so each night we cast our chips onto the most promising square and give the wheel a spin. Weigh our options, the information based upon a continually evolving field, recalculated hourly. Nicole and September call, they tell us to meet them at this bizarre but insanely popular club, and we’ve no reason not to.

Half hip hop hot spot, half urban cowboy watering hole, these polarly exclusive elements juxtapose with minimal friction. Within the former, red brick floors and dim lighting, throbbing strobes and ribcage shattering beats entertain the baggy panted masses, while the latter houses, underneath a bank of bright white lights worthy of our sun, a gleaming wooden floor full of line dancing zealots, surrounded by a near perfect oval of passive onlookers. In each half, the corresponding disc jockey panders the preferred genre and lingo, and the always rotating hordes engender the most stimulating hybrid either of us has ever seen.

Cowgirls with amazing asses saunter past, waggling those prized possessions in pairs of impossibly tight jeans, the retroactive majesty of their tiny red boots, hair sprayed golden locks and exquisitely rendered mascara breathtaking to behold. But just then some wicked young thing in skimpy shorts wedged snug against her crotch displaces that view, chest caroming unrestrained beneath a translucent, ill fitting tank top, skin tropical island tan, as if rendered for holiday feast, and gymnast taut, body language wavering somewhere between carelessly fluid and inner city nasty. We’re expected to patrol these grounds, under these conditions, which counts also four functioning bars, a pizza joint, and a pool hall among its holdings, and somehow locate the two girls who summoned us here.

Eventually, Alan and I find them at a table above the hip hop floor, buried in relative shadow.  September a few drinks into a passably cheerful mood, claiming she’s finally over Robert, even though for some odd reason she’s brought his cousin Scott along. I’ve never met this Scott kid before, a lanky youth wearing football jersey and blue jeans, though he immediately inquires whether I care for a game of pool.

Upon securing a table, Alan and Scott are paired off as partners against September and me, with Nicole, fulfilling her apparent niche in life, the smiling, passive observer. My roommate and I, new arrivals, have not yet finished our first beers and are only halfway into this initial nine ball foray when September, standing in the middle of the room, begins bawling out loud. Shielding her face, she then sprints out of the building and into the night.

Despite the extra cargo she’s carrying, Nicole is first to follow, dashing in her best friend’s footsteps. Unsure just how to proceed, we males exchange quizzical glances, sip our beers for a wit gathering moment, then set our sticks down and waltz outside as well. No sooner have our feet hit asphalt does Nicole’s car come streaking up to greet us, as she rolls down her window and instructs Scott to climb in. Then, with only a perfunctory goodbye tossed Alan’s direction, she exits the parking lot, bound for Mansfield, the last we’ll see of them.

“What the fuck?” he mutters, mystified. We debate reentry no more than a moment, before calling it a night ourselves.

Club Dance back dock

By the year 2000, Club Dance is still going strong, even as the last letter on their exterior sign is gone, making it read Club Danc. It is anything but dank, however, and still draws a sizeable throng most nights. The country half, formally known as The Big Easy, also hosts national touring acts. Like Ohio’s own David Allan Coe – who seems to be here constantly – or a Merle Haggard appearance in March 2000. According to a review in The Other Paper, he was in fine form for this show, bonded effortlessly with the crowd. Opening with Silver Wings, he also broke out the hits Mama Tried, Think I’ll Just Sit Here And Drink, The Bottle Let Me Down and Okie From Muskogee. 

As of 2001, they were now calling it The Big Easy/Club Dance instead, which presumably indicates more of a focus on the country half of the equation. Or should we say “country fifth,” considering that Bourbon Street, Red Dog Saloon, and Guido’s Pizza were also inside this massive establishment at that time. Once again, it’s amazing how many of these old clubs had a dedicated food operation inside, yet I not only don’t recall ever trying it, would not have remembered this detail whatsoever and might even have sworn it never existed. So regarding Guido’s Pizza at least, I can’t tell you anything firsthand about the quality or lack thereof.

A few years after its heyday, we venture to the far east side for our final Club Dance foray. Much of this decline wasn’t just that the perpetually trend chasing club crowd had moved on – though also somewhat true – but also that it had begun to seem like a far seedier atmosphere. The tipping point occurs on a night where my car is broken into in their lot, as our coats, the girls’ purses, and my stereo were stolen. Actually, “broken into” is not quite the right phrase, considering that I hadn’t even locked the car. But this only drove that tonal shift home, in effect, because I wasn’t in a habit of locking my car, and had never experienced any trouble elsewhere. And until tonight, we had not trifled with Club Dance since. But an invitation from some girls we know, to check it out again, is one we cannot resist. 

“Okay…where would I park if I was a car that didn’t want to be broken into?” Damon muses, as we arrive, in picking the perfect spot. 

Immediately, though, for whatever reason, the place seems safer to me than it ever had, you can almost smell a different vibe before even stepping out of his truck. Hell, the cover was even lower than it had been before, $3 now compared to $5 back then.   

Even though it’s now midnight, and the parking lot’s packed, The Big Easy is not all that crowded when we roll in.  Tons of people, sure, but it’s such a cavernous club and so well lit that we can easily scour the premises to gauge if any of our people are on hand.  As before, this place remains divided into those two distinct hemispheres – one hiphop, one country – and draws the corresponding mixed crowd that this odd conglomeration would imply. 

We traipse around, looking for the girls. A first round of bottles is ordered – Miller Genuine Draft for Damon and Rolling Rock for me – and then a second round is ordered, but still so sign of them.  During the course of our odyssey east, we’d said that if they didn’t show we were going to be outraged, and here it starts to look like our worst case scenario might come true.  We grab seats in the middle of the walkway between the connected yet polar opposite halves and keep our eyes peeled for any familiar faces. I figured that we’d give it another round waiting on the girls, and if they didn’t show, I’d say something to him about relocating.  

But then we glimpse the known commodities of Melissa, Melanie, and Amanda, who’d apparently been here all along, yet invisible to our miscalculations anyway. And aside from those three, there’s another Amanda who’d brought along the only guy in the posse, her boyfriend; Stacy, the decidedly inhospitable new president of their Alpha Delta Pi sorority; and finally Beth, this moose of a girl whose twenty-first birthday we were theoretically here to celebrate.

Then we all relocate to the dance club half, to see what kind of mischief is available to us over there. Calling the playlist strictly hip-hop or even pop, though, isn’t entirely accurate.  More like modern music, as they mix in a handful of hard rock numbers too.  But from the gangsta wannabees in gold chains and backwards ball caps to the thin as rail, coke fiend girlfriends the crowd is stacked to the ceiling with, there is no mistaking this as anything other than a dance club.  The music is jacked loud enough to cause internal bleeding and the clientele’s excessively rude, the help only half a notch higher on the politeness scale…oh yeah, this is most certainly a dance club. 

Though not exactly our calling cards, we join the ladies in gyrating – or at least vaguely moving to the beat of – this endless onslaught of jams, out here on this floor. And then we somehow wind up on this frightening wobbly ledge, a full story above everyone else, along the back wall.  Accessible only by an equally rickety flight of stairs, this ledge was meant to accommodate maybe six and here we’ve crammed a dozen or more onto the damn thing.   

Most of the ones up here were with us, but there’s row of three chicks along the railing that no one knows.  Seizing our opportunity, Damon and I maneuver our way until we’re up against them, grinding our crotches into their backsides – and the girls never say anything, just look back at us with a smile, possibly because there was nothing they could say.  We had no choice, girls, no room here to be anywhere else but up against your asses.  And they understand.

Twelve of us, fifteen maybe even, are up on the wobbly, rocking platform. Surely the bar owners know what they are doing and this thing is deceptively safe…but man, I just don’t know about that. More ominous still, the song we’re all dancing to next is a ridiculously dumb anthem which still seems to play on The Blitz approximately every 15 minutes, Bodies by Drowning Pool.

Let the bodies hit the floor! 

Let the bodies hit the floor! 

Let the bodies hit the…flooooooooooor!

the lead screamer grunts, and it’s enough to make at least some us pray we just make it through this song alive. 

“I wish the bodies would hit the floor already,” I joke to Damon, but though he laughs, I quickly realize that this is a comedic angle I need to abandon pronto. For one, it sounds like something your grandpa might say, grousing about the terrible racket that passes for modern music; for another, it’s an unintentional if direct commentary on our specific situation – up here on this rickety ledge, about the last thing I should want is for these bodies to hit that floor. 

After the song ends, though, we collectively lose interest with the over saturated catwalk and dismount. Down the flight of stairs and mixed back in with the rest of the general population, even the row of girls in front of us had gotten bored and descended. Obviously, Damon and I should have kept track of them after they followed us down and went over to say hello, but like fools – doubly foolish because we’d done this a thousand times before – we let them slip away and never do spot those ladies again. 

Up until this point, our night had been unexpectedly firing on all cylinders, yet the few charms this place still possesses are soon lost on us. We’ve even successfully managed to mostly ignore Stacy. We do attempt talking to a few stray women, though this goes nowhere. Everyone is this city seems so jaded of late, and if your meetings haven’t come about organically (a la, well, yes, those three girls up on the ledge) then these efforts, though admirable, are typically wasted. Or is it just we who are now jaded? It has always been a numbers game, and maybe nothing whatsoever has changed beyond our diminishing patience.

We’ve also done ourselves no favors by arriving so late. Next thing we know, time having bled away all too swiftly, clubgoers flee en masse for the exit signs and we’re right behind them, or rather somewhere in the middle, at the tail end of our own substantial posse.  Not wanting to give up on the night too quickly, but also not wanting to be one those pathetic losers still milling around when the house lights come on. My last visit, yet for the first time I’m wondering about the accuracy of this Big Easy moniker: this place is quite large, yes, but nothing has come easy.

 

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Pockets

Harrison's On Kenny Columbus Ohio

It’s funny, but my initial impression of Pockets Sports Bar on Kenny Road is that I won’t be logging many hours here. I could not have been more wrong on this front.

One black mark against it in the early going is that it’s located in Upper Arlington, during an era where I’m completely spellbound by the OSU campus. Suburban in every sense of the word, placid and refined, this northwest end of town differs acutely from the university mayhem I’m accustomed to. Yet with sophistication there comes an offsetting loss of character, and the further I drift from campus the more pronounced this disparity becomes. Maybe the condos up this way have clean carpets and all their windows intact, but in the exchange you lose that gap-toothed low class charm.

Of course, a little over a year later, I will wind up moving within about two blocks of this establishment, to the apartment at Merrimar Circle N. But this was all still in the murky, unpredictable future the first time I visit Pockets Sports Bar. At the behest of a coworker I’ve only recently met, Doug, I drive us there one night along with his roommate Mike Nelson, to watch a boxing match. Proudly touted upon their parking lot marquee, this boxing match, while featuring two figures I’ve never heard of, draws about a thousand drunken assholes with the same idea as ours to Pockets’s numerous mammoth TV screens. In actuality, having forgotten my state ID at home, I’m forced to drop the two of them off, as they alone claw their way through the jungle of bodies.

When I return more than thirty minutes later, locating their table to the left and sandwiched between two gigantic wall mounted screens, Doug lets out a roaring mocking cheer. Timing immaculate, a pitcher of cheap domestic beer sits between us, and the fight is just beginning. I still can’t swallow more than two or three cups of this hoppy swill in one night, but the match offers my taste buds distraction enough. Besides, with the bar too dim to peer deep and our backs to most of the compact crowd, I don’t have much choice. A burly Latino – Oscar De La Hoya, as it turns out, whose star is only rising – squares off against this wiry black, Pernell Whitaker, and I instantly take a liking to the Mexican American’s style, the deliberation of his motions. He wins in twelve rounds, our hero, which is exactly the amount of time it takes us to kill three pitchers.

Back then, the same guy who owned Pockets also counted Out-R-Inn on campus among his business holdings. His name was Bob Gil, and he bought this place in 1991, when it was still called Lone Star Steaks. He ended up being somewhat of a shady character and involved in a couple bizarre crime cases, about which I might write more when the inspiration strikes. For now you can always listen to the True Crime Garage podcast and their thoughts on these matters – which are probably much more insightful anyway.

Gil eventually brought in Marty McNamee as co-owner of both bars. January 1994, Mary Victoria Huran files a harassment suit against Gil – she works at Pockets as a waitress, then moves up to work at his office. He denies all allegations, and this case has yet to go to trail when Bob inexplicably comes up missing, on September 26, 1994.

These days Harrison’s On Kenny sits where Pockets once did, at 4510 Kenny Road. But I see this too is listed as a sports bar, and imagine it’s pretty much the same operation. One difference I have noticed is they do have a fenced in outdoor seating area to the left of the front door – I could be wrong, but I certainly don’t recall this being here before, during the Pockets days.

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Mitchell’s Steakhouse

Jill at Adam's Mark 2-18-00

Ordinarily, a place like Mitchell’s Steakhouse is out of my price range. And this was certainly true when in my mid-twenties. But through a hilarious work related contest, I did happen to win a prize package for two, featuring cocktail hour, dinner at the downtown Mitchell’s, and then a room for the night at the Adam’s Mark hotel across the street. Also either $200 or $300 in cash, I forget.

At the time, I was seafood manager for the Morse Road Kroger. A glamorous post, I know. The contest is to see who can order the most imitation crabmeat in the zone, and I somehow come out on top. The deal I have worked out with my awesome part timer Christine is that she gets the cash. As for the rest – dinner at Mitchell’s, cocktails beforehand, and the room at Adam’s Mark – my girlfriend Jill and I will be reaping the benefits of this.

They would be bringing in winners from other zones around the state, and bigwigs from the imitation crabmeat company were flying in as well, lending credence to my kickback theory. Our crotchety old meat merchandiser dude, though, who was heading up the operative, must have had some concerns when he called to say I’d won, telling me, “it has to be a girl, now, no guys.” So I’m not sure if he thought I was gay or something or if this was his own personal hangup in life. Maybe he was worried I’d bring one of my rowdy bros and we’d trash the hotel room or start a riot in the steakhouse. Whatever the case, Jill and I dressed up as required for this event, and I have to say she looked pretty smashing.

As for Mitchell’s itself, the experience is of course spectacular. They’ve got some kind of back room reserved just for us and the food just keeps coming, all of it amazing. A number of different appetizers get us started on a side table, as we continue to make chitchat, and the gratis drinks are flowing as they were up to a few moments earlier in the bar at Adam’s Mark. Among the appetizers is a huge hotel pan of a fairly good sized peeled and deveined shrimp on ice. Our cantankerous merchandiser points to them and asks us to name what size these are – I’m pretty proud of myself, at the time, for blurting out “26-30” instantaneously, although everyone else pretty much agreed with me, and this did turn out to be correct.

Regarding the rest of the grub, of course the filet mignon is off the charts, but you kind of expect that. Well, actually, though I’m ordinarily not the biggest filet fan – too dry, a lot of the time – I am nonetheless wowed by the preparation they’ve given this slab of beef. Whatever sauce they’ve glazed this with counters the dryness quite nicely. Yet for some reason what sticks with me most, unexpectedly, is the green beans, which I couldn’t get over then and still think about now. They were crispy yet dripping butter all at once, a series of amazing little flavor bombs, just raw enough to snap in your mouth.

By the end, it’s the one time in my life where I’m so stuffed I actually sweat it for a split second thinking I might barf at the table. Once that feeling subsides, I’m nonetheless feeling about half sleepy, half ready to explode, and one glance at Jill tells me she’s in about the same boat. Technically, we could have bolted from our chairs and gone back to the hotel, but nobody else has left, it seems that we are expected to sit through a couple more speeches from company bigwigs. Dalton is doing one helluva job, we are all fantastic, right on. Only then are we mercifully able to disappear into the night.

This very location (45 N. Third Street) will wind up being named best downtown restaurant of that year (2000) by Columbus Alive. Which can’t be the only time they were lauded in such fashion, although it may be the only time I ever ate at a restaurant during the year in question. What can I say, it was a memorable night, and they didn’t arrive at this exalted state by accident. There’s a reason I still remember this night quite well, and they remain a Columbus institution.

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Bernie’s Bagels & Deli/The Distillery

Bernie's-Poster-Wed-Feb-Fourth

After 40 years serving drinks, bagels, and live music, campus institution Bernie’s bit the dust on New Year’s Eve 2015 (so the early hours of 2016, if you want to get technical). Located at 1896 N. High Street, this below ground music shrine, though also just happening to serve surprisingly respectable grub, opened in 1975 and became sacred ground for countless generations of music fanatics, drunken collegiates, and third shifters looking for a decent bite – not that those tribes don’t feature more than a little overlap.

More on this space will follow. But for now, below are some pictures from the night my buddy Dave Kemp decided to hold his bachelor’s party here – national indie rockers Criteria played that night, as well as our friends in local band the Handshake:

Bachelor's Party at Bernie's
Some of my other friends on a surprisingly subdued night: Todd Mason (front, hat backwards); the groom Dave Kemp (behind him, blue shirt and ball cap); then L to R next to him – Beau Huey (looking at camera), Norman Flores, Matt Montanya, Steve Simmers.

Then there is this curiosity below, which Damon and I spotted tacked to a telephone pole one afternoon on High Street. The character in this photograph is without question the elementary school guidance counselor we all had, clear up in Lexington. So the parties responsible for this flyer presumably hail from that region, although I don’t think we ever determined who this might be. And of course it doesn’t help matters any that the poster is now partially ripped:

Bernie's-Poster-Wed-Feb-Fourth
Mysterious Bernie’s poster, circa late 20th century

According to my notes this would have been February 4, 1998. A few of us got sidetracked at the Northberg Tavern and, though intending to investigate this mystery, never quite made it down there. Sadly, Bernie’s was demolished in August of 2016, meaning this riddle is unlikely to ever be solved.

*UPDATE!* I was contacted by a Connie Poppledorf who says she made this at Kinko’s, for her band at the time, the pinups. And that the second group listed – which seems to fit with the available evidence, at the ripped top edge of the flyer – would have been Koo Stark. Incredible. The people of Columbus can sleep a little easier, now that this matter has been put to rest.

Photo from epic & weird Dave Kemp bachelor party at Bernie's
Ethan Picman & Matt Montanya – reunited at last!

II.

Tony Painter and his wife Roma own Bernie’s during this era, having bought the club in early ‘95. It had already been open 20 years at this point. Among their renovations was a better sound and layout. During this time, they were trying to get approved for an outdoor patio along 16th. Actually, it was apparently approved on a temporary basis, but they couldn’t get permanent permits. I don’t think they typically had any security here, though, leaving the bartenders to police the crowd. Also the bathrooms were often quite gnarly.  

Well, okay, I’m feeling ambitious and am going to attempt posting the events calendar for every year this venue was in existence. Bear with me, though, as this is bound to be a rocky ride and mighty incomplete list for quite some time. But hey, you’ve got to start somewhere. You can click the individual year here to jump ahead, or else keep reading:

1998

1999

2000

2001

2002

2003

2004

2005

2006

2007

2008

2009

2010

2011

1998

February 4 – that pinups/Koo Stark show mentioned above

March 28 – Guided By Voices! With Superdrag opening. Many a tune will have their live debut at this show, considering it’s the first stop of the tour: a totally bonkers 22 songs, in fact, from their 33 song set. Former Breeders drummer Jim Macpherson is now with GBV too. It’s a thoroughly killer set, of course, but you already knew that. Otherwise, some interesting moments on the local folklore front: Bob namechecks Jerry Wick (of the band Gaunt) before the show even technically begins; prior to the 8th selection, Zoo Pie, someone in the crowd shouts out a question, wondering who is better at basketball between Pollard and Ron House (from the Used Kids record store, and local rockers Thomas Jefferson Slave Apartments).

“I think statistics speak for themselves,” Bob says.

You can then hear House chirp from the crowd, “I know, we’re 1 and 1, motherfucker! 1 and 1”

“The answer is Greg Demos,” Pollard eventually concludes, in reference to his bass player.

A little later, there’s a birthday shoutout to some guy named Nick, who I think works here, as he is apparently brought briefly on stage.

April 9 – The Fells

May 6 – The Woggles

June 17 – Guitar Wolf

June 18 – Nebula

September 22 – The Aislers Set

October 30 – Bonfire Madigan

November 2 – Braid

November 11 – Ric Hordinski

November 13 – Murder City Devils

November 15 – …And You Will Know Us By The Trail Of Dead

November 18 – The Sheila Divine

1999

April 2 – Quadrajets

May 9 – Groovie Ghoulies, The Eyeliners

July 6 – Pedro The Lion, The Rondelles

August 3 – Marky Ramone and the Intruders

September 16 – Sweep the Leg Johnny

September 27 – Guitar Wolf

November 10 – The Dismemberment Plan

November 23 – All Out War, Turmoil

December 2 – The Appleseed Cast

The Pop Quiz play a show here (in December I believe) and some drunk fan went onstage, dropped trou. “Dad, I told you to stay home,” the singer reportedly quipped in response, according to Columbus Alive.

2000

January 13 – Forstella Ford, Jeromes Dream, Orchid, Seven Days Of Samsara

January 21 – Go (from Detroit). Eric Davidson’s review (Other Paper) is middling at best, saying they rocked it up decently, but it was all retro kitsch 70s rock type stuff. Openers 84 Nash, while not quite stellar, nonetheless fare much better. 

January 22 – Flotation Walls CD release show. The Other Paper gives it a mostly positive review. You know, I’ve seen Flotation Walls, but can’t remember if I liked them or not – then again I suppose that’s somewhat of an answer in itself. 

January 28 – Nerves show: unruly fans launching sharp objects at band, to extent bass guitar is used as a shield. The Dishes open.  

February 1 – Sindust 

February 3 – Whippersnapper, Blatant Finger 

February 4 – Our Flesh Party, Blinder, Lylo 

February 5 – Pat Dull & His Media Whores CD release. The Pop Quiz, The Marbles also play. 

February 7 – Half Japanese 

February 28: Handsome Family, with support from local bands Lilybandits and Bygones. Jerry Dannemiller reviewed this show for The Other Paper. Though Handsome Family are headlining, Bygones play last and he was pretty impressed by their performance.

March 9 – Naca, Quantum 44 

March 10 – The Sovines, Johnny Rebel, The Cusacks 

March 14 – Arab on Radar

March 21 – The Donnas. Eric Davidson reviews this show for The Other Paper and says it was insanely packed, to the extent the bodies were muffling the music. He mentions a back wall that was recently knocked down to provide more room, but it didn’t help much. Says the band was good but clearly should have played a bigger venue, praises the drummer in particular. Apparently they were whining about the unruly crowd quite a bit, however, and asked at one point “is that safe?” when someone ripped out a piece of the ceiling (I believe it was a pipe in this instance, not a tile; for ceiling tile destruction, please see the Northberg Tavern page.) Opening act Plus Ones were terrible, but that Smugglers (first trip to Cbus) were good retro fun.  

March 22 – Kosher Spears (this is actually Tim Easton) 

March 25 – The Promise Ring, Pele

March 30 – The Rubix Wheel 

March 31 – Black Love, Grafton, Whiteouts 

April 5 – Zeke

April 7 – Poster Children 

April 20 – Lois 

May 4 – NRBQ, New Basics Brass Band 

May 5 – Guinea Worms CD release for You Can’t Chump This. Flipping Hades, Cheater Slicks also.  

May 22 – Sarah Dougher 

May 18 – Death Cab For Cutie, The Aislers Set

May 26 & 27 – Diaphragm Records release parties for Black Love/The Creeps split vinyl EP (26th) and A Planet For Texas (27th). Superstar Rookie also plays on the 26th, along with Black Love. Planet, The Creeps, and a Ft Wayne band called The Beautys play on the 27th 

May 30 – Solex 

June 1 or 2 (reports vary) (unless maybe it’s both?) – Supersuckers 

June 6 – The Woggles

June 7 – The Blacks 

June 10 – The Undead 

June 12 – The Juliana Theory

June 26 – Marky Ramone and the Intruders

July 12 – Groovie Ghoulies

July 14 – Nod 

July 17 – Mad Caddies

July 26 – The Queers

August 2 – The Faint

August 3 – Flotation Walls, Novac 

August 31 – Ultimate Fakebook

September 19 – The Mr. T Experience, The Eyeliners, American Steel

September 24 – Mustard Plug

September 28 – The Mooney Suzuki, Spoozys

October 2 – Estrella 20/20

October 4 – The Dismemberment Plan, Anal Cunt

October 5 – Superdrag

October 11 – The Woggles

November 7 – Election Day punk show with Bedrockers (local) who play an upbeat but not especially original set; the Proms (local), as their name might imply, play a goofier, high school strain of punk, replete with harmonies and a couple of Nirvana covers; the Proteens are especially well received, playing lightning fast and featuring a singer with some serious pipes, which inspires the crowd to bum rush the stage; Dirt Bike Annie go over even better, as enthusiastic fans remove all their clothes, one guy is given a shot at a guitar solo, and still others commandeer the microphone for the grand finale 

November 15 – The Mooney Suzuki

2001

January 12 – Manda and the Marbles, Twin Cam, The Peabodys 

January 13 – Greenhorn reunion show, Silo the Huskie, Salthorse. All ages show, $5 entry. 

January 23 – Superstar Rookie

February 18 – Pedro The Lion

March 27 – Diecast, God Forbid

May 3 – The Queers

May 28 – The Twerpentines

June 22 – The Ladybug Transistor

June 25 – Anal Cunt

July 5 – The National

July 9 – Local bands The Bravado (opener) and Them Wranch (closer) play with out of state band The Cuts. In his review for The Other Paper, Rob Harvilla describes all three as being competent but semi-repetitive 1970s based guitar rock, especially when lumped together like this. 

July 16 – American Nightmare, Over My Dead Body

September 8 – The Twerpentines

October 5 – Rancid Yak Butter Tea Party have release party for self-titled CD, their first album. Apparently play selections from that, but also Smoof Cribinal (on recent Cringe.com/pilation), Mr. Sandman, something from Ren & Stimpy. The Bloody Matt Dillons, Washout Corp., Erin Wrong & The Do-Right opened the show  

October 11 – Van Worthy, Reinfield, Children of Reagan, Unibrow With a Vengeance 

October 12 – The Cutters, Teeth of the Hydra, Bloody Matt Dillons 

October 13 – The Handsome Family, Amor Belhom Duo (open), Blanche, Banjo Dave 

October 14 – DJ Prizm 

October 15 – The Liars, The Seconds, 31 Knots 

October 16 – K from Ida and Lenola 

October 25 – Truth Love Always, Track Star, Tiara 

October 26 – Ass Ponys, Moviola 

October 27 – Submachine, Jesse & The Rippers, Van Worthy, Children of Reagan, One Point Three 

October 28 – DJ Prizm 

October 29 – Fin Fang Foom, Boxcar Satan, We March 

October 30 – Orthrelm 

October 31 – Bernie’s Halloween Bash featuring The Everyday Heroes and others 

November 1 – Rival Schools, Walter Schreifels, Goner, Captain Obvious 

November 2 – The Chevy Chasers, two other bands – a show I attend.

Pay a $4 cover charge and make my way inside. So hot in this place that sweat seems to drip out of the walls, and I can’t believe that occasional semi-big national acts, like The Donnas, actually play here. Wait forever for this slow-as-fuck bartender kid to give me my Rolling Rock, then skim the crowd briefly for any familiar faces before coming to standstill about ten feet from the stage, to the right.

The band Matt & Libby wanted to see are already playing, in fact they’re almost done. Though unfamiliar with them until just now, they’re called The Chevy Chasers and I immediately like their attitude. They are charmingly sloppy and indifferent, swapping instruments from song to song, and everyone takes a turn at lead vocals. At one point I even look up and the guitar player’s sitting in the middle of the floor. Musically, they have this whole 1960s, forgotten one hit pop stars vibe to them, with even that whole cheesy organ sound transported from that era. As far as their appearance, some of the guys have shaggy bowl cuts, the bass player’s rocking a full blown beard, one kid’s wearing creepy mad scientist style glasses. They also answer a long running question I’ve been forever wondering about: what happens when a good band intentionally tries to sound bad? The result is fascinating, as I’ve always suspected it would be.

Whether playing their own pre-punk originals, or lost vintage nuggets (such as their closing tune, a 10 minute take on Wild Thing) or showing ironic (I’m guessing) appreciation for cornier fare like Van Halen’s Jump, it’s clear that everyone knows what they’re doing, that everyone is well versed on their instruments…but that they’re willing to throw all this out the window and push things, see how chaotic they can possible make a song. Amazing, amazing stuff.

Christine (from Wild Oats, not Maria’s crazy friend) is here, she’s the only known entity I come across in the crowd. And I bolt after The Chevy Chasers are finished. Two other bands were set to follow, but it really doesn’t matter – I can’t imagine how either of them could top the opener.

November 19 – Rilo Kiley

December 14 – The Queers, The Independents

December 15 – The Despicables 

2002

March 13 – Billy

April 3 – The Eyeliners, Showoff

April 23 – Bayside

June 14 – Ringworm

July 21 – Dianogah

July 29 – Rilo Kiley, Arlo

August 1 – The Brain Surgeons

October 22 – The Independents, The Jackalopes

November 12 – Dead Poetic, The Pits

December 12 – Too Short Notice

2003

February 6 – The Blood Brothers, Vaux, True North

February 26 – The Queers

March 23 – Full Blown Chaos

April 14 – Minus The Bear

April 16 – The Independents

May 5 – Silverstein, Bayside

May 27 – Dressy Bessy

June 11 – Karl Hendricks Trio

July 24 – The Brain Surgeons

September 3 – The Figgs

October 1 – The Independents

October 20 – The Appleseed Cast, The Lovekill

November 12 – The Appleseed Cast

November 25 – Agnostic Front

2004

January 14 – Steel Train

February 6 – We Regazzi

March 5 – The Lovekill, The Letters Organize, The Pink Spiders

April 19 – Against Me!

Their set list is known: Cliché Guevara
Walking Is Still Honest
Problems
Reinventing Axl Rose
Rice and Bread
Sink, Florida, Sink
Turn Those Clapping Hands Into Angry Balled Fists
Those Anarcho Punks Are Mysterious…
You Look Like I Need a Drink
Baby, I’m an Anarchist!
We Laugh at Danger (and Break All the Rules)

May 25 – Misery Index

May 31 – The Independents

August 10 – The Queers

September 15 – Big Collapse, Liars Academy, Scatter the Ashes

October 2 – Dead City Rejects

October 18 – Crooked Fingers

October 20 – The Independents

November 4 – Action Action, Liars Academy

2005

circa 2005, Bernie’s is running the following happy hour specials: whiskey & Cokes on Mondays are $1.50; Miller Lite Draft is featured on Tuesdays at the price points of $1 (12oz), $2 (20oz), $5 (pitcher); Wednesdays have gin & tonics for $1.50 and also Bud draft at the $1/2/5 breakdown; Thursdays it’s vodka & juice, PBR draft; Fridays rum & Cokes and Bud draft again, Saturdays they have Coors Lite draft at $2 for the 20oz only. Also, the Football Saturday Special features a Bloody Mary bar at $2.50 a pop.

And here’s their menu during that era. Sandwiches you ordered by number, and were served with chips. All soups and sides were made in house:

1. Reuben
Corned Beef, Kraut, Swiss And 1,000 Island Dressing Served On Rye
$5.25
2. Bernie’s Sub
Ham, Salami, Provolone, Lettuce, Tomato, Onion & Mild Peppers With Italian Dressing Served On A Sub Bun
$4.50
3. Jack Hammer
Turkey, Lettuce, Tomato, Onion And Veggie Cream Cheese Served On A Toasted Bagel
$3.25
4. Grilled Pineapple Ham
Grilled Ham, Swiss & Pineapple Served On A Bagel
$4.25
5. Turkey Reuben
Turkey, Kraut, Swiss And 1,000 Island Dressing Served On Rye
$4.50
6. Buckeye Buster
Corned Beef, Turkey, Salami, Cheddar, Lettuce And Tomato Served On Rye
$4.75
7. Bernie’s Club
Ham, Turkey, Swiss, Cheddar, Lettuce & Tomato Piled High On 3 Slices Of White Toast.
$4.50
8. Pizza Bagel
Pizza Sauce & Provolone Cheese Served Open Faced On A Bagel
$2.75

Vegetarian Sandwiches
9. Mama Velvet
Veggie Cream Cheese, Tomato, Provolone, Served Warm On An Open-Faced Bagel
$3.00
10. Veggie Reuben
Swiss, Kraut, 1,000 Island Dressing Served On Rye
$3.50
11. Veggie Club
Mushrooms, Cucumber, Tomato, Onions, Lettuce, Swiss & Cheddar Served On Three Slices Of Wheat Bread
$4.00
12. Veggie Pizza Bagel
Pizza Sauce, Provolone, Mild Peppers And Green Peppers Served Warm On An Open-Faced Bagel
$3.25
13. Vegetarian Sub
Cheddar, Provolone, & Swiss With Mild Peppers, Lettuce, Tomato & Onion With Italian Dressing Served On A Sub Bun
$3.75
14. Veggie Bagel
Hummus, Cucumber, Tomato, & Lettuce Served On A Bagel
$2.75


Soups
All Of Our Soups Are House Made And Change Often!
Ask For The Soup Of The Day:
Cup $1.50
Bowl $2.50
Sides
Hummus Plate
Served With Bagel Wedges
$2.50
Veggie Hummus Plate
Served With Cucumbers, Carrots, Celery & Bagel Wedges
$3.25
Homefries$2.25
Homefries With Melted Cheddar$2.50
Potato Salad
House Made
Cup $1.50
Bowl $2.50
Nachos
Nachos With Melted Cheddar And Salsa
$3.25
Veggie Nachos
Nachos With Melted Cheddar Topped With Tomato, Mild Peppers, Onions And Salsa
$3.75

Drinks
Coke, Sprite, Diet Coke, Cherry Coke, Milk, Orange Juice, Cranberry Juice & Ginger Ale & Iced Tea$1.00
Coffee, Hot Herbal Tea$1.00

January 14 – Mustard Plug

March 11 – The Queers

June 9 – Brazil

August 12 – Dead City Rejects

September 11 – The Lovekill, The Valley Arena, Bullet Train to Vegas

September 13 – Cursive

September 16 – The Independents, The Queers

September 17 – also apparently The Independents, The Queers. I’m gathering that these are possibly house bands here?

November 20 – Saboteur

December 4 – Southern Bitch, American Princes, Lucero

December 6 – Danko Jones

2006

January 3 – The Great Redneck Hope, The Post Office Gals

March 11 – Ringworm

April 2 – Municipal Waste

April 6 – Kill What I Adore, Iscariot

April 7 – High Noon Hangovers, Joey Blackheart & The Gallows, American Timebomb, Prime Directive.

April 8 – Voted For Kodos, Class of ’98, The Sess, Empathy For A Cause.

July 22 – Think I Care, Attitude, and Brace War play an early show. Then it’s Verse, Shipwreck, Have Heart, Hangtime, and The Come Up playing later.

July 23 – Monotone, I Woke Up And Did The Same Thing

July 24 – Sneakly Pinks, The Runamucks, The Feelers

July 25 – The Confidence, The Useful, Our 18th Sound Year, Sheep Sheep

July 26 – Voidgazer

September 21 – Isadora, Engulfed, Nightsoil

September 22 – B.R.A.V.O. (Buckeye Regional Anti-Violence Association) Benefit. Co-owner Roma Painter joins forces with OSU lecturer John Lanthram and another guy named Tom Brungs. Disc Doctors and The Illusionists play, and there’s also some sort of female impersonation bit going down onstage.

September 24 – DJ Self and DJ Drastic

October 21 – The Independents

November 11 – UK Subs

2007

January 6 – The Queers, Highnoon Hangovers (local), The Snot Rockets (Buffalo), The Damn Yous (local), Backseat Virgins (Alabama) somehow all play.

January 11 – The Queers

January 30 – Death Before Dishonor

February 20 – Blitzkid

February 21 – Fairmont

March 13 – Leftover Crack, Citizen Fish

May 8 – The Dollyrots

June 23 – Dead City Rejects

June 24 – The Casualties

July 12 – Teenage Bottlerocket

July 20 – Cold World

October 17 – The Independents

November 10 – The Dollyrots

2008

January 6 – The Queers

March 25 – The Watermarks

August 6 – The Dollyrots

September 11 – Death Threat

September 13 – The Gaslight Anthem

their set list is known and runs as follows:

Great Expectations
Wooderson
Casanova, Baby!
Old White Lincoln
We Came to Dance
Miles Davis and the Cool
1930
I’da Called You Woody, Joe
Angry Johnny and the Radio
The ’59 Sound
Meet Me by the River’s Edge
Blue Jeans & White T-Shirts

September 13 – Polar Bear Club, American Steel

November 6 – Dressy Bessy

2009

May 29 – The Pinstripes

September 10 – Mouth of the Architect, The Calm Blue Sea

September 23 – Nine Even

their set list:

Silent Bride
Risque or Gambit (whichever you prefer)
Gailleann
Gone, Compromise
29
Phobialairs
Search
The Guessing Game
My Closure
Terra Firma

October 14 – Me And My Arrow, The End of the Ocean

December 9 – The Queers

2010

March 13 – Scion Rock Fest hits Bernie’s. Whatever this is, I can tell it was a yearly event that lasted at least from 2009 to 2014, but in a different city each time. The 2010 edition is held in Columbus, and also includes shows at Circus, Newport Music Hall, and Skully’s.

So the bands playing at Bernie’s are Liturgy, High On Fire, Lullaby Arkestra, Black Anvil, Lightning Swords of Death, Ludicra, and Absu.

April 14 – Your Best Friend, My Ticket Home, To Kill A Monster

July 16 – Twenty One Pilots. They were just starting out and must have been the opening act, because it looks like they only played five songs: The Pantaloon, Addict With A Pen, Slowtown, Car Radio, and Trees.

2011

February 2 – The Queers


Yeah so in summary, it would seem there are just a few gaps remaining. They were after all only open for 40 years. Stay tuned, however, as I plan on updating this often.

The building itself was eventually demolished, to make way for a freaking Target. Preserving history? What? Who cares about that? Not when there’s the prospect of a big box corporate megastore to salivate over! I mean, you can’t just find those anywhere.

Well, they demolished at least the part of it that was above ground – in situations like that, I’m always curious about what happened to the portions that were subterranean, like Bernie’s in its entirety. Someone told me they simply entombed Bernie’s underneath the boring old campus Target which sits there now. I’m not sure if that’s true or not, however, but would sure love to find out. Or I guess I should say, either way, it would probably make me extremely sad.