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Craft & Vinyl

Bishop Battle at Craft & Vinyl, Grandview, Ohio

As the name would suggest, in August of 2018, a business catering to both local beer enthusiasts and the album revival crowd opened in Grandview Heights. And before you even enter this space, you’re aware that it’s going to look marvelous, if the exquisitely modern, untreated wood facade is any indication. Also, just to eliminate any doubt regarding what they offer here, static cling stickers running along the top and bottom of its plate glass window spell it out for you:

CRAFT BEER COUNTER – VINYL RECORD SHOP – SONGWRITERS RECORDING SUITE

Owner Troy Stacy is a barrel chested gent with a big blonde beard and condensed Buddy Holly glasses. And it certainly helps to learn that he seems like your average obsessive hobbyist/hipster nerd, i.e. basically into the same stuff most of the guys I know are. He also embraces the current entrepreneurial vibe by apparently running a one man show here in many respects, down to booking events, answering all the emails and presumably handling their social media as well.

Regarding the interior, the wooden floors and light grey walls lend a tastefully alluring appearance – as do the framed rock posters mounted everywhere and, more to the point, the racks of vinyl albums, the bar with its handful of – ahem – curated taps and matching high topped tables for sampling such. He’s even got a couple of couches in here, for those so inclined, some rock themed pinball machines.

Then there is the Songwriters Recording Suite, a separate, enclosed room with hanging guitars, drum kit, and some start of art recording gear. Gold records for a handful of famous albums also adorn these walls, in case a musician is in need of motivation.

When it comes to in-store performances here, though lacking a stage, Troy gets crafty himself both in rearranging furniture to accommodate, and in booking the shows themselves. One such example would the New Music Now Showcase, a three day event held from January 24-26, 2019. Though single show tickets were $18, demand for these was at a premium, with at least Friday that I know of being completely sold out. More than 900 bands auditioned to play at this mini-fest, with only a fraction of those making the cut. Here’s a rundown of the schedule for each night:

Thursday 1/24/19

Kyla Mainous

Ben Marshall

TATTAT

Walking In Circles

Blend

Friday 1/25/19

Bishop Battle

Brave The Sea

Project Phoenix

Trauma Illinois

Letters Of Transit

Saturday 1/26/19

The Biographer

MOSSOM

Crushing Gravity

A Decade Apart

Something Else

Not all of these outfits hail from Columbus, it’s worth mentioning, though as far as I can tell they are 100% Ohio based. Friday night will find Rhinegeist Brewing on hand “promoting” the event (dispensing product) and DaveMan from 610 WTVN doing a little live broadcast warm up show. Frank Harrison, though not officially listed on the bill, plays some background music on guitar to get the crowd in the mood. My buddy Matt Montanya is among the attendees, too, and has brought with him a clutch of CDs (maybe that will be the next mini-trend, who knows) to hand out to whomever seems interested.

Then at 7pm Bishop Battle, who is signed to Exquisite Noise Records, takes the stage playing what I guess you might term pop music with a bit of an edge. Though plagued at times by equipment malfunction from non-cooperative backing tracks, his vocals were nonetheless sharp and he was able to convey plenty of charisma.

Another cool thing to see is that this showcase is missing much of the competitiveness found at other, more “battle of the band” oriented events. Here for the most part the musicians seemed interested in meeting one another, making friends and networking. I suppose that their interest in this gig does indicate they too lean a bit more in the music geek direction than most, and that they are just digging the fact that an operation like Craft & Vinyl exists. Brave The Sea is possibly the most outgoing of tonight’s acts, and one of the members will tell me (sorry, I didn’t quite catch any names), “for us, it was a great way to connect with other bands and artists from the region,” which pretty much sums up the vibe.

For the musicians here, promoting themselves, while important, appears to have taken a backseat at the moment. Personally I think – which you can probably glean just from the minimal photos and video on this page – the whole enterprise has more of a big city art gallery vibe to it than anything else, which is really cool. This feels like a trendy showing in Manhattan or something, with a handful of hot local bands providing the soundtrack. It’s hard to picture Craft & Vinyl existing in Columbus, even in the Short North, say, five years ago, but here’s to hoping they last at least five more, and preferably much, much longer.

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Used Kids Records

Poster for 30th anniversary of Used Kids Records, Columbus, Ohio

Used Kids Records has always been the consensus champion as far as Columbus record stores are concerned. Though established in 1986 on High Street, they are no longer located quite on campus, but have managed to adapt and survive in a new location, their third. The first two of these were situated within spitting distance of one another, across the street from OSU. Its current iteration is kind of a “best of” package in that it combines the space of the second with the charm of the first. Still, there’s always a great deal of nostalgia attached to any treasured act’s debut, and so too this holds true with Used Kids’ initial address, though often so crammed you couldn’t move.

Divided in two, each half shares the musty stench of a century old basement, both no larger than the average master bedroom. The guys working the counter are for the most part trendy, cranky elitists, but even they cannot diminish the singular experience of shopping for slabs of music here. And at any rate are probably on average a tad more approachable than Magnolia’s help. In the left room, upright racks dominate the center of the store’s cramped quarters, with one side devoted to popular used cassettes in the three to five dollar range, the other taken up by bargain tapes for a buck.

Fleshing out the remaining space, pegboard walls hold mounted display racks, with torn, faded posters filling in the gaps. Below these, used CD bins line two walls, with a third dedicated to brand new releases in both disc and vinyl. The truncated front wall, beside a door coated thicker with rock band stickers than our beer label fridge, a counter props up the surly help, often swamped past their heads with stacks they’ve yet to file. A lost gem spins on overhead speakers, a quality cut they’re well aware no one’s heard, justifying their smugness, this refined musical pallette of theirs, for even as they’re smirking at the merchandise you select, it’s just another component of this dungeon’s abrasive charm. Between the cracks, just enough room for promotional materials near the door, freebies, championing local bands, and on the right day room to shuffle sideways around a score of equally obsessive shoppers.

One door over, the Used Kids Annex devotes itself exclusively to vinyl, much of it vintage, mint. A glass case beneath the register featuring rare autographed items and limited edition stuff, a rack by the door for used singles and another for videos. Brighter, less frequented, and a shade less dank, the annex staffs itself unfailingly with someone far more friendly than whoever’s working the other side. As if merely a minor league circuit they relegate new hires to, to cut their teeth and acquire proper smarmy attitudes, only then gaining entry into the main chamber.

The annexed portion formerly belonged to a different record store altogether, SchoolKids, which few remember now. Used Kids envisioned this name as a terrific hook for playing off of their nearest competitor, a tactic that must have worked as the established rival was toast within a handful of years, and Used Kids readily snapped up that space, too.

Front door for original Used Kids Records location, Columbus Ohio
Front door for original Used Kids Records

Damages to the original basement location – I can’t recall at the moment if it was a fire or flood – forced a relocation slightly up the street, to a second story shop formerly owned by World Record. This would have happened at some point in the early 2000s. They were here by 2004 at the latest, as this is the year I finally summoned enough nerve to take one of our CDs up there and see if they would sell it. Ron House happened to be working the counter that day, too, adding to the intimidation factor. He’s a super nice guy – or at least always has been in my limited interactions with him – but is also a Columbus legend and I was basically shaking in my boots asking if they could possibly stock this thing. He handed me $8, no questions asked, and explained that they sell local discs for $10, that if it ever moved, they would take another copy. This was their policy at the time, and you have to tip your caps to them, they were the only record shop around that I’m aware of who would buy an unknown local album outright. Everyone else would agree to maybe stock it on consignment at best.

A guy named Greg Hall, who’d once worked at SchoolKids Records, swooped in to buy the operation in 2014, and, in the midst of a drastically altered campus landscape, elected to move to their current home on Summit Street a couple of years later. I think he made the right call, as most would agree the stopgap middle location (which nonetheless existed over a decade) was probably their least favorite. This spot has a lot more charm than that dim, vaguely industrial feeling loft ever did, and there’s plenty of space to move, a ton of great offerings, including an expansive selection of audiophile gear. I was a bit disappointed to see that the local section has been drastically reduced, but whoever was working that day explained to me that the stuff just didn’t sell well enough to justify the space. And you have to respect this, as times change right along with business models – just sticking around this long, as they and select few peers have managed, is impressive enough on its own.