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Comfest 2001

2001 Comfest day one beginning

This year’s edition of the Community Festival runs from June 22 to 24th. This being a Friday, festivities don’t really get swinging until noon, when Log take the Gazebo Stage at the same time Sugar Pill grace the Main one. And fortunately for us, some video footage of the latter set exists:

These guys are awesome. They have a loose, energetic vibe that is perfect for kicking off a festival such as this. They’ve got mad chops but don’t beat you over the head with them, and play a nice variety of styles. As an added bonus, they even debut a new song, although I can’t quite catch the title. Also Standing Next To God. During their last tune, he introduces the musicians. Once again it’s difficult to make out what he’s saying – Michael Stubbs on bass, I think, and beyond that I couldn’t tell you. The occasional artsier touches of this video are kind of cool, I guess.

Friday, June 22

Time Performer Stage
12:00 Log Gazebo
Sugar Pill Main
12:15 Derek DiCenzo & Friends Jazz
12:50 Poophouse Reilly Main
1:00 Dr. X Gazebo
1:30 Intermittent Animals Jazz
1:40 Kingrods Main
2:00 Zen Blues Band Gazebo
2:30 Freak the Fun-a-potamus Jazz
Bloody Matt Dillons Main
3:00 Controversy Gazebo
3:20 The Emerald Down Main
3:30 Solar System Navigators Jazz
4:00 Arnett Howard Gazebo
4:10 Pfifer Main
4:30 Lisa Clark Jazz
4:45 Leeann McGuire Arts
5:00 The Ark Band Gazebo
Pretty Mighty Mighty Main
5:15 Anna Sheer Arts
5:30 Rodney McCoy and Deep Pockets Jazz
6:00 Bob Scott Arts
Scott Gorsuch Gazebo
As Is Main
The Velveteens Poplar
6:30 Tim O’Connor Arts
7:00 Fletch Gazebo
Circus of Cool Jazz
A Planet For Texas Main
Tim Easton Poplar
7:15 Columbus Sacred Harp Singers Arts
8:00 Travelin’ Tom & Dr. Paul Arts
Spectre Gazebo
The Shantee Main
Hensley Sturgis Poplar
8:15 Sean Carney with Ms. Kitty’s Hot Box & special guest Jazz
8:45 Joe Bob Billy Arts
9:00 New Basics Brass Band Gazebo
Rancid Yak Butter Tea Party Main
The Sovines Poplar
9:30 Paul Brown’s Science Gravy Orchestra Jazz
9:45 Turkeys In The Straw Arts
10:00 Flex Crew Gazebo
Howlin’ Maggie Main
Ray Fuller and the Bluesrockers Poplar
11:10 Tony Monaco Jazz

The Kingrods are Kevin Spain’s new band. He quit Silo The Huskie last year to form this new group, with JD Dallas (formerly of Dog Rocket). They play a mix of their own material alongside some great old school hard rock covers.

Many, many of these acts are fantastic, though it’s always even more compelling to see some of the pairings, when two performers are playing at the same time – like The Ark Band and Pretty Mighty Mighty, across the park from one another during the 5:00 slot. Not much audio or video has surfaced from this year, although then again I’m somewhat surprised we have as much as we do.

Clintonville Community Market has a stall set up in the vendor area, of course, and there’s some guy selling “lucky bamboo” plants. People selling tie-dyed shirts, too, of course, although there’s not much need to mention this. And jewelry peddlers, framed works of art, and trinkets, etc.

I’ve never seen Rancid Yak Butter Tea Party before now, but this is a ferocious set. Things get off to a fiery start – and with this solid wall of orange light and smoke, you might be forgiven for thinking you have accidentally wandered into hell. Or at least a raging forest fire. And then the very next song is named something to do with fog and fire. I detect a theme of sorts emerging here. It’s always a funny, jarring contrast to hear a vocalist shrieking his head off, but then speaking in the most polite, docile voice imaginable between the tunes. Bonus points for swigging from a gallon jug of Gatorade too. The mellow little breakdown and crooning turn is unexpected but makes for a most appreciated breather. These are some interesting changes all around. I can’t get a good look at the drummer, but this trio up front are about as different in appearance as three young white dudes can be. Not that this matters, of course, although the singer’s woolly looking shorts are a nice touch. And for that matter the caveman skirt the guitarist is wearing as well. Some of this tuneless shrieking I could do without, but overall, I’m digging them early on.

These guys rock, and they can certainly play their instruments. They make for a compelling enough live spectacle (and I can only imagine what an unholy racket they must make in a place like Ruby Tuesday, which they mention playing soon). But there’s ultimately not much here to make these songs stand out from one another. If you ask me do I like these guys, after seeing this, then I would say yes – but nothing much stronger than that. To get someone to admit that the bass player in a band is kind of interesting to watch, well, you’ve really accomplished something there, no joke. It’s difficult to imagine throwing on one of their discs around the house, however.

But there is this almost jazzy breakdown, right before some wrench-handed robots besiege the stage! So that’s something. And I guess that song does stand out from the others to some extent, with its floating keyboard finale and all. And the same applies to the squiggly synth madness, that banjo sound Tyler’s dialing up during the middle section of their closing number. Overall I would give the drummer and bass player an A; guitarist and songwriting and stage presence a B; singer probably a C. As far as the video, it’s very professionally shot. Some of the artsier touches, like the swirling BACKSTAGE PASS legend, are puzzling at first, although somebody mentioned to me that portions of Comfest are broadcast on TV. I’m guessing this was one such segment.

Starting a half hour later over at the Jazz Tent, Paul Brown’s Science Gravy Orchestra positively light up the stage. Awesome stuff. Paul Brown himself is the dude shredding on guitar, and often has his eyes closed while ripping off these amazing runs. The sax player gets lost in the mix most of the time, though. He’s got Foley on bass, which admittedly works better than seeing him as a band leader, and then Tony McClung on drums (who is also no slouch, it must be said). Then some guy in Robin Hood attire, feather in cap and all, gets up to announce the next act.

Saturday, June 23

Time Performer Stage
9:00 Sipra Pimputkar & Yoga Workshop Arts
10:00 Feng Tai Chi Workshop Arts
11:00 Leslie Zak Arts
11:45 Village Dance Studio Arts
12:00 Two Feminist Chix From Hell Jazz
The Big Creak Main
Gil Mantera’s Party Dream Gazebo
Open Mic Poplar
12:15 Sabrina Hughes Arts
12:45 In Situ, Jr. Arts
12:50 Moodswing Jazz
1:00 Fenster Main
Planet 12 Gazebo
1:15 Kids Of Broadway Arts
Vena Cava Poplar
1:45 Derek Mortland Gazebo
2:00 The Review featuring Jon Coleman Jazz
Blatant Finger Main
2:10 Annie Finnerty Gazebo
The Midnighters Poplar
2:15 David Krohn Arts
2:45 Arise Dance Co. Arts
3:00 Columbus Percussion (all ages drum circle) Arts
Grafton Main
Terry Davidson and the Gears Gazebo
Lords of the Highway Poplar
3:10 Tenors Head On Jazz
4:00 Crouching Ro-z, Hidden Darryl Arts
Yumbambe Gazebo
Barry Chern Poplar
4:10 Silo the Huskie Main
4:20 Madrugada Jazz
4:30 Raks Shadan Arts
Bob Sauls Poplar
5:00 The Wahoos Gazebo
5:10 Flipping Hades Poplar
5:15 Columbus Police & Fire (pipe and drums) Arts
5:20 Watershed Main
5:30 Kelly McLennan Jazz
6:00 Columbus Alternative High School Arts
The Mullins Band Gazebo
6:10 X-Rated Cowboys Poplar
6:30 Suade Main
6:40 Ibada Jazz
7:00 “Stereopoe” Arts
The Shakewells Gazebo
7:10 84 Nash Poplar
7:30 Bread & Circus Arts
7:40 Soul Fu Villains Main
7:50 Lennox Avenue Express Jazz
8:00 Burpee’s Seedy Theatrical Co. Arts
Mendelsonics Gazebo
8:10 13 O’Clock Poplar
8:45 Full Frontal Nudity Arts
8:50 Johnson Brothers Main
9:00 Message Jazz
Jack Neat Gazebo
9:10 The Bygones Poplar
9:15 Pants & Cheese Theater Arts
9:30 Michael Kent Arts
10:00 Foley Main
Willie Phoenix Gazebo
10:10 Scrawl Poplar
10:20 Cooper Quartet Jazz
11:30 Flypaper Jazz

The weather is a little nicer early on today than it had been Friday. Mid-day, there’s a five piece at the Jazz Tent playing an extended version of Herbie Hancock’s Cantaloupe Island. The key attractions here are the black dude in dress shirt and slacks, wailing on the trumpet, and this somewhat odd acting white guy with a moustache, rocking the keys. He is great, too, but makes these strange expressions while soloing, almost like talking to an imaginary friend. It’s an interesting sight. The bass player they’ve literally stuck into a corner, which we might expect. The drummer also has mad chops, and while I guess that’s true of the older gent on guitar, something about jazz to me makes guitar a less than ideal instrument most of the time. Although Paul Brown yesterday was a notable excepion, it often just doesn’t seem to really work. They sound top notch, though, overall.

Elsewhere, Crouching Ro-z and Hidden Darryl have half an hour on the Arts stage to talk about tai chi. Paul Brown (he of the Science Gravy Orchestra) and Andy Woodson provide background accompaniment. Meanwhile, as this woman reads from her prepared essay, a couple performers demonstrate some of what she’s talking about. Followed by a couple other speakers on the mic. I don’t know, they seem to be enjoying themselves up there, and their set is oddly engaging, more than I would have expected. Some people even spontaneously (I think) get into the spirit of things out on the lawn.

A 1970s feel persists when some other larger ensemble takes the I Wish You Jazz stage, performing among others the old Skylark jam Wildflowers. They’ve got this smooth vocalist in a Hawaiian shirt, horns, keys, you name it. Killer stuff.

It begins to rain in the early evening, though eventually clearing. Bob Fitrakis is here, in a white Comfest tee shirt, hanging out at one point in the wine tent. Darryl Mendelson is cruising around in a golf cart with some other guy, and holding a dog. There’s an orange sign taped to the front which proclaims him “Mr. Entertainment.” Probably not the first guy to call himself this, although he is one of the Comfest organizers, so that certainly counts for something. As twilight approaches, some bluesy trio at the Jazz Tent is positively tearing it up – though I’m unable to figure out who this is. The guitarist, this older, well dressed white guy, is a total animal on the guitar.

Saturday is by far the longest, beginning early and running late. John Mullins used to be in Ekoostik Hookah but quit back in ’96. They are playing this weekend too, though, of course. I feel we’re a bit over-Hookah’d here and that the festival organizers should have picked one or the other – then again, maybe there just aren’t that many good bands here in town. Maybe they were struggling to fill slots.

I kind of doubt that, however, and anyway I don’t mean this as a knock. This John Mullins stuff is totally fine and I might even prefer hearing him at this point to EH (talk about some great initials! They’re just about writing their own conversation: “hey man, you wanna drift over and catch the Ekoostik Hookah set?”EH? Do I have to?”) My biggest complaint really is that these jammy bands tend to sound the same after a while. Totally fine material for kicking back in the grass on a summer afternoon, though, it must be said. I do really like the keyboard solo in the middle of the 2nd song too, Harmonic Convergence. Actually, the next one, Mississippi Steamboat, is pretty cool also, where Mullins is singing about playing cards with his grandpa. Then the whole band’s really flying along on Heavens To Mergatroid, a much more aggressive pace than you expect from an outfit like this, an effective contrast that works twice as well in this setting. The entire six song set is pretty killer, really, if I’m being honest.

As far as the rest of today’s performers…this Foley obsession by certain people around town is perplexing to me. Then again I’ve only seen him one other time, that I recall, and maybe it was just an off night back then. I feel like his prominence is more due to his having played with some famous people back in the day as opposed to what he’s actually doing now, however. As though some influential locals can’t get over that fact.

Sunday, June 24

Time Performer Stage
9:00 Feng Tai Chi and (same time, same place) Sipra Pimputkar Arts
10:00 The Shireinu Trio Arts
10:45 Hillel International Dancers Arts
11:30 Columbus International Folk Dancers Arts
12:00 Chief Johnny Lonesome Jazz
Todd Stahl’s Jazz To Go Main
Blue Level Gazebo
Open Mic Poplar
12:15 WOW (Womyn of Wisdom) Arts
12:45 Terina & Tasia Arts
1:00 El Ritmo Arts
Sirens Gazebo
1:15 Listen to the Jazz All-Stars Main
Kim Crawford/New London Poplar
1:30 Solo Tango Arts
Backstage Quartet Jazz
2:00 Thoissane West African Dance Arts
Uncle Sam’s Dream Machine Gazebo
Terry Keller Poplar
2:30 Tony West and the Imani Folk Theater Main
Ricki C. Poplar
2:40 Kim Pensyl Jazz
3:00 Selah Arts
Men Of Leisure Gazebo
3:15 Ukelele Man Poplar
3:30 S.P.I.R.I.T. with Tavaris Main
3:45 Bob Weisenberger Lipetz Arts
3:50 Moxie Jazz
4:00 Bob Fox & Edward Lense Arts
Patrick Woods Gazebo
4:15 The Hellbound Truckers Poplar
4:30 McGuffy Lane with John Schwab Main
Kenny Ruffin Gazebo
4:45 Phil Minor Arts
5:00 Mas Bagua Arts
Joe Diamond Jazz
Jason Clayton Gazebo
5:15 The Marbles Poplar
5:30 One Riot One Ranger Main
5:45 Is Said & Advance Party Arts
6:00 American Gypsy Gazebo
6:10 Keith Henson Octet Jazz
6:15 The Media Whores Poplar
6:30 Dan Dougan Arts
Ekoostik Hookah Main
6:45 Umar Bin Hassan Arts
7:00 Afrorican Ensemble Gazebo
7:15 Sean Woosley Band Poplar
7:40 Brian Olsheski Jazz
8:00 Hoo Doo Soul Band Main
Fred Haring and the Franklin County All-Stars Gazebo
8:15 The Randys Poplar
9:00 Grinders Jazz
Jive Turkeys Main
Donna Mogavero Band Gazebo
9:15 Johnny Rebel Poplar

The day starts out innocuously enough, anyway, even if eventually becoming one that I know I will never forget. For tragic reasons, mostly, though at least a few good ones as well.

Alan left a message last night, about us hitting day three together, and so he and I have ridden here in his truck. We even somehow manage to land a prime parking slot right along the street, on the north side of Goodale Park. One of the first noteworthy developments, though we don’t know this at the time, occurs soon after he and I have entered the park. We’re standing just off the paved pathway, which slants diagonally toward the intersection of Buttles and Dennison, facing that direction for some odd reason as we appraise the action. At roughly the same time, our eyes settle upon this figure walking away from us. I haven’t seen this character in over a decade, since he moved away from our school district, but he has a very distinctive shuffling gait and I know immediately who it is, though only glimpsing his profile. And so does Alan.

“That’s Josh ____,” he says.

“Yes it is,” I concur.

But he appears to be leaving the park, possibly, and is already a good distance away from us. Plus plenty of other distractions await at every turn, none more so than this onslaught of eye candy. These hippie chicks glimpsed everywhere, walking to and fro, most wearing tank tops and not many bras restraining them underneath. Therefore we forget about spotting our old friend and continue onward into the festival.

We pay $2 apiece for Comfest 30th anniversary mugs, 32 ouncers, then fill these up with $6 worth of Rolling Rock draft. A bit steep, to say the least, but what the hell. There are little white triangular Rolling Rock flags everywhere, so they must have contributed some advertising dough. Anyway, right around this time, I think soon after we have our beers in hand, Tawnya calls him, says she and Megan are driving down to meet us here.

While awaiting their arrival, we continue wandering around. This could be the best weather of the weekend. Quite a bit of chalk art on the pavement in at least one section. The art cars are of course on full display here, like the one with a bunch of glued on objects and the license plate TOY ART. Among today’s Jazz Tent offerings, the all-female ensemble Moxie is holding court here, and they are on fire! Actually the one kindly grandma looking woman they have on guitar, in a colorful blue and purple shirt or whatever, she sounds way better to me – seems to fit the music more – than that guy in the five piece from yesterday. Both guitarists, really, because they have another on the left, this group counts eight members. A trumpet player, two saxes (the chick with the long brown hair, in white pants and grey sleeveless top, is especially sharp) (she plays her instrument very well, too, ha ha). No but seriously, they all rock. Once again the bassist isn’t given a ton of room, not based on what I’ve seen, but the drummer and black lady on keys are both killer too. And even the girl on bass does get to lay down a cool little funky groove on this one somewhat slower offering. The keyboardist stands up to sing a little later and shows she has some pipes, too.

Meandering around a bit, Alan and I encounter some reggae guy on steel drums singing about “bills to pay.” Then the girls get here and we’re watching some strange but interesting band on the cabana, a 3 piece consisting of violin, bass, and 12 string guitar – the two hilarious hobos dancing in front are apparently not regular members.

 More beers, we visit the shops. Then Alan and Tawnya are in line for gyros at this one stand, while Megan and I are randomly, independently combing through the tents and tables selling all kinds of exotic trinkets. I’m about three vendors down from her and am looking at these African masks. I happen to turn to glance down the midway, and bust Megan out, just standing there staring at me, checking me out from afar. She tries to turn away abruptly, but has already been caught. It’s flattering, to be sure, but I’m hoping she doesn’t get any crazy ideas.

This strange late 70s vibe persistently wafts across the proceedings today, as though this exact same festival were transpiring in 1979 or something and we somehow stepped into it. Although I suppose it helps that a large percentage of the attendees are dressing the part, and the music often fits.

At some point, we wind up over by the main stage, just hanging out watching the bands. I’m not sure how many acts we witness here, but believe it was at least two. More beers are consumed. Then Alan and I happen to notice that Josh is standing within earshot of us, off to the right, and call out his name. We meet somewhere in the middle, as he smiles and approaches, along with some chick. They are here with others, I believe, but it’s just the two of them drifting over to shake our hands. She’s his girlfriend, I think.

He moved away in like 1989 or ’90, something like that, so we’ve got some catching up to do. Then again, although we were close friends at one point (Alan and I were actually at a birthday party at Josh’s house in the 3rd grade, which would have been ’83 or ’84), were not at all by the time he moved away. So he’s friendly, seems somewhat curious what we’ve been up to, but is not overly chummy or anything. Says he a doctor now, then Alan tells him he’s a pilot, compared to which when I shrug and confess I’m just a lowly meat cutter, I guess it does sound hilariously lame by comparsion. Josh smiles and raises his eyebrows, tells me that’s cool, but I feel the condescension dripping off him is palpable, that he always knew I was an idiot and this merely confirms it. The moment is so awkward that Alan interjects a comment explaining that, “well yeah, but you’ve written some books, too!” So I have to talk a bit about that. Then again, the major reason I don’t have a more glamorous job is that…I don’t give a fuck about having a more glamorous job. I have no intention of working some stupid job for the rest of my life.

Well anyway, they kind of drift back over nearer their people again, though we’re still within earshot of one another. This is right around the time that the Hoo Doo Soul Band graces the main stage and begins to play. So we’re all digging them, although this collective buzz somehow begins to circulate through the crowd, about one listener in particular. It’s a very mysterious process, how this transpires. Probably starting as isolated pockets of conversation, then the next group over realizes they’re talking about the same thing you are, and these clusters expand, grow louder. Until we’re all one giant mass, united behind the same cause.

Anyway, the observer in question is this older guy, I would say in his 50s or maybe early 60s, reclining on the ground. With his head propped up, facing the stage, near this tree over to the right of us. We have a clear sight line to him and I would say he’s easily less than a hundred feet away. As this set plays out, we all begin to notice that this man hasn’t moved in quite some time. People begin to wonder if he’s just asleep, followed by discussions about possibly shaking him to check. Then a few brave souls agree to do so, which is when they’re then calling for a doctor. And Josh is the closest, immediately responds to their pleas.

The four of us are riveted to this scene, but don’t move any closer. I can’t even remember if the band stopped playing or not. Off in the near distance, a wailing ambulance begins to trudge its way through this crowded park, but this is understandably a mighty slow process. When you’re picturing this sea of bodies, half of them drunk or high or whatever, blankets everywhere, dogs, lawn chairs, quaint little hippie lunch spreads, you name it, or just plain dumbasses, staring at the emergency vehicle and not exactly swift to respond.

Whatever the case, they eventually make it here, as EMT workers hastily descend and attempt to revive this fellow. This is when Josh returns to our loose congregation, with sad resignation, and tells us this person is dead. He was alive and moving when we got here, he just died right in front of us.

I don’t want to get carried away claiming that this traumatized me for months or anything, but nonetheless, for me (and I’m sure a whole lot of other people), this is the first time I ever witnessed somebody die right before my eyes. I’m admittedly getting a little teary eyed and choked up, while we continue to watch them load this unknown soul into the ambulance. Once they are gone, suddenly nobody feels like being here any longer.

“Well alright,” Josh says, shaking our hands, “now I know what you look like as adults. In case I see you at the mall or something.”

No attempt is made at exchanging contact information, but that’s really just alright. Alan asks me if I can drive us back to his place, since he’s feeling fairly wasted. But then Tawnya immediately shoots him a stern, reproachful glance – I have no idea what this is about, since I’m not the least bit wasted, though maybe she just considers me too shaken up to get behind the wheel. So Alan says he’s fine to drive, actually, on second thought, and makes a joke about being the best drunk driver around. We walk to our pair of vehicles, to finish off the night with a cookout at his place.


If not leaving when we did, there’s a good chance we would have seen or at least heard some of this set by The Grinders below. Or maybe some of these notes were wafting over to our eardrums, I’m not sure. They would have begun playing, albeit down at the jazz stage, right around the time that we were leaving. I don’t know anything about these guys, but they certainly sound proficient on their instruments, and I’m guessing I would have enjoyed seeing them. The jazz organ is always an appreciated touch, and if nothing else, this bass player has mad chops, more of a funky edge to his playing than anyone else I’ve heard on this stage from this weekend. And the sax player is totally blowing the (canvas? vinyl? plastic?) roof off at various junctures. They mention Oldfield’s, so I don’t know if that means they’re playing there later or what. But then rip into a searing, terrifically loose version of Stevie Wonder’s I Wish, with vocals. Here I must say the guitar shredding does work, although then again I also wouldn’t quite classify this as jazz.

I just happened to stumble upon this set, which one of the band members posted on Soundcloud, while trying to find as much out as I could about the 2001 edition of Comfest. It has always kind of bugged me, thinking about this day every now and then, that I never learned the name of the guy who died, or what actually befell him. And all the more frustrated in that I could unearth absolutely nothing about it online today. So if anyone out there knows anything and/or remembers this day, it would be great to hear from you.

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Famous Columbus Figures

Wendy's founder Dave Thomas

On this page, I will be discussing noteworthy people who hailed from this fair city, or else made a significant impact upon moving here. I’ve been torn on what to do about OSU athletes, who typically blow into town for 3-4 years and then right back out again, though the Columbus days might represent their most popular era. But I think that will get its own separate post at some point, alleviating this dilemma.

Hanif Abdurraqib 

A relatively new-ish writer I’ve started getting into. I had heard about him somewhere, reserved one of his books from the library…and only then learned, upon cracking it open, that he was actually from Columbus. I always love it when things like that happen, because it feels like the universe is sending some giant flashing arrows pointing the direction out for you, that you are headed the right way. 

He’s got a strange style that I really dig, both in making some unexpected connections between various topics, but also from the literal style itself – the way he constructs his sentences and the pieces as a whole. The first book I read of his was the essay collection They Can’t Kill Us Until They Kill Us, which is mostly I would say concerned with music criticism. Even here, however, you encounter this unique combination of some really deep insight, yet presented without a ton of academic stuffiness. It’s a potent cocktail that mostly works, to great effect.

On the very first page of that one, he makes an oblique reference to attending Red, White, and Boom, and from there, Columbus references abound: among those that I pick up on are a NOFX show at the Newport Music Hall,  Huntington Park, Bexley, Constellations playing at The Basement and their Alpha EP, the band named Defiance Ohio, Scottwood Elementary, Livingston Avenue, MarShawn McCarrel,  this Replica of Wales Window from the rebuilt 16th St Baptist Church, a Fall Out Boy show at The Basement, Capital University (here during 9/11, plays soccer), the King-Lincoln Bronzeville district, John Glenn Airport. The most hilarious segment for me though was clearly the one where he’s ripping on Twenty One Pilots.

His next essay collection, A Little Devil In America, doesn’t feature quite as many specific Cbus references, but is equally compelling from a quality standpoint. In that one I know he mentions this former bar on King Avenue called Hampton’s, and German Village, and some noteworthy graffiti spotted in various locations around town. Also discusses his high school without (as far as I noticed) specifically naming which one it was. Although it says on his Wikipedia page that he graduated from Beechcroft, so that must be it.

George Bellows

As one of the celebrated “Ashcan” artists of the early 1900s, Bellows seems to have recognized his calling in life at a very early age. Even in elementary school, his teachers would often adore their classrooms with this artwork. He was also a decent baseball and basketball player, taking all these talents with him to OSU, where among other things he contributed drawings for the student yearbook. Upon graduation, his parents were hoping he would do something a little more “respectable” career-wise. But, alas, he moved to New York City and became a famous painter instead.

Bizzy Bone

This founding member of celebrated hip-hop group Bone-Thugs-n-Harmony happens to be the only one who doesn’t originally hail from Cleveland. That’s right, he actually grew up here, at least up through the age of four. His story is far crazier than you might be aware, however, considering he was abducted at that age and taken to Oklahoma by his mom’s boyfriend. The authorities only found him a couple of years later, after his photo appeared in the end credits for the movie Adam.

Unlike many of the other future celebrities in this post, however, he did in fact return to Columbus and continue to maintain roots here. In fact, he was spotted constantly in the Morse Road Kroger where I worked. During these occasions whispers would circulate through the store mighty quickly: “Bizzy Bone’s here…psst…Bizzy Bone just came in the store!” So I think he must have lived nearby. Yet although always into Bone Thugs from their first album onward, I’m not quite sure why, either I was too timid or too cool at the time, but I never shouted out a hello and certainly never ran up to speak to him. Which now seems quite stupid.

Pat Borders

Referring to his semi-obscure catcher as “famous” might be a stretch, but I think anyone who makes it to the major leagues has a somewhat legitimate claim to that title. And he did after all win a couple of World Series, in fact was MVP of the ’92 Fall Classic. Yes he did move to Florida at a young age, just one of the many figures on this list who doesn’t have any apparent Columbus ties beyond that point. But he played for Indians for 3 years, so that’s something, and is also oddly enough one of just two American born players in history to have won a World Series and an Olympic gold medal (stranger still, both hailed from Ohio.)

Bernie Casey

When I worked at Wild Oats, we had this janitor we referred to as “U.N. Jefferson” based upon his vague resemblance to that character from Revenge Of The Nerds. Unbeknownst to us at the time, however, the guy who actually played U.N. Jefferson in the movie…graduated from East High School, right here in Columbus!

Talk about a mind-blowing coincidence, when eventually discovering this. But in all seriousness, Bernie Casey would wind up enjoying a fascinating career, clear up until his death in 2017. He starred at Bowling Green as an athlete, made All-American while there, then spent 8 years playing football in the NFL, during which he made one Pro Bowl and enjoyed moderate stardom. And only then did he get into acting, eventually compiling a far more illustrious resume than I’m sure even he could have possibly envisioned – one that will include numerous guest spots on TV, appearances in a Scorcese movie and a James Bond movie, a surprising amount of other hit films but then also, yes, possibly his most famous role, in a few chapters of that Nerds franchise.

Beverly D’Angelo

This famous actress is from the Upper Arlington area. Her grandpa, Howard Dwight Smith, designed the Shoe, among other buildings around town, and her dad, Gene D’Angelo, worked at WBNS.

Jay DeMarcus

Bass player for Rascall Flatts hails from Columbus and lived here his entire childhood. He attended the Tree Of Life Christian school and also that Fort Hayes magnet school.

Buster Douglas

This unknown boxer came from out of nowhere in 1990 to take down an undefeated Mike Tyson, thus winning the heavyweight crown.

Guy Fieri 

Vaguely amusing Food Network guy who reminds me of my old friend Doug, except with spiky blonde hair. This is the sanitized TV version of Doug, mannerisms intact but minus the foul behavior. If left to his own devices, however, Doug would have come up with a way better show than Diners, Drive-Ins, and Dives.

In his first ever book, 2008’s Diners, Drive-Ins, and Dives: An All American Road Trip…with Recipes! Fieri lists his top 60 restaurants in the country. Not a single Ohio eatery makes the list, much less one from Columbus. I alternate between thinking this is completely ridiculous, versus grudgingly admitting it’s kind of cool and maybe displays a little integrity. Then again, if he couldn’t find a single restaurant from his hometown to list among the country’s finest, he probably wasn’t trying hard enough. Then again, I think he moved away from Columbus at a fairly early age.

Hank Gowdy

In a town famous for its athletes, he just might crack the top ten list for those born here. And is likely the most famous baseball player who took his first breath in Columbus. His statistics actually don’t look that remarkable, although in a 17 year MLB career, interrupted by his service in WWI, he compiled a solid defensive track record. But what he’s most known for today, apart from appearing in a few World Series and winning a couple of them, is that he was the only major leaguer to serve in both World Wars – that’s right, at the age of 53, he went right on ahead and enlisted all over again. In 1918 he was in fact the first MLB player to enlist in WWI, period. He later went on to manage the Cincinnati Reds, among other coaching gigs. After dying at the ripe old age of 76, Gowdy Field was named in his honor, and he is buried here in Columbus.

Unfortunately, Gowdy Field fell into disrepair after a number of years. Owing to its prior status, it is given a West 3rd Avenue address, although the actual field part remaining is nowhere near 3rd Avenue now.

Bob Greene

You know, it’s surprising what wacky careers a lot of these people have had, even ones you maybe sort of thought you knew quite a bit about. Greene, who was born in Bexley in 1947, would become an award winning journalist for the Chicago Tribune, in addition to providing commentary on the TV news show Nightline. He has also written countless popular books.

Prior to this, though, there are the expected cutting teeth type stints working for a couple Columbus papers. Okay, that’s all well and good and mostly expected. But then also what about his time spent singing and playing guitar on the road with the surf rock group Jan and Dean? Huh? Oh yeah, and he went on to play…Santa Claus…for Alice Cooper’s tours in the early 1970s.

Well, I mean, it doesn’t sound like this guy left much on the table, I have to tell you. If curious to find out more, his books And You Know You Should Be Glad and Late Edition cover his early days growing up in Bexley and working for those C-bus papers, respectively.

Rahsaan Roland Kirk

Ah, now this is more like it. This internationally renowned jazz musician was born in the now defunct Flytown neighborhood in 1935. An accident at the age of 2 rendered him blind, although it’s likely that the unfortunate loss of this sense did heighten his musical sensibilities. He would later study at the OSU School For The Blind and is in fact most likely its most famous alumnus. At the time, locals mostly thought his music sucked and he had to travel elsewhere to gain an audience – only much later would C-bus realize the error of its ways and come to embrace his excellence. Sounds about right. Mayor Jack Sensenbrenner did apparently announce on December 10, 1970, that it was officially “Rahsaan Roland Kirk Day,” but its honoree had long since left town by this point.

Roy Lichtenstein 

This famous modern artist lived on Iuka for a while, near the OSU campus, and now has a statue at the airport.

Lil’ Bow Wow

Although he would soon drop the “Lil'” from his name, I think most of us can agree that Bow Wow (Shad Moss) is still mostly referred to by this name. This rapper’s big claim to fame is he was performing at some L.A. show at the age of 6 and somehow caught the attention of Snoop Dogg. He would appear in the video for Gin N’ Juice a short while later, then eventually launch his own recording career at the ripe old age of 13. He enjoyed some top ten hits and even headlined the movie Like Mike, and is still somehow just 37 as of this writing.

Jerrie Mock 

Almost nobody knows that she is the first woman to fly solo around the world, which is kind of sad. I feel like 99.9% of the people on the planet would get this wrong – as would I, until stumbling upon this factoid during my research here. She left Columbus on March 19, 1964 and returned just shy of a month later, on April 17. I’d never heard of her until recently, but love this story now. Which I guess is the point of this historical digging. This still seems somewhat insane to me, actually. How many of us, even now, for various reasons, would have problems flying around the globe in less than a month? Her plane was called Spirit Of Columbus and the TV show Family Ties once used that name for an episode, too – though it’s unclear if this was a coincidence, or intentionally done in her honor.

Jack Nicklaus

Everyone knows that he still holds the record for lifetime Majors won, which Tiger Woods has yet to take down despite his many comebacks. But these are all yawn inducing, in a way. What is local legend Jack Nicklaus really like, behind the scenes? This is what the people demand to know. Well, I can tell you that my stepdad caught him in action once during a Memorial tournament, and was less than impressed. He happened to be standing in the clubhouse and by chance witnessed the Golden Bear exiting a men’s room, at which point the golfing legend immediately reamed the nearest random employee, in front of everyone present, over the condition of said restroom.

Employee: Yes, Mister Nicklaus, I will take care of that as soon as possible.

Jack Nicklaus: No, you will take care of that now!

The spectators present, in a possible foreshadowing of his actual performance that day, exchange horrified glances. This is pure speculation, but I am hazarding a guess that the ongoing weather conditions at his signature tournament may have played a part in Jack’s foul attitude. If you do your research, you will discover that they basically bulldozed over Native American figurehead Chief Leatherlips’s stomping/burial grounds to build this golf course. From which point it began mysteriously raining at the Memorial tournament every year, except in the years it snowed. In late May. In more recent years they even tried moving the tournament up a week, except it has begun raining that weekend instead now. Naming a nearby road after Leatherlips has failed to appease him. I think you might have to knock off Nicklaus and/or reforest the golf course to reestablish this delicate balance.

Lest you think this superstitious nonsense, be advised that Barbara Nicklaus, Jack’s wife, has twice brought a glass of gin to place at Leatherlips’s current grave, upon hearing rumors that this would remedy the situation. The second time, the not-at-all-desperate-or-washed-up-jackass golfer husband drove her there. Although dismissing the entire plot as hokum, of course.

Paul O’Neill

Not to be confused with the former Secretary of the Treasury who spells his name the same way, this Paul played major league baseball for the Reds and Yankees from 1985 to 2001. He won a batting title in ’94, was named to a handful of All-Star teams, and is one of just 30 players to have won 5 World Series titles (one with the Reds, four with the Yankees). Oddly enough, he is also the ONLY player in history to have played on the winning side of three different perfect games. As far as his local ties are concerned, he went to Brookhaven High School.

I always thought he seemed like a cool, low key kind of guy. An impression that’s bolstered by listening to him in the broadcast booth after his playing days ended. Of course, all the modern reader probably cares about is that he also appeared in an episode of Seinfeld. 

Tom Poston

This actor is most famous as a regular on Newhart, but guest starred in what looks like approximately every TV show you ever heard of from the 1950s up through 2007. He was born here in 1921, and graduated high school here, but doesn’t appear to have had much to do with C-bus beyond this point.

Brady Quinn

Even rarer a specimen than the Archie Griffin/Michael Redd type athlete (born here, starred at OSU) is one like Brady Quinn: born here, but starred at a completely different college. In his case, after setting the world on fire as a QB at Dublin Coffman, earning him mountains of praise in the Dispatch and elsewhere, he enrolled at Notre Dame and set numerous records there. Then the NFL came calling, beginning with a busted stunt helming the Browns, although he did manage to stick around with various teams for 7 seasons.

Michael Redd

You’ll see some conflicting reports, but most have it that future NBA star Michael Redd was born in Columbus. At the very least, he definitely grew up here, and attended West High – this makes him one of those relatively rare athletes who not only starred at OSU but actually hailed from our fair city as well. I remember following the big season, I think it was ’99, when he and Scoonie Penn took the Buckeye basketball team deep into the March Madness tournament. In 2000, he was drafted by the Milwaukee Bucks, and would wind up playing eleven seasons for them, followed by a final hurrah with the Phoenix Suns.

Eddie Rickenbacker

This world famous fighter pilot from WWI was born in Columbus and would eventually have an airport named after him here. At the age of two or three, his family purchased and moved into a house on Livingston Avenue, where he would live for the remainder of his childhood. Rickenbacher (as his name was originally spelled, before he changed it as an adult) worked as a teenager for both the Oscar Lear Automobile Company and Columbus Buggy Company. Prior to his career as a pilot, he was actually a race car driver of considerable reknown. And then in the 30s and 40s, oddly enough, he penned a popular comic strip named Ace Drummond. Upon his death in 1973, he was buried in Green Lawn Cemetery.

Arthur M. Schlesinger, Jr.

Born in Columbus and just like his daddy (a historian at OSU), Junior here would make his name mostly in the field of American history. He won a pair of Pulitzer Prizes for his books – exactly twenty years apart – wrote speeches for presidential candidate Adlai Stevenson, and later even worked for JFK as a historian. Unfortunately, like many of the figures on this page, he does seem to have basically blown out of town at an early age and had little to do with Columbus as an adult.

Alice Schille

Another famed painter, Alice enjoyed a long, incredibly prolific career spent living and eventually dying in Columbus. She attended Columbus Art School before continuing her education in New York. But then also traveled extensively, picking up considerable knowledge in the process, along with numerous awards such as the gold medal in a 1915 exhibition at Pennsylvania Academy of the Fine Arts.

She is mostly known for her watercolors, forever (or at least we’d like to think) putting to bed the disrespect often paid to this medium. Her work is still on display all over this city and beyond. Following her 1955 death at the age of 86, she was buried at Green Lawn Cemetery, just like Rickenbacker and many of these other notable figures.

Jeff Smith

This cartoonist, creator of the Bone comic book series, has lived in Columbus for most of his life. Its origins trace back to a strip called Thorn he contributed to OSU paper The Lantern, however, as some of the characters first appeared there. So yeah, after graduating from Worthington High, he enrolled at Ohio State. Then he and buddy Jim Kammerud formed an animation studio called Character Builders, during which they created ads for White Castle and the introductory sequence for a Jack Hanna show called Super Safari, among other noteworthy gigs.

Only later, in 1991, would he launch the Bone series and form his own comic book company. My friend Kevin Spain briefly worked for Smith in some sort of office lackey role during the early years, and says he’s a really nice guy. Nonetheless, though I own a couple issues and have tried getting into it, I am forced to admit that this just isn’t my cup of tea.

George Steinbrenner

This future owner of the New York Yankees was assigned to Lockbourne Air Force Base in 1952. Though he and his family were based more out of Cleveland, George would maintain close ties with Columbus all the way up until his death.  At Lockbourne, he was first an aide to the commanding general, then was placed in charge of its athletic program.

He also coached their baseball team! Once, during his first season of doing so, OSU’s junior varsity squad showed up for a game, much to George’s distress. When making the schedule, he thought he was booking a game against their varsity team. Thus, is shouting at them to stay on the bus and to drive it back the way they came. Is further enraged when their coach talks him into playing anyway, and they proceed to pummel Lockbourne. Elsewhere on base, he runs track and sets the record for the 440 yard low hurdle. Also sets up some kind of coffee and donut operation, selling these out of trucks around the base.

In 1954, George will wind up transferring to Ohio State, to pursue his Master’s degree in phys ed. Attends a ton of football games, hangs out watching practice. During this time he’s also somehow employed as the assistant football and basketball coach at St. Thomas Aquinas High. George has at least one class with star OSU running back Howard Cassady, and the two become good friends. Through Cassady, Steinbrenner will meet his future wife, fellow OSU student Elizabeth Joan Zieg. Her dad, Harold Zieg, was a bigtime local developer and Buckeye football booster.

The Steinbrenner stories tend to weave in and out of town from this point forward. In 1973, while attempting to purchase the Yankees, he will enlist one of the Lazarus heirs, Charlotte Witkind, as a minority investor. Six years later, he moves their AAA minor league team to town, and switches its name from the Jets to the Clippers. There is one amusing anecdote from July of that year, when Steinbrenner has just flown into town to check up on the team. After landing at Columbus International, he catches a cab and is en route to the hotel when he happens to hear Clippers manager Gene Michael being interviewed on the radio. It’s a local station and the interviewer is asking him if he would like to have the recently opened manager post up in Cleveland. When Michael admits that he might, George flips out and tells the cabbie to drive him to Cooper Stadium instead. Lurks around in wait for Gene to show up, and then verbally assails the dude when he does. Although cooler heads eventually prevail during this same conversation, and Steinbrenner offers him a GM job with the Yankees instead.

I happened to see Steinbrenner around town here just once, having breakfast at the Damon’s where I worked. We peeked around the corner, watching him dine with some other guy, but were not about to approach and interrupt. Everyone said he was part owner of either the attached Parke Hotel or the restaurant or both, although I’m not sure to what extent.

Jermaine Stewart

Singer most famous for We Don’t Have To Take Our Clothes Off was born here in 1957. And just off the top of my head, up until Twenty One Pilots came along, I might say that’s the biggest hit ever for a Columbus born musician, that I’m aware of. His family did move to Chicago, which is where he ultimately first made his mark, but this didn’t happen until he was a teenager.

R.L. Stine

I somehow only recently learned that this author is from Columbus, even though he has to be the best-selling writer this city has produced. James Thurber is surely still more of a household name, however, so that’s something. I was a little too old for Goosebumps and Fear Street, his most popular series, but a recent Netflix trilogy based on the latter was very good. Born in Bexley, he attended OSU and even worked on The Sundial for a few years. He then created the magazine Bananas (which seems vaguely familiar) and since then has published a mind numbing arsenal of books. It will seriously make your brain hurt to look up a list of all the stuff this dude has written. And here I feel like some battle tested warrior for cranking out one short article a month. Pssh. Even though, to my knowledge, I’ve not read any of his books, and can’t speak of the quality, this is still a mighty impressive resumé. He also apparently had a cameo in the first two Goosebumps movies.

Dave Thomas

Though he only wound up settling here in roundabout fashion as an adult, Columbus was the site of his breakthrough business triumphs, and he remained a fixture on the scene basically until his death.

I didn’t realize how much he had going on in Cbus until reading his autobiography, Dave’s Way. Though presented as a somewhat wacky motivational book giving “tips” to aspiring entrepreneurs, I have to admit, this was way more engaging than expected. Then again, I was cracking up long before page one, just to observe Jack Nicklaus’s bullshit soundbite on the back cover. Here’s the quote in its entirety:

“Dave has written an entertaining book, which I am sure you’ll find very enjoyable.”

Okay, so the Golden Bear clearly didn’t even read the thing. I’m conjuring up this mental image of it sitting on this table beside his front door for a couple of months. Then maybe he’s passing through the headquarters of Jack Nicklaus, Inc. one day and the secretary is holding her hand over the phone receiver, telling him Dave Thomas is on the line asking about some praise for his book jacket. A slightly out of breath and irritated Jack recites this nonsense on the spot before continuing to his office.

But anyway, onto the specifics. Most of this I had no clue about apart from the big ticket items about Dave opening the first ever Wendy’s in Columbus. So here are some of the major points. Apparently, while working as assistant manager for a two store restaurant chain in Ft. Wayne, Dave Thomas became one of the first people in the country to get mixed up with Colonel Sanders. The old colonel I must say comes off as a dangerous if crafty lunatic in many of these pages.

Anyway, Dave became somewhat smitten with Col. Sanders’s business acumen and even took to wearing white suits with black string ties himself for a while. There’s a hilarious photo in this book of the two of them side by side at the Ohio State Fair, sporting this very getup, as Dave is holding a trophy for some “Grand Champion” chicken they presented here.

How they got from Ft. Wayne to Columbus is itself pretty fascinating. In 1959, the colonel gets this idea about hooking up a couple of real estates buddies he has in Cbus, with Dave Thomas’s boss over in Indiana. His name is Phil Clauss, and he owns that two store Hobby Ranch House Take-Home operation (I couldn’t even begin to tackle the origin of this name here, so don’t ask). Sanders approaches Clauss about opening some restaurants in Columbus. These figures agree to combine forces for this venture, although Clauss, to his credit, insists he will only do so if his “vice-president,” Dave Thomas, who is in fact still manning a grill every day, is appointed operational advisor to this program.

In the early going, Dave’s driving to Columbus once a month, but this business is bombing out miserably. Finally the three guys running the show (Sanders is more in the background barking orders at this point) convince Thomas he needs to actually move to Columbus to straighten out these clowns. Clauss is confident enough in his boy here that he buys out the other two guys, and works out a deal with Thomas that Dave can have 40% of the company if he manages to turn it around.

His first order of business is to clean house. One of the lists he’s included in this book, Dave’s Six Steps For Bringing Back A Dying Business, is absolutely priceless. Much to my delight (and surely many a coworker I’ve had over the years would feel the same way), Tip #1 is “get rid of the dead wood in management.” Anyhow, after mission accomplished on this front, he also installs air conditioning at the four restaurants, trims the menus way down from a positively insane 100 offerings to maybe a dozen…but then also renames them the still quite baffling Colonel Sanders Kentucky Fried Chicken Take Home. More hilarious yet, the namesake himself, Harland Sanders, is telling Dave he’s nuts and should pull out of town before it’s too late.

Even so, however improbably, things are on the upswing. Dave and the family buy a house in Westerville, and things improve to the extent that a 5th restaurant is opened in ’67. By this point he has made good on his deal with Clauss and now owns 40% of these puppies. He tries out all manner of wacky promotions, down to teaming up with this ice cream place across the street from one location on BOGO type deals between the two businesses. Most significantly, Dave has this idea about rotating, illuminated chicken buckets for the company signs, which Sanders instantly falls in love with and installs at KFC locations everywhere. So, yes, the world famous Kentucky Fried Chicken Of Ft. Wayne Indiana actually owes this debt to Columbus Ohio.

On to more pertinent points, a year later, in 1968, KFC has exploded to the extent that Clauss and Thomas sell their five Columbus stores back to the parent company at a huge profit. Dave’s then kind of slumming it for a while with various corporate roles with KFC before quitting, after a tiff with his higher-ups. By this juncture he’s already a millionaire anyway and doesn’t need this crap. He accepts a job running Arthur Treacher’s while he contemplates his next move. Having purchased a car from Immke Buick, he’s become good friends with that local dealership’s kingpin, Len Immke, and the two of them often hit the Columbus Athletic Club to work out together, while Dave airs his thoughts on ideas to revolutionize the fast food hamburger industry.

Dave says the two of them commonly drink beer in the steam room while discussing these concepts. Which might defeat the purpose of hitting the gym in the first place, although you have to admit it’s kind of cool. Anyway following one of these powwows, they decide to swing by the club’s diner for lunch, only to discover it’s closed. This sets off a life changing rant by Immke.

“See, Dave it’s what I’ve been telling you,” Immke says, “it’s tough to get a meal downtown at the noon hour. We really ought to have a hamburger operation down here.”

Something clicks in this moment. In a virtual instant, Thomas decides to buy this business space from Immke, on West Broad Street. It’s a closed down restaurant that Len had fairly recently purchased from former New York Yankee great Tommy Henrich. At the time of this conversation it’s being used to stage brand new Buicks before they reach the showroom at Immke’s dealership down the street, and the bar area is entirely cobwebbed from disuse. These two are driving around Columbus one day and Dave, after mulling over this matter an eternity, suddenly latches upon the name Wendy’s, a nickname for his youngest daughter Melinda.

This first location opens on November 15, 1969, with three full-time employees. In this book, which came out in 1991, Dave mentions that original employee Gloria Ward Soffe is still with the company, which is another heartwarming touch to read about somehow. The mayor is on hand for this opening, as is company mascot Melinda, in pigtails with blue bows in them, who at 8 years old admits halfway through the day that smiling so much is making her mouth hurt.

That stuff about the opening is somewhat common knowledge, though, and vaguely familiar to me. What I didn’t realize, however, is that the second ever Wendy’s location was opened on Henderson Road, about a year later, and that this is the first one with a drive-thru window. Both here and elsewhere, they actually attempt operating separate grills at this restaurant, a distinct kitchen each for the dine-in and drive-thru customers, for a number of years. All the more zany, it bears mentioning, Dave was somehow still on the payroll at Arthur Treacher’s, too, doing the same theoretical work as always, and the 2nd largest stockholder, until he was certain this Wendy’s concept would really take off.

When it was still a two store operation, he cut in a trio of local friends on ownership, and the four of them cleaned house after Wendy’s went skyward. One of them, Ron Musick, was renting an apartment in Worthington at the time, and essentially told his wife to piss off when she was questioning this investment. This foursome moved into an office on Henderson, one which also housed a Coca-Cola arm of sorts, some Anchor Hocking glass operation, and other oddball businesses. Dave recounts here that, although at the time of writing this book, he was sitting in a much fancier office up in Dublin, that these Henderson Road days were actually his favorite. The four of them and their wives were here all the time, in this cramped but vibrant atmosphere, and there were days where they had hundreds of thousands of dollars stacked in the hallway, despite the other businesses in the building, if the banks happened to be closed at that hour.

By 1979, Dave Thomas is receiving a Horatio Alger award from Norman Vincent Peale at the Neil House downtown. OSU donates a chair for his fancy office up in Dublin, joking that he never had enough seats at the original location. Still, though we are definitely in victory lap terrain by this point, it’s impressive how he keeps pumping up the legends of even obscure local people he has known throughout the years. Roger Webb, who was just a student in the accounting department at OSU way back in those early days of Wendy’s, grinding his way through this fast food gig for pocket change, is mentioned as having made many important contributions during totally random conversations he had with Dave in that Broad Street restaurant. Thomas is also quite enthralled with this Jim Near character, a Columbus figure who is eventually appointed chairman of Wendy’s.

In summary, I think Dave was probably a mostly cool older guy you would have rolled your eyes at if working for, even as you reluctantly learned a few things from him. It’s nice to see him mention in passing a few charitable things he did, too, to give back to the community. Recreation Unlimited, a camp for the disabled which he was encouraged to support by sportscaster Jimmy Crum, and Charity Newsies, a vaguely familiar concept I seem to remember, where they would sell newspapers on street corners to buy clothes for kids, were a couple of his pet causes. Daughter Pam was also in charge of the volunteer program in Columbus as well.

My parents actually went out to dinner with Dave Thomas once. The photo above is taken from that night, though I’ve cropped them out of it – sorry, folks, but you don’t quite make the cut on this particular post. In case you’re wondering, though, what restaurant did Dave immediately recommend, during a brief discussion on where to eat? Why it was Wendy’s, of course, and this is precisely where they went.

Philip Michael Thomas

Actor most famous for playing Tubbs on Miami Vice was born here in 1949 but moved away at (you guessed it) a very early age.

Kenan Thompson

This highly entertaining actor technically hails from here, yes, but might have set a record on this page by leaving town before he was even a year old. And therefore it’s highly unlikely he gets too teary eyed reminiscing about ol’ Columbus.

James Thurber

I recently finished The Years With Ross, which is a memoir about his time spent working at The New Yorker. This is the first thing of his that really made much of an impression on me. We did, of course, have to read The Secret Life of Walter Mitty in high school, and while that famous short story does have a memorable premise that you basically never forget, I wouldn’t say it meant much to this particular teenager at the time.

The Years With Ross has a great atmosphere to it, though, about life on a magazine staff, and is also laugh-out-loud funny in spots. Mostly it is of course concerned with NYC tales, although Thurber does include a few short anecdotes about Columbus here and there.

I also have Fables for Our Time and Famous Poems Illustrated in my collection, and just read that one. The first few paragraphs have you thinking that this is going to be a silly enterprise, but it’s actually pretty hilarious much of the time. In fact, these days I mentally lump Thurber in with Twain because it’s surprising to me how funny these guys still are after all these years. Each of these fables features one or two of James’s own illustrations, of course, and a moral at the end, the most comical of which might be, it is better to have loafed and lost than never to have loafed at all. 

The famous poems section is more of a head scratcher to me, although then again I don’t know anything about poetry. All you can say is that these timeworn pieces (by Longfellow, Tennyson, etc) must have meant something to him, considering he drew even more illustrations for these than he did the fables. Regarding the artwork, it’s basic but effective enough, about on par with what you’d expect from a newspaper comics section. These can provide a surprising amount of comedy themselves, however, like for example this sheep at a typewriter on the cover, which conveys a great deal of emotion somehow despite its basic form. It would have been interesting, actually, to see how Thurber would have fared in some alternate universe, if wholly dedicating himself as a newspaper comics creator instead – I’m guessing he would have done quite well in that medium.

Overall, this collection makes me wonder if John Lennon wasn’t striving for something similar with his own bizarre books. If so, he missed the mark considerably. Anyway, as far as Columbus references are concerned, he mentions the city just once, in passing during one of these fables.

Twenty One Pilots

Well, there’s no avoiding it any longer – it’s time to address the heathens in the room. Now, I know some people have been known to protest, “nuh uh! They come from the suburbs, dude! It doesn’t count!” But I don’t know about any of that. They bill themselves as a Columbus band and I can’t find any evidence to contradict it.

On September 8, 2021, they played a Sirius exclusive show, broadcast from the Newport Music Hall. I happened to catch this and am really glad that I did so. Prior to hearing this, I have to admit I liked Heathens and that was pretty much it. But they kind of won me over with this performance. Before the show there was even a little intro interview and the two main members (Tyler Joseph and Josh Dun) came across as chill and even hilarious at times. They threw out mentions to Hounddog’s Pizza and “that car dealer guy…carrying an acoustic guitar around everywhere he went,” (Fred Ricart), for example, so that’s something. As far as the show, the drummer (Dun) displays some serious chops, and they played a lot of deeper cuts that I’d never heard before. The singer (Joseph) has pipes, too, and while it started to get a smidgen repetitive by the end – and I’m still not a fan of a couple hits there where he kind of sounds like Eminem trying to pull off reggae, or something – overall this appearance has me wanting to check out more of their material. The songwriting was often much weirder and edgier than expected, even if the crowd (singing along with virtually every word) clearly leans toward the teenybopper demographic, and the whole enterprise seems like something Jared Leto might be into. Which makes total sense considering the soundtrack Heathens initially appeared on.

So I guess this is my dark secret, confessing that I kind of dig this band now.  We are surely a minority creeping around in the shadows. Or maybe not – I seem to recall reading somewhere that Twenty One Pilots were the best-selling rock group of the 2010s. This despite not getting a ton of press, and hailing not from LA or New York, but Columbus Ohio. That last point gets stranger and stranger the more I think about it.

Dwight Yoakam

In the pre-internet days, you would hear all kinds of crazy rumors, and begin to tune most of these out after a while. Having said that, I never heard anyone whatsoever suggest that Dwight Yoakam spent a great deal of his formative years in Columbus, although this happens to be true.

In retrospect, in these modern times, it seems way more obvious than it was back then. My parents actually received Hillbilly Deluxe on cassette as a Christmas present the year it was released, and we wore that bad boy out. Readin’, ‘Rightin’, Rt. 23 was a family favorite, though you would have been considered a cheesy flake at the time to suggest he was talking about the route 23 which passed not that far from our house…even though we would eventually discover he was.

Beyond that point, I actually caught Panic Room during its original run, at Studio 35. It’s crazy to think now that he graduated high school maybe ten minutes away from there, but I had no clue at the time. Not to mention that Studio 35 actually sits on the route in question, 23. By then he was already famous for Sling Blade and it seemed like he might transition into acting completely. Yet Nashville or Bakersfield were distant concepts which basically might have been located halfway across our galaxy, not to mention I had no idea still that he spent most of his childhood here, even attended OSU for a while. In the 2000 presidential election it turns out I actually voted at Dwight’s old high school, but wouldn’t realize this for another ten years or so. He graduated from Northland in ’74, before briefly enrollling at OSU, then blowing out of town for good.

But then on the flipside, well, there must have been something there, to explain why he’s not only one of the few “modern” (as in, mid 80s onward) country guys you don’t just tolerate, but have somewhat liked from the outset. And this is reassuring when it happens, in a way, that somehow your subconscious vibed with a musician and you weren’t sure why, except instinctively knowing it wasn’t quite the same old thing everyone else was doing. Which was true for a lot of us, I think.

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Comfest 2007

jazzy band performing at Comfest 2007, Columbus, Ohio

Okay, I finally managed to unearth this video, recorded back in ye not-so-distant olden days where a hi-8 camera was actually about your best option. I happened to be driving home from a funeral with only a couple of hours to kill but felt some compelling need to swing through and film Comfest on this day. It kind of felt like providence and I couldn’t resist passing through.

Let me apologize in advance for the shaky camera work and manic zooms without warning, making this probably a document better listened to than viewed. Also, I would say the reason the footage is kind of distant and bad is because I was trying to find some sort of middle ground between getting good shots of the performers, without intruding upon the crowd. You were still very much considered some sort of weirdo at this point for walking around with a camera, and I didn’t want to creep anybody out. That’s just the climate of the time – and it’s interesting to note in retrospect that we are one week away from the iPhone’s debut, as of this Comfest date, an event which will change a great deal about these types of experiences.

A number of years ago, I dumped this down from tape to computer hard drive, yet haven’t been able to locate that footage for quite some time. Therefore recently repeated the process, during which time it’s obvious the tapes have degraded in some places. So there’s still hope of unearthing better copies in these patches which now have static lines.

Anyway, below are the performance clips I managed to capture, along with whatever limited commentary I can provide at the moment. I haven’t had a chance to match up who’s playing where on an events calendar, so your guess is as good as mine on most of this stuff. As always I hope to dig through my writings and then research a little bit and cobble together more information down the road.

This first group here is playing at that little stage near the corner of Goodale and Dennison. They’ve got a decent bar band boogie sound going, and it’s cool to hear that even the bass guitar came through fairly well on this camera. Plus the lead player is offering up some tasty licks:

If any of these performers ever stumble onto this site, they are surely going to despise my descriptions. But in my defense, I’m making due with limited information here. Anyway, this next act here, which performed on the central stage, kind of sounds in places like a Midwestern band going for an Oasis vibe – and this isn’t a bad thing! On the contrary, I think this is a pretty catchy song:

And this would be one of those fuzzy stretches of tape I alluded to, albeit fortunately one of the least essential patches. This car covered with trinkets is great, of course, but was here every year and might still be for all I know. In the background you can hear some reasonably compelling, female led (I think) rock band plying its wares:

Okay, at the tail end of this following clip, we have our first definitive evidence of a named musician: Megan Palmer is apparently the one lending an assist with vocals there on the far right. One thing that kind of drives me nuts at these festivals is that bands usually don’t name check themselves enough, or display any sort of banners or other promotional apparel. You can see the deleterious impact this wreaks, right here on these digital pages, although I expect to piece together who these musicians are eventually.

It’s kind of interesting that the background chatter happens to be louder on this cut. I was just thinking that, while compelling, this is singer-songwriter material better suited for chilling around the house. Therefore it’s probably not a coincidence the crowdspeak threatens to drown out the band. But I do really like the part – I think you might call it a bridge – in between the verse and the “who’s gonna love you?” section. Whoever this is, they’re playing at what is known as the gazebo stage:

This funky, Latin tinged jazz ensemble is probably my favorite act glimpsed on this glorious day. Even the footage is best at this point, capturing them at the corner of Park and Goodale, with the Greek Orthodox church an impressively picturesque backdrop. Near the end you spot the second person I’ve noticed so far with a cell phone, though still nobody else snapping pictures and certainly not sporting such a dorky appendage as a video camera:

Up next we have pretty much what the video description promises, a random, quiet stroll through the vendor section, then a quick dip out to High Street. Nothing of consequence happens here and you would certainly be forgiven for skipping it. Although I don’t even remember doing this and am now thinking some stills taken from here, particularly of the cap over 670, would make for nice pictures:

I feel as though I recognize this song, or at least the vocalist, but the footage is too murky to say for sure:

This forthcoming material is pretty much the exact opposite of that singer-songwriter clip from earlier – both in style and reception. Spoken word pieces I would almost never listen to just hanging out around the house, but find them really moving and powerful in person. This one is held at the back stage, and watching this makes me glad for a second reason beyond the performance itself. I’m reminded of seeing Jello Biafra rant on this very stage at a different Comfest, and it sure as hell seems like I caught that on video, too. So it’s possible that further treasures await, if I ever stumble upon the tape. For now, you should definitely dig this:

And here are another couple pieces of hers. Anyone know who this is? In the background you can hear some other band, too, presumably playing on the gazebo stage. There have to be other videos of this day out there, even in this predawn era of 2007, and it would be really fascinating to piece these all together somehow in Zapruder/JFK assassination fashion. For now I guess you’re subsisting on my cruddy footage.

As far as taking notes, about the only observation I’ve found thus far concerned the Cheater Slicks. About them, I had this to say, in my notebook:

Cheater Slicks are punkabilly for the most part – a trio – but the last song starts off as this slow rhythmic rumble then slowly speeds up while getting progressively more chaotic. Then some old guy meanders up and starts playing spoons into the microphone.

And then finally, to close out this piece in possibly gratuitous style, here’s this end footage selection of the drive away from the park. I’ve muted the unnecessary audio so historians can enjoy whatever limited scenery is available in this clip. It sure seems like by some miracle I was able to park right beside the, um, park, bringing the heavenly aura of this experience full circle.

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Not Al’s Rockers

Hunting down the exact coordinates for this place has been one of the more amusing and unexpectedly frustrating challenges of late. The only specific online reference I’ve been able to find, after months of searching, and believing I hit the jackpot with locating a late 90s campus bar directory at last…listed its address as “corner of 10th and High.” And yet even that isn’t quite correct, because it actually sat across the street from where 10th dead-ended into High.

Located near the end of the line, where campus attractions begin to steadily thin south of 9th, it’s a live music dive bar in every sense of both extremes. Live music a surprisingly difficult find at the time, the muted thud oozing through its pores is like a siren song to us the first occasion where we pass this place. Three dollars at the door and we’re ushered inside, privy to the Local Color experience.

A bohemian outfit gracing the minuscule stage, Local Color somehow cram a small army upon its meager surface. Just left of the entrance, amidst a sea of swirling red and green pinspots that would make Pink Floyd jealous, the band is flailing away, half a dozen strong. Fittingly, these dislocated hippies are slithering through Floyd’s seldom heard gem Fearless like ripples on a pond, and as we stumble our way past the queued throng beside the ladies room door, our eyes never leave the stage.

For a small time local act, it’s immediately apparent these cats have their ducks in a row. More than the half assed combos gearing up at Ruby Tuesday each night, though for all I know Local Color plays there too. It would certainly seem their ideal locale, sticking, as they do, to golden 60s nuggets by the Dead and Country Joe. Normally this music drives us bonkers, but they pull it off with such splendid grace, often bettering the originals, that we’re hopelessly drawn into their hazy web.

Tight and musically competent, I feel they could do with a slimmer roster than that of the lead guitarist, the singer who strums an acoustic, the bass player, the saxophonist who picks up a rhythm axe when not blowing his horn, the keyboardist and the drummer, but whatever the particulars they impress. Their craggy faces, impenetrable and unreadable behind tinted glasses and facial hair, stake wordless claims upon the years these songs cover. Ponytails and jeans and faded tee shirts worn like badges of honor, war medals, further strengthening their unspoken bond with the crowd.

As for the crowd, words can never do this mob justice. Body odor hanging in a ripe fog, whether male or female those wearing dreadlocks and overalls prevail in equal proportions. These chicks are by no means averse to sporting rampant armpit hair, nor are the guys opposed to donning what I’m guessing to be potato sacks with holes cut out for the arms and head.

“Look at the way they dance!” Damon howls, pinpointing a handful of specimens with the precision of those swirling red and green lights.

Truly a sight to behold, this jig. Pervasive enough to make us wonder whether someone at the door is passing out booklets detailing this single particular maneuver, and we’ve failed to pick one up. Throughout the bar everyone else except us is operating under the same mysterious spell, dancing in a like manner. Arms raised slightly, elbows bent, they shimmer their bodies up and down, swaying side to side, with an occasional three hundred and sixty degree turn thrown in for good measure. When inspiration strikes they elevate their arms and hold them there, though only as high as their heads. Then it’s back to the same routine.

Uncomfortable, we slide onto the only seating we can find, at a picnic table located near the sound booth. Situated in the center of the bar, it affords an enviable view of Not Al’s Rockers, in every direction, confirming our initial suspicions that this is in fact the only piece of furniture in the house. Aside from the bar, along one wall, and its few token stools, Not Al’s unfurls as one large concrete slab, whereby its occupants either dance or stand along the rear wall. Making no effort to conceal their continuous daisy chain of joints, those situated furthest from the stage lean against the wall with giant dopey grins, suffusing the room in that sharp aroma just a notch below the foul armpit smell.

Together, these elements lend the occasion more the feel of an outdoor festival than a Monday night at some run of the mill tavern. We stick out here like the proverbial bulls in a china shop, but care not the least, and in fact find this unfamiliarity, the newness of a community such as this, of unmitigated interest. Wholly fascinating, this submersion into their hippie subculture, if only for one night.

Local Color finishes Shakedown Street, and we respond with modest hand claps, with respectable hollers. But here, these cliched responses stand out like an animal activist’s paint splashed against a fur coat. They have the clapping thing down, but we’re not about to hear a woo! or an oh yeah! anytime soon, we’ll perish before someone sets forth the first whistle. Instead of what we’ve come to characterize as the standard classic rock response, these peculiar beasts toss off wild kingdom shrieks, and what might be snatches of bird song.

“What was that, a mating call?” Alan jokes, just before hooting like an owl.

But as we’re sitting on the picnic table, the fever and an all purpose weariness are crushing me, I can barely kept my head aloft. My left hand accidentally grazes someone else’s beer bottle and sends it spilling out all over the table, onto the floor, but the goodwill vibe of the place is such that the guy isn’t the least bit angry. Such that I would hand him a twenty, tell him to buy himself another drink, on me.

“I can’t believe you just did that!”  Damon gasps, eyes wide.

But the guy has a face I feel I can trust and sure enough, he returns with my change, thanks me.  No problem, brother. Maybe these hippies aren’t really our scene but their laidback kindness sure beats the snooty bitches we’ve encountered to date at those other clubs, and the assholes surrounding them.



1998

The only occasions where we ever seem to make it to this place are on Mondays, to witness Local Color. Even so, a year will separate visits, before Damon and I finally get around to checking them out again.

We pay our three dollar cover in exchange for a hand stamp, and enter this no frills, warehouse looking place with the concrete floor. It’s an aesthetic so rustic and unadorned that it’s almost come back around full circle to being trendy again. Almost. Throngs of long haired, shabbily clad, often odorific youngsters fill the room, with an older variation of the same occupying the makeshift stage over our shoulder, along the street facing wall. And “stage” is a loose term, for like many bars of this caliber, it represents only a cleared off corner where bands are able to play.

Immediately, a few slight differences between previous visits here and our current one become obvious. For one, the crowd is more normal, or should I say offers more babes while at the same time boasting proportionally less girls with hairy armpits. And yet as far as the band is concerned, Local Color has almost moved in the opposite direction, not quite the same slick classic rock outfit we remember.

For starters, they appear less professional than the competent, laidback cats we last saw onstage a year prior. Their performance is a tad bit sloppier, while the light show, which had bowled us over back then, how impressive it was for a bar band playing covers to possess such a rig, this has been scaled back to a cut rate version of its former self, featuring only the bare essentials now.

But none of these developments can quite match the impact of their new drummer, a younger kid going way too far overboard trying to make his presence felt, or else in an effort to pump up this somewhat moribund crowd.

“COME ON PEOPLE!” he shouts into a microphone while standing up in between songs, “I WANNA HEAR YOU SING!”

“CLAP YOUR HANDS PEOPLE!”

“MAKE SOME NOISE!”

After the latest of these ceaseless entreaties, I quip to Damon, “Jesus, if I wanted to watch Lars Ulrich, I’d go see Metallica.”

“No shit, man!” he agrees with a laugh.

Still, even a cheesy, too flashy and incongruous skins basher isn’t enough to spoil a basically solid boomer rock combo. They break out their Traffic tunes, more than a treasure chest’s worth of Dead, the expected Santana, even one old early Floyd obscurity. All in all, not a bad show and certainly a reasonable entertainment option given the relatively low door charge – though it is strange that, considering all the hippies I work with if not knowing from elsewhere, Joel’s neighbor Buddy is the only familiar face I bump into here all night. Especially when considering that Ruby’s for example boasts a similar vibe and cribs many of the same bands, though serving them up to smaller crowds, yet I can’t recall the last time I stepped in there without recognizing some of the clientele.

Inspired by this trip down memory lane, we soon risk another, this time with the girls Damon and I are seeing, Shannon and Jamie respectively, and the latter’s burned out hippie aunt, Lynn. We spend a good fifteen to twenty minutes in getting there and our girls, surprisingly, don’t seem too bothered by the walk. After forking over the small, apparently inflation proof cover charge, we gain entry and stand not too much further inside the door, directly right of the stage and near the restrooms.

No sooner have we arrived, and here comes Carrie and Sara drifting through the front doors, too, along with about three other friends. Carrie is an extremely popular name for girls our age, and this is seriously maybe one of five we’ve hung out with – or more – in our year plus of living here. This Carrie would be, of course, that dark haired, plain looking girl Damon had met at Maxwell’s one night last spring, Sara her taller and considerably better looking brunette friend. They’d been freshman then, are sophomores now, and we haven’t seen them since Carrie’s short lived attempts at wooing Damon had ended. So naturally fate has it that she reappears on a night when his rarely visiting girlfriend comes out to a campus club.

Carrie stands and talks to Damon for quite some time, wearing the camouflage jacket like always, her face still riddled with acne and pock marks, black hair shoulder length and kind of greasy looking. Still no beauty, but she’s always been a cool one to party with, and the same goes for Sara. Speaking of Sara, as Carrie’s yapping Damon’s ear off and Shannon’s looking either angry or bored, Sara spends a good twenty minutes in the restroom, having darted inside there immediately following their entry.

She emerges, and right away it’s obvious the girl’s fucked up on something. Normally, you can’t get two words out of her, but now she suddenly wants to converse with both of us at a breakneck clip herself. Ordinarily, Sara’s cool, almost too cool, low key and laid back, but at this mysterious moment she’s bubblier than a bottle of soap.

“How you doing?” I question.

“Oh, good, good! How you guys been! It’s been so long since we’ve seen you!”

“Are you okay?” Damon asks, laughing.

“Yeah! Why?”

“Well, you were in that bathroom for quite a while, I thought maybe you were sick or something.”

“Oh no, no! I’m fine!” she insists.

Carrie and Sara eventually forge onward, toward the back of Not Al’s swelling, crowded interior. Damon can tell Shannon isn’t enjoying herself, now – these matters are a continual juggling act –  and so by mutual consensus it’s agreed upon that we should leave, after not even sticking around for one full set, not even long enough to form any impressions of the band tonight. As far as I can recall, this is the last time we will see Local Color perform live, and our final visit to Not Al’s Rockers as well. This hippie oasis won’t last too much longer, and might not even survive the 1990s.

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1998

Tickets stub from Aerosmith, Polaris Amphitheater, 1998

January 1 – the collective misery of the John Cooper era continues as OSU suffers a relative blowout in the Sugar Bowl, losing to 4th ranked Florida State. Though a 31-14 drubbing doesn’t look too horrific on paper, the Damon’s where I was working went from a riotous mob to mass walkouts somewhere around the halfway mark.

January 4 – Brasiliera play at Dick’s Den. At the behest of bartender Dusty, who also slings drinks at Damon’s, I’m finally getting around to checking out this legendary jazz epicenter for the first time tonight. He said he would slide me a free beer or two, and that’s pretty much all a cash strapped character such as I needs to hear.

The bar will establish itself with an auspicious start before I even set foot in the place. As I pull up to the curb on High, a short distance from the club, there’s a police cruiser with his jackpot lights twirling even closer to it, nearly in front. After making my way underneath the famous question mark sign and inside the bar, some crazy old timer, eyeballing the nonexistent scene out there with intensity, tells me that someone was just mugged up the street.  

He adds that this is a dangerous neighborhood and that such incidents are constantly transpiring around here – which I find a guffaw inducing sentiment. No region is truly insulated from crime, but calling this area a rough part of town is a sizeable stretch. This is north campus. It’s no more dangerous than any other area of campus, and probably less so than many. Back in the summer I was even accosted on Summit while walking home from Studio 35. Some drunken or deranged hillbilly kept pace with me on the opposite sidewalk, block after block, and kept shouting insults, how he was going to run across the street and kick my ass. I’m not sure where he came from, for he appeared out of nowhere. Spotting, as it happens, a police cruiser with his lights on up ahead, I told myself to just keep calmly walking and saying nothing, until I reached that destination. Only to do so and find no officer in sight. Upon which, thinking it a good idea not to let this madman see where I live, I hook a left at the next intersection and book it out of range. 

You can’t let fluke occurrences deter you from perfectly reasonable experiences. I’ve walked past this bar by myself, actually, to and from work or even just goofing around, on countless occasions. Setting foot inside a strange place is always nerve wracking, for whatever reason, particularly if alone, but the day we start fearing these neighborhoods is a mighty dim one. 

Seeing a familiar face always helps with the comfort level and the safety, regardless, and when Dusty cheers my name from behind the bar, I already feel at home inside this cozy, wood paneled establishment. As I drop into an empty seat at said bar, he slides this unadventurous drinker a bottle of Budweiser, which is another old friend, you might say, the proverbial worn pair of shoes. A concept extending in some fashion to the band on stage in the other half of the room, Brasiliera, whom I’m never witnessed before, yet have seen mentioned in print countless times via Alive! or The Other Paper. 

A band composed of seven white people who appear to be in their mid-thirties, they’re nonetheless blowing what I would term a Latin tinged jazz. The chick singing and dude playing the trombone seem to function as ringleaders with this troupe, complemented in exquisite fashion by another girl on flute, the guys manning drums, bass, guitar and piano posts. A very talented group, probably the best I’ve seen since moving to Columbus and if not then running a close second only to those swing leaning lads in Thirteen O’Clock. 

As for the bar itself, this dark wood motif prevails everywhere, decorated in the same down to earth style as and exuding an identical vibe to Ruby’s. One key difference is that, by force of conscious decision and also as byproduct of booking these bands, this place does skew a little older. It’s far less saturated with hippie types, dependent instead upon a more reserved, non-cannabis-reeking hepcat crowd. Predominantly male, too, I would gauge, so it’s not exactly babe central. Just a solid entertainment option maybe once or twice a year. 

Dusty buys me a second beer, as I check out their impressive liquor arsenal along a mirror lined wall behind the bar. Elsewhere, there’s a chalkboard posted, listing a number of upcoming bands. Then tonight’s outfit is on break and two of the members are chatting with this guy in a nearby stool, who by the sounds of things must run this place. 

I’m listening to their conversation for a while and then, by the time Brasiliera grace the stage once more, I’ve just about killed this drink. Upon doing so, I thank Dusty and tip him a couple of bucks, though am wondering on the ride home if this was an etiquette faux pas on my part – at the very least, I should have slid him the cost of that second beer, as this is presumably the whole point of inviting people you know to your bar and sneaking them gratis beverages. 

As it turns out, though figuring I’ll just apologize the next time I see him at work, that never happens. He’s just another character in the long line of them who simply stop showing up at our rib joint, and nowhere near the most remarkable. Sorry, Dusty, nothing personal – I’m mostly thinking about the women we worked with, and wouldn’t consider myself a remarkable character, either.

January 13 Superstar Rookie, Midway, and Vena Cava play at Little Brothers.

January 21 – the Cincinnati Reds’ Winter Caravan comes to Flannagan’s. Manager Jack McKeon, hitting coach Ken Griffey, Sr., a couple announcers (among them Joe Nuxhall) and four players make this treacherous promotional journey.

February 1 – Trio Melange play Short North Tavern. This it would seem is a traveling portion of the Cleveland Orchestra, featuring flutist Heidi Ruby-Kushious, harp player Tina Struble and the cello master Paul Kushious.

February 4 – Swabby continues his residency at the Northberg Tavern.

February 6 – Alan & I split a pitcher & play some pool at Ruby Tuesday. Then we grab some more beer and sit down on the other side to watch this weird ass band called Foley.

Once they take the stage, we decide to sit down at a table in that darkened half of the bar to observe the show. And while they are thankfully free of the standard Dead style marathon jam trappings of seemingly ¾ the bands who play here, this is probably the strangest outfit I’ve seen thus far, Columbus or anywhere else. 

After they’ve finished setting up and launch into their first set, we can’t tell if this is the actual performance or a quote unquote warmup for the real gig. Though the bar is about halfway full and these tables occupied to pretty much the same ratio, the bass player sits in a chair with his back to the crowd the entire time. He and his cohorts in this trio, a guitarist and drummer, play nothing but jazzy, upbeat instrumentals, which is fine, except they keep stopping and starting songs over again, even if a couple of minutes into the piece. 

Alan and I exchange puzzled glances and many a what the fuck?, as it’s hard to tell just what these guys are trying to accomplish – had one of them messed up and picked the tune up from scratch, or did they like it so much they wanted to play it again, or was it some kind of experimental stuff like late issue Coltrane or Miles or something, where they were trying different variations based around the same melody? Then again, for all we know, these guys may very well still be in practice mode. It’s not like, I don’t know, they actually address the crowd or anything, not even once. But after about an hour of this, we’ve seen enough. 

“You ready to go?” Alan asks me. 

“Yeah,” I nod. 

As we’re standing up to leave, however, he happens to glance at this table behind us, where amid the deeper gloom of that recess, some kid of roughly our age, with short buzzed hair, sits alone. Though I certainly would not, Alan insists he recognizes this dude and believes he went to high school with us. Thus walks over to talk to the guy, while I’m stuck watching more of this Foley horseshit. 

He does keep the conversation mercifully brief, returning to explain, as we leave, that this was Aaron Little, an upperclassman who used to have really long hair back in our teenage years. The name does sound somewhat familiar, although I’m still astounded that Alan picked him out in there. After Alan explained that he plays the drums, Aaron mentioned that he has a little basement studio at his place over in Clintonville, and is looking to assemble a band. The two of them then exchanged numbers. 

February 7 – Superstar Rookie/Salthorse show at Little Brothers.

February 9 Local Color show at Not Al’s Rockers.

February 15 – a Cajun band named File (there should be an accent mark over the e, though I’m too lazy to figure that out at the moment) plays at Little Brothers.

Also, the professor of piano at Denison University, Stephen Zank, travels a short distance up the road to put on a performance here. It’s a free concert held at the Graves Recital Hall on Karl Rd, start time 4pm

And then a little later on, at 6pm, OSU’s Concert and Symphonic Bands take the stage at the Wexner Center. This one is free of charge, too.

February 18 – Secretary of State Madeleine Albright comes to St. John Arena to discuss a possible invasion of Iraq. The crowd is out of control, booing & challenging her every point, a disastrous town meeting that’s broadcast live on CNN.

February 26 – The OSU men’s hockey team plays its final game at the Ice Rink.

February 28 – And then two nights later, its men’s basketball team closes out the St. John Arena era with an overtime loss to Penn State. Both programs, along with the women’s b-ball, are moving to the Schottenstein Center when it opens in the fall.

March 7 – Drexel Grandview has a one-off midnight showing for the Neil Young tour documentary, Year Of The Horse. This is my first visit to this theater. I count an attendance grand total of 8 – although it’s worth noting and kind of cool that none of us leave until after the end credits have finished.

March 17 – St. Patrick’s Day Irish Fest event at Vets Memorial. I’ve just gotten home from work when Alan & Snoop breeze in, want to know if I feel like going. The ticket price ($10) is a bit too rich for my blood, however. “Mine too,” Alan admits, “but I figured what the hell.”

My coworker Kathleen is having a party at her place later, which is mainly what I’m concerned about. We agree to meet up after they leave the Irish Fest and hit this party. As it turns out, which seems like an amazing coincidence, Snoop lives at 100 W. Maynard, Kathleen in an apartment at 161. So Alan, Snoop, some of his roommates and I walk down to the party. One of Snoop’s friends, John S, takes one look at some of the people on the balcony, before we’ve even reached the building, says, “oh no. Huh uh. I’m outta here,” turns around and walks back to the house. We’re cracking up because it’s hard to imagine what would’ve provoked this reaction.

Uncle Sam’s Dream Machine play at Ruby Tuesday. Alan and Snoop cap off the festivities over there watching them. It’s a weird night even by St. Patty’s standards and Damon had been at Ruby’s earlier himself, before he and I join forces for a breakfast run over to Sugar Shack.

March 28

Guided By Voices show at Bernie’s Bagels. For an in depth rundown of the club’s events calendar, please visit that page.

April 7 Dick Dale show at the Newport. For a full recap of their 1998 events (and beyond), please click the link to visit that page.

May 9 – George Strait is at the Horseshoe, selling upwards of 70,000 tickets for this StraitFest show. That’s nearly twice of what U2 managed a year earlier, and more than even the Rolling Stones moved, last September. Who said this wasn’t a cow town? Our friends Mandy and Melissa and Mandy’s mom attend the concert, parking at our house and hanging out for like 5 minutes before walking down there.

May 13 – Some crappy band named Buddha’s Toothbrush is playing at Victory’s. This I know because Damon, Alan, and I somehow get the bright idea to check out that scene on a Wednesday. It’s completely dead. A few hot chicks but not many. In fact, some guy comes up and asks us, “is this a gay bar? I’m from out of town.”

We tell him no, then once he’s out of earshot, Damon jokes that he felt like adding, “no, but if you’re looking for one…,” and then making up some directions.

Each of us have exactly one beer apiece – who could afford more than one here? Although they do have a single redeeming feature, which is pizza for 80 cents a slice on Wednesdays. This is the kind of thing you tend to forget entirely, that Victory’s did (and may still) serve not just pizza but surprisingly decent pizza. I don’t remember this at all, but it says so in my notes. Anyway, we scarf down a couple of slices each, then split this lame establishment in favor of karaoke night at Woody’s.

May 20 – Alan and Larry attend Creed show at Newport. I’m invited but am not interested in going.

It’s a strange night all around. By the time those two return, we have a mini gathering shaping up at our house. But though I almost never come down with even the slightest cold, I’m feeling majorly ill out of nowhere and will spend the entire night in my bed, missing the festivities altogether. Meanwhile, a house that’s basically across the street from us burns to the ground. I have my windows open and can hear the crackling flames, as their orange lights dance around my dark bedroom, while the firemen shout instructions to one another, and people in our kitchen discuss what’s happening as they crane their necks for a look.

May 27 – Superstar Rookie are at Cafe Bourbon Street. Alan and Damon attend this show.

June 8 – Damon and I are walking to Not Al’s Too, and are right behind Bernie’s when Dave Copper exits the back door with some drums in his hand. Whatever hour this is, he just finished playing, but says it’s for another band and not Superstar Rookie. Dan and Travis and some other friends are down there at the bar anyway, but we don’t bother going in. As it turns out I forgot my ID and can’t get into Not Al’s.

June 10 – Swervedriver and Spoon show at Little Brothers, which I’m lucky enough to attend for free.

August 2 – This appears to be the day that OSU’s student newspaper The Lantern went live online, or at least uploaded a bunch of older content. It took me a little while to figure this out, and was creating some major confusion when attempting to verify dates in the event calendar – like for Stache’s, which went out of business in May of ’97. Stumbling onto a Lantern entry for 8/2/98 saying bands were playing at Stache’s “this weekend” sent me down a short lived rabbit hole, wondering if there was a brief revival for this legendary venue, and I never heard about it.

September 23 – Jill and I attend an Aerosmith show at Polaris Amphitheater. Monster Magnet opens. She’s decided that dreadful ballad from Armageddon is “our song” (guys have no say in matters like these), and they play that, sure, but otherwise it’s a pretty killer show. The two Joes in the band are amazing. Perry’s guitar tone is out of this world, and Kramer’s a complete animal on the drum kit. Monster Magnet are decent, although the only thing I remember distinctly is that they played Space Lord last, of course, and the crowd really got into belting out the chorus – that’s actually somewhat unusual for an opening act, in my experience. Jill’s wearing open toed sandals and by the end of the night, the dewy lawn has frozen her feet half solid.

October 1 Gloritone, Superstar Rookie, 84 Nash, The Deal at Little Brothers

November 23 – WWF’s “Monday Night Raw” is filmed at the Schottenstein Center. Shaggy 2 Dope and Violent J of Insane Clown Posse are “with” some crew called The Oddities, whatever that means. They lose to an awesome sounding duo called The Head Bangers (Mosh & Thrasher). The Rock wins to hold onto his championship crown. Andy Kaufman’s buddy Jerry Lawler is one of the commentators.

December 28 I think Superstar Rookie might have played a show on West Oakland somewhere.